Saturday, October 24, 2026

punk rock

Case CockrellLive MusicReview

Live music review: Toronto Psych Punks Wine Lips at 29th Street Ballroom

Touring costs keep climbing, the tariffs keep stacking, and the U.S. is barely on speaking terms with its neighbors. Add corruption and wars nobody asked for. You’d forgive a Canadian band for skipping the U.S. leg of their tour. Toronto psych-punk risers Wine Lips came down anyway, keeping up a regular Austin habit with one of their best visits yet. Their opening slot for Death From Above 1979 got scrapped, and they still landed at 29th Street Ballroom, a few blocks off the UT campus, on Monday, October 19. With TV Dinner, a new album that doesn’t ease off the party one bit, 2026 has been shaping up as the year nothing slows them down.

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Case CockrellLive MusicReview

Live music review: Chat Pile played like demolition crew at Radio East

Oklahoma City’s Chat Pile named themselves after the gray hills of mine tailings that still sit over northeast Oklahoma. The Picher field supplied more than half the lead and zinc used in World War I, and the waste, called chat, was left in the open for decades. Families picnicked on it. Kids sledded down it. Nobody tied the piles to the lead in those kids’ blood until much later, and by then Picher was on its way to becoming a ghost town. The OKC quartet sounds like that debt being collected. At Radio/East on a Thursday night, they played like demolition crew, and Austin, a city that has always made room for bands willing to inflict pain, took every hit. Who Loves the Sun is the latest in a catalog that keeps getting heavier and angrier, and nothing about this set suggested they plan to let up.

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Live MusicMatt BassReview

Live Music Review: Fiddlehead played surprise pop-up show at Alewife Station in Boston

Hours after playing a once-in-a-lifetime bill at Portland, Maine’s Thompson’s Point with Dinosaur Jr and Turnstile, Boston post-hardcore legends Fiddlehead weren’t ready to end their weekend just yet. At 2:30 a.m. on the morning of Sunday, September 27, a post came across my social media feed announcing a pop-up show at the MBTA’s Alewife Train Station in Cambridge, MA – going down in 12 hours. The post read “we may get shut down, we may be able to get thru one song or maybe multiple…” – by the morning the post was gone – but the word was out. An Instagram story confirmed the band would be playing around 2:30 p.m., telling people to show up early, but not too early and encouraging attendees to respect employees and commuters around them.

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Live MusicReviewRobert Dean

Live music review: Nevermind the Bollocks, Here’s My Sex Pistols Review

Getting your first copy of Never Mind the Bollocks, Here’s the Sex Pistols is a rite of passage for kids getting into punk rock. Somewhere around 13–16 years old, everyone manages to get a copy of that record, either as a gift, a burned CD, or because someone’s hot older sister shoved it into your hands. Well, that’s how it went in my day. Now we’ve got playlists and Spotify, so the natural order of things has changed. But whatever. Kids are still finding out about the Sex Pistols, and that’s always a good thing like they did September 12 at Emo’s.

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Brian HillsmanLive MusicReview

Live music review: Opening Levitation night with Bikini Kill, Die Spitz, Gibby Haynes Butthole Surfers Mania

Levitation 2026 officially kicked off on Friday, September 11. South Austin’s Far Out Lounge hosted a doozy of an opening night, featuring a Butthole Surfers reunion show—officially deemed Gibby Haynes: Butthole Surfers Mania —that stunned, followed  by Die Spitz, and Bikini Kill. The show was completely sold out.

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Live MusicReviewRobert Dean

Live music review: Social Distortion Sang Their Hearts Out at Moody Amphitheater

Attending Social Distortion’s show at the Moody Amphitheater, on August 28, it was probably my tenth time seeing the band. I know what to expect at one of those shows: lots of gray hair, lots of parents trying to pass on their music to their kids, and those on the come up looking back to the classics as something of their own. Catching Australia’s The Chats was a plus;

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Case CockrellLive MusicPreview

Live music preview: Six bands to see as Levitation returns to multi-venue format

Levitation returns to Austin September 10-13. Founded by members of The Black Angels and rooted in the city’s psych scene, the fest outgrew that single genre label a long time ago, with lineups running doom metal, darkwave, punk, and electronic acts alongside the psychedelic elements. After centering 2025 at Palmer Event Center, it’s back to the multi-venue format that’s anchored the fest since 2018. The Far Out Lounge & Stage on South Congress carries 2026’s main programming, with showcases scattered across downtown filling out the rest. Here’s who’s worth building your schedule around curated by The Cosmic Clash team. 

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Live MusicMatt BassReview

Live music review: Miracle Blood engulfs Davis Square at Somergloom, fire department called in

Friday (August 7) evening marked night two of four of Somerville’s annual Somergloom Festival, and the first night at Davis Square’s iconic Crystal Ballroom. Fresh off a 15-date tour spanning the U.S. and Canada, Boston noise-punk power trio Miracle Blood brought a scorching, powerful set to the chandelier-clad ballroom and an eagerly awaiting hometown crowd as the band engulfed Davis Square at Somergloom Festival.

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Live MusicReviewRobert Dean

Live music review: Legendary punks ALL played Chicago’s Thalia Hall for a rare treat

Whenever someone goes to see Descendents or ALL, there’s one universal truth: we’re all there, at least in part, to pay homage to Bill Stevenson, a legendary punk rock pioneer. The band played Chicago’s Thalia Hall on Wednesday, August 5.

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OpinionRobert Dean

Thank you Lou Koller and Sick of It All

Unfortunately, that September, it was back. He kept going anyway, through what would have been the band’s 40th year together, the band he’d started with his brother in Queens back in 1986. He died on July 24, 2026, at 59, the disease finally outrunning him after two years of him refusing to let it define the band or the music. His bandmates put it simply: his fight was over, and he could finally rest.

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Case CockrellLive MusicPhotos

Photo Gallery: Hot Summer Nights 2026 brought the heat to Austin’s Red River District

The annual sweat-fest, Hot Summer Nights returned to the Red River Cultural District last weekend, marking another successful year of cover-free showcases that benefit local businesses throughout downtown Austin. The RRCD neighborhood non-profit presents the free showcases to keep venues and other establishments busy during the summer slow period in both the service and music industries for employees and musicians until the things pick back up in the Fall.

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