Friday, April 24, 2026
The Cosmic Clash

hard rock

Baroness Radio East Justin Clark
Case CockrellLive MusicReview

Live music review: Philly Sludge legends Baroness stopped at Radio East on Friday

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The band, Baroness came into Texas on the circumstances of opening for Louisiana sludge legends Acid Bath in Dallas, but the great folks at Resound Presents couldn’t let them leave Texas without an Austin appearance. With longtime drummer Sebastian Thomson having to opt out days before travel, the band had to find a fill-in drummer to stand in for the run. Despite this, the veteran Georgia born, Philly-based quartet arrived at Southeast Austin’s Radio East and delivered a jam-packed show.

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Puscifer Bass Hall Troy Gonzales
Case CockrellLive MusicReview

Live music review: Experimental rockers Puscifer played Bass Hall on their Normal Isn’t Tour

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Maynard James Keenan is 61 years old and still works with three bands, releases music at a steady rate, and still tours the globe like he’s 31. From fronting the progressive metal behemoths Tool, hard rock supergroup A Perfect Circle, and on Tuesday, March 24, at Bass Concert Hall with experimental rock stage spectacle-makers Puscifer, Keenan and his meticulously chosen associates take on his utmost creative oddities with undeniable passion. Like his outsized arena outfit Tool, Puscifer has maintained consistent membership throughout their history that sculpts a well-oiled machine that showcases Keenan, English co-vocalist Carina Round, and multi-instrumentalist Mat Mitchell, feeding the loyalists once again with their latest studio record Normal Isn’t for their 2026 tour that demonstrated no creative burnout – and a statement on the current concert industry itself.

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Osees by Drew Doggett
Case CockrellLive MusicReview

Live music review: The best music we saw at SXSW 2026

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The 2026 edition of South By Southwest (SXSW) music festival launched last Thursday with its inaugural all-concurrent format. Conferences ran from kickoff Thursday to the following Wednesday. The festival allows attendees to discover new acts, revisit favorites, and expand their horizons. Miles of walking and a steady food truck diet defined a packed SXSW featuring both legacy acts and emerging stars. The Cosmic Clash team covered highlights throughout the event and wanted to share what stuck out to us over the long week of music. Despite a shortened music schedule and no second weekend, there was plenty to see as we navigated around Austin throughout the seven-day expedition. 

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Megafauna 2026 Michael Worchel
Greg AckermanLive MusicPreview

Live music preview: Megafauna and Slomo Drags premiere singles, play Mohawk February 6

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This Friday, January 6 Andrew Cashen and Disciples of Creation are set to headline Mohawk. We love Cashen’s solo act as well as his other projects, A Giant Dog and Tear Dungeon but we’re here to tell you about a couple of impressive singles dropping this week from veteran Austin acts, Megafauna and Slomo Drags who are on the bill with the singer. Both bands have new songs to share with fans while they prepare to release more material in 2026 and perform for fans Friday evening at the crown jewel of Red River Cultural District rock clubs. The entire bill is worthy of any real Austin music fan’s attention with the three aforementioned artists, along with Transit Method and DJ Dead Flowers. The whole shebang is presented by 101X Homegrown and show host John Laird who knows a thing or two about Austin music.

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Primative Man Empire Control Room Justin Clark
Case CockrellLive MusicReview

Live music review: Primitive Man played Empire in Austin for rare late-year gig

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It can be hard to gauge what attendance at late-year gigs in Austin will be like. There are tons of shows, festivals, and other events going on in town 365 days a year. People’s wallets can run dry around the holidays, and people are spending less discretionary income. For Denver deathdoom outfit Primitive Man’s December appearance at Empire Control Room in the Red River Cultural District on December 9, a thin, but dedicated gauntlet of fans showed up to experience the slow and low, deafening spectacle of the Colorado extreme metal band. Bringing a bill that proved eclectic and all over the place sonically, the evening on Red River didn’t disappoint for performances filled with harsh experimentation and maximum cranium-shaking riffs from the headlining event.

