Album review: Parker Woodland ready for reckoning with socially conscious new EP
Austin’s favorite justice and joy rock trio, Parker Woodland, is back with their new EP, Police On My Back: Singles
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Album Review: Austin’s Paper Sister release dreamy and punchy Quiet Betrayals EP
The new record, Quiet Betrayals is the first EP release by the four-piece band from Austin, Paper Sister. Combining elements of shoegaze and post-punk, dream pop, and indie alt rock, the 6-track EP highlights selected singles over the past couple years, with some releases as recent as April of this year. The dreamy and punchy EP featured a release party presented by 101X Homegrown Live at The 13th Floor on May 29 with French Film, Feedr, and Variety to celebrate the group’s new recording.
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Album Review: The Division Men to drop star studded album Hymns and Fiery Dances August 22
El Paso duo, The Division Men haven’t released an album in eight years. Their last album, Ninos Del Sol, was released in 2018 and featured a star-studded lineup of musicians; Rafael Gayol (Leonard Cohen), Steven Hufsteter (The Quick, Tito & Tarantula), Jay Reynolds (Asleep at the Wheel), and Jake Garcia (Black Angels) to name a few. Their new album, Hymns and Fiery Dances is nothing short of genius. The record drops August 22 everywhere you listen to music.
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Album review: latest record moisturiser by Wet Leg shows creative growth
Isle of Wight duo (now a five-piece quintet) Wet Leg, released their sophomore LP on July11. The album, moisturiser, continues with the energy of their debut release, but also displays more focus and complexity in the band’s creative growth. Ahead of the UK act’s Austin City Limits Music Festival appearance this October, we’re sharing our thoughts on the upstart group’s new record which was released on July 11 on Domino Records.
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Album Review: Vital punk rock on new Subpar Snatch EP Get In Here
The Austin music scene is undeniably alive and thriving, and Subpar Snatch is a vital artery pumping punk rock through its veins. The group is releasing their latest EP Get In Here on June 20. This combustible trio, led by Jess Scott on vocals, Nate Ribner on bass, and CeeCee Email on drums is renowned for their high energy, raw, and unapologetic take on garage punk. Established in 2022, they quickly built a reputation for their raucous live performances, provocative lyrics, and a powerful sound that proves no guitars are needed.
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Album review: new Willie Nelson record Oh What a Beautiful World covers Rodney Crowell
I first heard “The Banks of the Old Bandera” when Rodney Crowell’s album The Houston Kid debuted in 2001. I love that record and still feel it’s Crowell’s most artistic and intellectually stimulating recording, which is no small observation. I felt “Bandera” sounded like a Willie Nelson song. It only took twenty-four years, but Willie covered this song, and eleven other songs penned by Rodney Crowell on his newest release Oh What A Beautiful World, which dropped April 25, 2025. If you clicked the link, you saw a limited edition white vinyl only available from Willie’s website.
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New music: Teddy Long, Dim Light and Hugo Monster albums are fresh finds
I wanted to give you a few new things to listen to if you’re in the market for new ear candy. When the world is a constant depression machine, the power of music is unmatched, a salve that can make us feel human again when there’s just too much punishment on our hearts and souls and by the grace of god, some caveman, somewhere, figured out that if you beat a few rocks together with sticks over a cowhide, the beautiful noise happened.
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Album review: Hard Proof dropped third LP Code Noir last month
Austin’s hometown jazz-funk collective, Hard Proof, released their latest album, Code Noir, in early February. The all-star Afrobeat collective released their third studio record followed by a Continental Club album release party. The recording is a listen that is bound to get you up and dancing in living room. It may be their best effort yet.
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Album review: New Killer Kaya record Live at Wall of Fog a revelation
With powerhouses in the realm of Osees, Ty Segall, The Warlocks, and The Brian Jonestown Massacre all still in prolific, touring machine form, Santa Barbara-tested, Austin-approved Killer Kaya has been a worthy entry into the vortex of whirling, reverberated uproar that continues a 60s legacy that is irreversibly alive and well. With the release of new LP Live At Wall Of Fog yesterday, the now-Austin residents have crafted an effort that further proves trippy expertise as well as genre-clashing, tasteful retro emulation.
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Album Review: Austin post punks The Stayres new record Duplex drops tomorrow
Austin post-punk power-pop trio The Stayres will release their new LP, Duplex, on February 14 via Flak Records. The new record builds upon the pop hooks and driving guitars of their 2023 self-titled debut, adding a brighter, janglier sound and more narrative-driven lyrics.
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Album Review: Savannah Red’s Christmas Album is Your New Holiday Classic
At some point after Halloween and before Thanksgiving, we begin to detect familiar melodies in the background while we’re at the grocery store or waiting in a doctor’s office. By the time December rolls around, the holiday music is in full effect. Which might not be so bad except that out of the decades of popular Christmas music available, there seems to be only a handful of Christmas songs that get played ad nauseam. By the time Christmas is over, even the most ardent Mariah Carey fan needs a break. Which exactly is why A Savannah Red Friends & Family Christmas should be on tap for all your holiday festivities this year
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