On Friday, August 12, the crowd at the Moody Amphitheater at Waterloo Greenway (formerly Waterloo Park), was treated to an electric three hours of music on a colorful stage set in contrast against the dark downtown Austin sky. While a full moon shone down from above, the audience swayed and cheered to Father John Misty and Suki Waterhouse’s captivating performances.
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Imagine slow dancing in your bedroom, pressed into your partner, lights dimmed low. Austin-based solo artist NOA calls you to strip down your layers to the most vulnerable core. “Slowly” by NOA starts with light, soulful cymbals and whimsical hi hats to prelude chr0niac’s reggae inspired harmonies on electric guitar.
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Joshua Ray Walker has been on the receiving end of accolades and an uptick in his career for this past year, being featured in the virtual pages of media standards Rolling Stone and Texas Monthly, while wrapping it all up on the road supporting Charley Crockett. On December 19, Walker found himself in the headline slot, bringing his cast of familiar characters to an unfamiliar stage at Coupland Dance Hall, located just 30 miles northeast of downtown Austin.
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relax and let the sweet sounds of new, Maddy Hatchet single, “Rainy Daze,” wash over you. In the midst of a hot and muggy Texas in July, this track serves up sentiment and nostalgia straight to you. Released at the end of May and filled with lovely guitar leads and mellow feels, this track flows with notes of hope and sweet vocal runs while tackling the concept of love with lyrical craftsmanship and an old soul style despite Hatchet’s relative youth.
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First Agnostic Church of Hope and Wonder is Todd Snider’s latest offering. No longer a “kid”, no longer finding his way, he is a mentor to a new generation, though I doubt he sees himself as such. This record is fresh.
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What is better is just recording an entire album of deep cut track by that songwriter that both acknowledges their reverence for the artist, while revealing something of themselves in those songs. Nashville-based, Emma Swift did just that, covering eight of Bob Dylan’s songs on a beautiful little recording called Blonde on The Tracks.
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It was a perfect mix of country and jazz, and personally I felt couldn’t ever be topped. While all Norah Jones subsequent albums were good, I never felt she achieved the humble originality of that first record. Now, after hearing “Pick Me Up Off the Floor”, I realize just how stupid I was
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Collins also makes incredibly good music as you’ll hear on his five-song EP, Headed Home which was released May 31 on his own Side Show Paradise label. The short but powerful EP is the kind of record that leaves you wanting more. That is the hallmark of a gifted songwriter.
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While some of you may have binge-watched your new favorite shows on NetFlix, laid off your diet or shared protest posts on social media, Joshua Lee Turner wrote, recorded, produced, engineered, and accompanied himself on a new recording. Public Life is an intellectual exercise in eclectic beauty, refusing to classify itself into any single genre.
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Although plans for an ambitious summer tour have been canceled due to the COVID-19 pandemic, it has not stopped Primo The Alien from her galactic journey. The synth-pop artist continues to record from the confines of her guest bedroom expanding on her synth-wave legacy. The single “Sexual Affair” was a product of being quarantined for the last couple of months. Today announces the release of the single here at The Cosmic Clash.
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On Valentine’s Day, Canadian singer-songwriter and musical auteur Andy Shauf played Austin’s Mohawk, delivering his unique brand of folk to the Red River District. The soft-spoken lyricist wowed a sold-out venue in an ease-inducing performance that infatuated a sold-out venue of folk fans.
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