One of the greatest joys of live music is when you can tell the band is having a blast. There’s an explosive connection when the music and the people collide. And for Touché Amoré, they came out swinging at the Mohawk, celebrating their masterpiece Stage Four turning ten.
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The band, Baroness came into Texas on the circumstances of opening for Louisiana sludge legends Acid Bath in Dallas, but the great folks at Resound Presents couldn’t let them leave Texas without an Austin appearance. With longtime drummer Sebastian Thomson having to opt out days before travel, the band had to find a fill-in drummer to stand in for the run. Despite this, the veteran Georgia born, Philly-based quartet arrived at Southeast Austin’s Radio East and delivered a jam-packed show.
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The 2025 reunion of Louisiana hardcore metal legends Acid Bath has been triumphant, as it heads into its second year of gigs featuring stacked lineups and fans showing up by the thousands to experience it. At White Oak Music Hall near the Houston Heights area, a diehard crowd showed up ready to experience the short-lived yet massively influential out-of-the-swamp sludge kings. Acid Bath’s reunion tour is going on a year strong. Each show features extreme metal legacy acts and rising underground metal hardliners. For the March 28 stop, Acid Bath brought Houston brutal death metal outfit Stabbing, H-Town black metal institutions Necrofier, legendary Oakland power trio High on Fire, and Tampa death metal legends Obituary. A bone-crushing lineup of all proportions, this gig didn’t lose its hell-raising spark until the last note.
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On March 14, SoundMass will gather at The 13th Floor for Cosmic Plants Clash IV, the SXSW day party our publication and Play to the Plants has produced at the venue the past four years. We’ve invited the group, which is really two awesome post-rock bands, Austin’s my education and Salt Lake City’s Theta Naught combined. The merging of the two acts produces a powerful, orchestral style performance with rock instrumentation. With two of every instrument, the stage becomes crammed with talented musicians which is basically our ideal scenario. Today we’re premiering SoundMass’ latest single, “Last Gasp.”
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Minneapolis legends, Atmosphere, brought a crew of hip hop elites to ACL Live at the Moody Theater on their Winter Carnival tour on February 6. The performance showcased prominent contemporaries of hip hop before the duo commanded the attention of each concertgoer in the room during their performance.
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Amherst, Massachusetts screamo legends Orchid came through Austin and led a stacked bill on January 20, a show that felt
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Free Week returned to the Red River Cultural District last weekend, marking another successful year of cover free showcases that benefit local businesses throughout downtown Austin. The RRCD non-profit presents Free Week to keep venues and other establishments running during the slow period in both the service and music industries for employees and musicians until the Spring. With 80+ artists across 10+ venues, Free Week 2026 proved a massive success, as thousands attended to welcome yet another year in the vibrant Austin scene. The Cosmic Clash team participated in both days of the festival and wanted to highlight what stood out to us about the extravaganza.
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I have a deep love for The Get Up Kids. Their 1999 classic Something to Write Home About is an all-timer for me—one of those records that somehow still hits the same decades later. (I’ve been caught hoarse-singing along to “Action-Action” more than once in my life.) So when word came down that frontman Matt Pryor is dropping back into town, armed with nothing but an acoustic guitar, I was immediately in.
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Free Week in Austin’s Red River Cultural District returns this coming weekend on January 9 and 10, bringing yet another array of cover-free showcases to the downtown area to kick off 2026 with live music from the city’s fruitful scene. The event will feature a baker’s dozen venues and over 80 performing artists to showcase Austin’s nightlife. The RRCD is managed by the Red River Merchants’ Association, a coalition of over forty local small businesses found within the District, which include not only live music venues, restaurants, hotels, retail shops, and other small businesses, but also the Austin Symphony Orchestra, First Baptist Church, German-Texan Heritage Society, and Waterloo Greenway.
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Los Angeles by way of Brooklyn electronic duo Sextile returned to Austin for a third time in 2025 to end the year with a loaded bill on Saturday night at Empire Control Room and Garage. The stacked lineup included Nashville egg punk extraordinaries Snooper along with local band appearances from Gus Baldwin & The Sketch, Alma Muneca, Mugger, and The Opera who are Cosmic Clash SXSW Webberville Block Party vets.
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If you haven’t taken a trip to the new location for Austin’s legendary metal stronghold, The Lost Well, put a pilgrimage to the East Austin music venue high on your to-do list. The Lost Well returned in August this year with a vengeance, and the gig calendar has been stacking back up to a blistering, business-as-usual. According to owner Marcello Murphy, Tuesday night (December 16) for Wilmington, North Carolina doom metal act, Weedeater was the new Austin space’s biggest ticketed show yet.
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