Sunday, August 23, 2026

live music

LiveMike CosmicReview

Live Music Review: Part Time with Gary Wilson at Barracuda

Part Time rolled back into Austin to play Barracuda last Friday, this time joining forces with the legendary experimental music prodigy Gary Wilson. The ambitious tour started in Tucson, Arizona, passed through central Texas before heading out to the east coast and circling back to Denver to complete the tour.

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Brian HillsmanLiveReview

Live music review: Wand delivered spellbinding magic at Mohawk Austin

While the outdoor stage was booked with the likes of Black Joe Lewis and Emily Wolfe, The smaller, more intimate indoor venue was blessed with the psychedelic, ultra-creative musical stylings of the Los Angeles-based five-piece, Wand.

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Brian HillsmanLiveReview

Live music review: An Automatic Weekend at Austin’s Dozen Street

On a recent Friday night in Austin, late June in the dimly-lit, Dozen Street Bar in East Austin’s burgeoning 12th street scene, the enticingly thick smell of gumbo and fried oysters flooded the air like a lure from the Cajun restaurant next door. Automatic Weekend…

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Brian HillsmanLiveReview

Live music review: Tacocat, Paranoyds brought power-packed shows to Barracuda

Meanwhile, the indoor stage at Barracuda offered a relentlessly stacked show featuring Tacocat with support from L.A.’s Paranoyds and Cosmic Chaos. Three bands that know how to attack a crowd like an angry swarm of Texas mosquitoes.

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Greg AckermanLiveReview

Live music review: A two-night stand for the ages by Beach House in Seattle

It’s been a perfect storm or more accurately a comedy of errors that have allowed me to miss Beach House over the years of touring in Austin. The band would come play ACL’s Moody Theater and I’d be out of town on tour with one of my own bands.

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Brian HillsmanLiveReview

Live music review: L7 brought remedy for political unease

The 1990’s were a helluva time for music. Grrrl rock, heroin chic and flannel all featured prominently in the music scene.  At the heart of it all was Grunge music made by the likes of Nirvana, Pearl Jam, Mudhoney and similar artists. Near the center of that magical era was L7. The Los Angeles, all-female, four-piece began their collective career in the mid-80’s. In the 1990’s, the group toured with the likes of Alice In Chains, Beastie Boys, and Pearl Jam.

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Brian HillsmanLiveReview

Live music review: Deerhunter slayed at Mohawk Monday with surprise guest

There is something refreshing when a band consists of members playing various roles within its construct.  Throughout their set at Austin’s Mohawk on Monday, Deerhunter band leader Bradford Cox managed tambourine, guitar, bass and lead vocals. Javier Morales masterfully operated the keyboard, synthesizers and saxophone. Guitarist Lockett Pundt took over lead vocals in a crowd-moving execution of song, “Desire Lines.”

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Greg AckermanLiveReview

Live music preview: Marcus Rezak and Shred is Dead are coming to Austin

A new wave of experimental and improvisational artists are gaining popularity nationwide. Touring progressive music guitarist Marcus Rezak is part of that trend, emerging from the respected music program at Berklee College in Boston to join the ranks of skilled hired guns touring festival stages while working with Digital Tape Machine, Grateful Dead/JGB progressive instrumental act Shred is Dead and Katharsis. Rezak has made his first solo album, “Gateway to the Galaxy” with drummer Kris Myers (Umphrey’s McGee), legendary saxophonist, Bill Evans (Miles Davis), bassist Arthur Barrow (Frank Zappa) and Joel Cummins (Umphrey’s) on keys. Indeed a true super group was assembled for the recording of the record at The Attic in Nashville.

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