Wednesday, July 15, 2026

punk rock

Case CockrellFeatureInterviews

Interview: Hard living writer Robert Dean has gotten sober and his work is better than ever

Robert Dean is sober, home by eleven most nights, and still writes about the years he wasn’t. The author, reporter, and jack-of-all-trades commentator arrived in Austin after a lengthy stint in the gnarliest place in the United States – New Orleans. A place like Austin, despite its lingering issues, doesn’t even come close. Born in Chicago, Dean’s interests revolve around social issues, transgressive humorism, and an undying loyalty to the greats of hardcore punk and heavy metal. With roots in the likes of Hunter S. Thompson, Charles Bukowski, and Jack Kerouac, the Midwestern raconteur immersed himself in a hard-living lifestyle to channel the antics of his literary heroes. Now, Dean has surrendered the bottle for the better part of two years. In his latest book, “Red Eye,” a collection of stories recounting world travels, drunken mistakes, and commentary about the best, and worst, parts of Austin, leads to a fulfilling life that leaves the barfly regrets behind – for good. We sat down with Robert Dean on 7th Street in downtown Austin to discuss his writing career, posting up in Austin, and the vices that come with them. 

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Case CockrellLive MusicReview

Live music review: The best music we saw at SXSW 2026

The 2026 edition of South By Southwest (SXSW) music festival launched last Thursday with its inaugural all-concurrent format. Conferences ran from kickoff Thursday to the following Wednesday. The festival allows attendees to discover new acts, revisit favorites, and expand their horizons. Miles of walking and a steady food truck diet defined a packed SXSW featuring both legacy acts and emerging stars. The Cosmic Clash team covered highlights throughout the event and wanted to share what stuck out to us over the long week of music. Despite a shortened music schedule and no second weekend, there was plenty to see as we navigated around Austin throughout the seven-day expedition. 

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Case CockrellLive MusicPreview

Live music preview: Six more buzz bands to see at SXSW 2026

The 2026 South By Southwest (SXSW) music festival is days away. The roster of music festival artists can seem overwhelming at first glance. With a lineup that can satisfy every kind of music lover, The Cosmic Clash is bringing you six more buzz bands you should put on your list for the upcoming long week of music in Austin. All set times, along with venues, can be found on the SXSW website and the SXSW GO mobile application.

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Case CockrellLive MusicReview

Live music review: Free Week returned in 2026 with cover free showcases

Free Week returned to the Red River Cultural District last weekend, marking another successful year of cover free showcases that benefit local businesses throughout downtown Austin. The RRCD non-profit presents Free Week to keep venues and other establishments running during the slow period in both the service and music industries for employees and musicians until the Spring. With 80+ artists across 10+ venues, Free Week 2026 proved a massive success, as thousands attended to welcome yet another year in the vibrant Austin scene. The Cosmic Clash team participated in both days of the festival and wanted to highlight what stood out to us about the extravaganza.

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Case CockrellLive MusicReview

Live music review: Electronic duo Sextile returned to Austin with stacked local bill

Los Angeles by way of Brooklyn electronic duo Sextile returned to Austin for a third time in 2025 to end the year with a loaded bill on Saturday night at Empire Control Room and Garage. The stacked lineup included Nashville egg punk extraordinaries Snooper along with local band appearances from Gus Baldwin & The Sketch, Alma Muneca, Mugger, and The Opera who are Cosmic Clash SXSW Webberville Block Party vets.

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Live MusicReviewRobert Dean

Live music review: Old school punks The Bouncing Souls and H2O played Empire last Sunday

As an official Old Head, it’s an experiment in time for me: I got into punk in the early ’90s, and now that it’s 2025, I’m somehow in my fourth decade of this thing. The people we looked up to — and the kids I was crammed shoulder-to-shoulder with at basement shows — are now comparing cholesterol scores and scheduling their first colonoscopy. So when The Bouncing Souls and H2O rolled into town on Sunday, I got off my Rascal scooter and made my way down to enjoy the cool sounds of bands who’ve been around for thirty years, joining the rest of the AARPunks at Empire Control Room.

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Case CockrellLive MusicReview

Live music review: Big Bill Ball 8 at Radio East offered accurate snapshot of Austin music scene

The eighth annual Big Bill Ball at Radio East in the Southeast part of town, marked another celebration of the Austin scene, offering a snapshot of local music in 2025 with a six-band bill featuring some of the best active acts in the Austindie sphere. For this year’s installment, the philosophical art punk mainstays celebrated the release of their new studio LP, Sick Myth. Continuing the Big Bill way of inclusive activism through comedic lyrical punchlines and a variety of punk rock angles, the one-day event gave attendees one of the most coveted evenings of live music in 2025 during Saturday night’s (November 22) gig at the southeast Austin backyard venue. The mini-fest was co-sponsored by famed photographer and show promoter, Pooneh Ghana for the annual showcase.

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Live MusicReviewRobert Dean

Live music review: Murder City Devils brought rock and roll fury to Mohawk

I love a show where the band is not there to fuck around. No small talk, no rare material, no rambling monologues about the world. Just pure rock and roll fury. At the Mohawk on Sunday, November 23, The Murder City Devils crashed into Planet Austin and left no survivors. The band barely tours anymore—just fly-in one-offs where they show up, sell the same three merch designs they’ve had for twenty years, and play the hits.

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Case CockrellLive MusicReview

Live music review: Emo originals Cap n Jazz played Mohawk last Monday

The Midwest Emo Kinsella dynasty feels everlasting in 2025. For this outing, the emo originals Cap’n Jazz made their way to Mohawk in the Red River Cultural District on Monday night to assert a legacy that proved undeniable for an endless gauntlet of bands that came after them. Frontman Tim Kinsella, guitarist Nate Kinsella, and drummer Mike Kinsella remain a staying force within their niche. With all the records between them, the music has never halted, with over 35 years of nonstop creativity and touring. With bands like Owls, American Football, Joan of Arc, Owen, and many more making up their rotation of projects throughout the last few decades, the Kinsellas feel like they can’t miss. 

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Brian HillsmanLive MusicReview

Live music review: Viagra Boys sold-out night one of Levitation’s Halloween Freakend

Viagra Boys performed at South Austin’s Far Out Lounge in front of a sold out audience, in what might have been the most crowded the venue has ever been. 3500 fans showed up for the opening night of the two-day Halloween Freakend mini fest, put on by Levitation and Resound Presents on Friday and Saturday.  The Black Lips, Bitchin’ Bajas, J’Cuzzi, and Stereo Lab all turned in fantastic sets on night one. The headliner, however, was Swedish post-punk rockers, Viagra Boys.  After previous plans to perform in Austin were cancelled, the jubilant crown was beyond excited to finally catch the vaunted post punks.

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Case CockrellLive MusicReview

Live music review: Die Spitz sold-out Stubb’s for debut album release

A sold-out show at Stubb’s Waller Creek Amphitheater in Austin can be one of the most treacherous live music experiences in the downtown area. For the occasion of hometown heroes Die Spitz, exceptions had to be made to celebrate their debut album release Something To Consume via Jack White’s Third Man Records on Friday, October 24. The Austin hard rock quartet has been busy the last couple of years, racking up multiple headlining tours, opening slots for the likes of Amyl & The Sniffers, Viagra Boys, and Sleater-Kinney, and dropping new tracks ahead of their recent full-length studio release. For their homecoming after multiple stints worldwide, Die Spitz brought fellow Austin acts The Opera and Fuck Money to help them celebrate this monumental occasion. 

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