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Murder City Devils 4 Mohawk Troy Gonzales
Live MusicReviewRobert Dean

Live music review: Murder City Devils brought rock and roll fury to Mohawk

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I love a show where the band is not there to fuck around. No small talk, no rare material, no rambling monologues about the world. Just pure rock and roll fury. At the Mohawk on Sunday, November 23, The Murder City Devils crashed into Planet Austin and left no survivors. The band barely tours anymore—just fly-in one-offs where they show up, sell the same three merch designs they’ve had for twenty years, and play the hits.

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QOTSA 3 ACL TV Nov 20
Live MusicReviewRobert Dean

Live music review: The seance will be televised – Queens of the Stone Age ACL TV taping

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Marcel Proust was a dark-minded poet-philosopher, once musing: “Our vanity, our passions, our spirit of imitation, our abstract intelligence, our habits have long been at work, and it is the task of art to undo this work of theirs, making us travel back in the direction from which we have come to the depths where what has really existed lies unknown within us.” Imagine him at a Parisian café with Queens of the Stone Age mastermind Josh Homme, trading cigarettes and wine. Would they challenge death or toast to it? These thought and more came as QOTSA’s Austin City Limits TV taping took place on November 18 at ACL Live. 

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Boris Mohawk Drew Doggett
Case CockrellLive MusicReview

Live music review: Boris brought metal shapeshifting to Mohawk

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Heavy metal in 2025 is in a healthy, hell-charged state. Bands are experimenting with the genre like Deafheaven, Full of Hell, Sunn O))), and even Austin acts like Portrayal of Guilt. For Tokyo, Japan’s Boris, a wave of extreme metal shapeshifting has paved the way for an everlasting gauntlet that’s redefining heavy music for 2025. With releases that dabble in drone metal, doom metal, and noise/experimental rock, Boris arrived for a Tuesday night gig in downtown Austin that came as a stop on their US tour to celebrate the 20th anniversary of their landmark tenth studio album Pink. For their third local appearance in two years, the Japanese berserkers stormed the stage at Mohawk in the Red River Cultural District yet again to astronomical results. 

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Live MusicReviewRobert Dean

Live music review: Nuclear Daisies make a splash at Hotel Vegas

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Every once in a while, you’ll be at a show and wag your finger because you just know. That familiar light pops on that a music nerd can recognize when the band onstage isn’t just another local band; they’ve got the sound that moves beyond “this is good” to “this is international.” I’ve been to easily over a thousand shows in my life. I have seen many a band. Sometimes, you catch a Spiritual Cramp and can see from a million miles away, “these guys are gonna blow up,” and slowly but surely, those tours keep getting bigger. I said the same thing about Fontaines D.C., and after catching Austin’s Nuclear Daisies onOctober 28 at Hotel Vegas, I think it’s pretty obvious they have all the correct DNA to make a splash. Some of us can remember when Die Spitz was playing Chess Club. Now, they’re headlining Stubbs.

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Die Spitz Stubb's Drew Doggett
Case CockrellLive MusicReview

Live music review: Die Spitz sold-out Stubb’s for debut album release

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A sold-out show at Stubb’s Waller Creek Amphitheater in Austin can be one of the most treacherous live music experiences in the downtown area. For the occasion of hometown heroes Die Spitz, exceptions had to be made to celebrate their debut album release Something To Consume via Jack White’s Third Man Records on Friday, October 24. The Austin hard rock quartet has been busy the last couple of years, racking up multiple headlining tours, opening slots for the likes of Amyl & The Sniffers, Viagra Boys, and Sleater-Kinney, and dropping new tracks ahead of their recent full-length studio release. For their homecoming after multiple stints worldwide, Die Spitz brought fellow Austin acts The Opera and Fuck Money to help them celebrate this monumental occasion. 

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Coalesce promo photo
Live MusicReviewRobert Dean

Live music review: Coalesce Invented Your Favorite Band and You’ve Probably Never Heard of Them

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One of the joys of the chaotic internet is that legendary bands never truly die—they just slumber beneath the surface, waiting to drag themselves from the muck like Godzilla and roar back into the stratosphere. Coalesce, the Kansas City hardcore pioneers who helped birth metalcore in the ’90s, has been one of those beasts. During my annual hometown pilgrimage to Chicago this July, I discovered Coalesce was playing with local post-metal heavies Pelican at the gorgeous Thalia Hall in Pilsen. Having not seen them since probably 2000 or 2001, I had to witness whether middle age had dulled their legendary violence.

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