Saturday, October 3, 2026

black metal

Case CockrellLive MusicReview

Live music review: Squid Pisser hosted packed metal lineup at Lost Well

Los Angeles hardcore supergroup Squid Pisser hosted a packed lineup at Austin metal stronghold The Lost Well on Thursday, August 27, bringing their horror-infused attack to town. The masked outfit shares members with GWAR, Cancer Christ, Duck Duck Goose, and more. The Lost Well’s Airport Boulevard location is thoroughly broken in now, the bookings keep stacking up, and the underground metal scene keeps flourishing under the ownership of longtime Austin venue operators Marcello and Tasha Murphy.

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Case CockrellLive MusicReview

Live music review: Blackwater Holylight drew diehards in droves to Radio East Tuesday

The industrial area of southeast Austin carries a unique vibe. With no gentrification within yelling distance (or amplified music distance) in our case, there’s not much worry about noise complaints and the fuzz coming with the decibel reader to dock the venue for “Rock and roll mischief.” For Los Angeles-based via Portland shoegaze outfit Blackwater Holylight, an early-week bill on Tuesday evening at Radio East drew Austin diehards in droves to experience the Austin Psych Fest alums alongside local favorites, Glassing and The Well. With new LP Not Here Not Gone showcasing their multi-layered brand of luscious psych-infused soundscapes, the Blackwater quintet accounts for all the sounds that make up their dreamy biome.

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Case CockrellLive MusicReview

Live music review: Boris brought metal shapeshifting to Mohawk

Heavy metal in 2025 is in a healthy, hell-charged state. Bands are experimenting with the genre like Deafheaven, Full of Hell, Sunn O))), and even Austin acts like Portrayal of Guilt. For Tokyo, Japan’s Boris, a wave of extreme metal shapeshifting has paved the way for an everlasting gauntlet that’s redefining heavy music for 2025. With releases that dabble in drone metal, doom metal, and noise/experimental rock, Boris arrived for a Tuesday night gig in downtown Austin that came as a stop on their US tour to celebrate the 20th anniversary of their landmark tenth studio album Pink. For their third local appearance in two years, the Japanese berserkers stormed the stage at Mohawk in the Red River Cultural District yet again to astronomical results. 

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