Austin uutlaw punk rock outfit Mulch Cult has released their new EP Bulch. The latest release comes after their 2023 LP Gulch, released to amid the underground Austin DIY scene’s acclaim last year. For this new release, Mulch Cult takes a step forward, delivering three new tracks that turn the page for what’s next for the band.
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Austin hard core punks, User Unauthorized drop their new EP, Harsh Truth today. The band is comprised of current and former McCallum High School Fine Arts students. Besides being excited about the new record release and a corresponding nine-city tour, the group has been informed this week that they’re invited to perform at SXSW in March.
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Three years almost to the day after Shame released Song of Praise, they delivered on that promise with the release of Drunk Tank Pink in mid-January.
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Collins also makes incredibly good music as you’ll hear on his five-song EP, Headed Home which was released May 31 on his own Side Show Paradise label. The short but powerful EP is the kind of record that leaves you wanting more. That is the hallmark of a gifted songwriter.
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In light of the fantastic new Bob Dylan album, Rough and Rowdy Ways which was released last week, I‘ve wondered if everything if everything that can be said about Bob Dylan, has already been said? Honestly, what else is there to discuss? Dylan just “is” Dylan. I think the hardest part of being an artist is having “experts” and “critics” compare and dissect your work, stretch it out and lay it down against your last.
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While I am not one to fall into regret, I do enjoy exploring the road less traveled. That turn you didn’t take, the zig when you should have zagged, the song no one else recorded, or the B-side the DJ never flipped. I love discovering “new old music” as exemplified on Neil Young’s record Homegrown which was released last week; 45 years after it was recorded.
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Hip Hop duo Run the Jewels is essentially the story of two lyricists who followed differing paths in a journey which lead to the formation of one of the most significant musical groups of our time, Run The Jewels (RTJ). In 2013, they released their self-titled first record to wide critical acclaim. On June 3rd, their fourth album, RTJ4 was released. The record is timely in that it speaks directly to the systemic violence and oppression that is currently dominating the national conversation amid police violence protests.
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In 2001, The Strokes released their debut album, Is This It, injecting a new energy throughout the rock music scene. By 2002, their profound influence was evident as a plethora of similar bands emerged. The Strokes’ signature sound has since been one of the most recognizable. Since then, the New York quintet has released multiple records, not often venturing far from the recognizable accompaniment that has defined them since. Their new album, however, displays growth and new territory for The Strokes.
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Psych rockers Cosmic Chaos have been a prominent fixture on show rosters around Austin recently. Those lucky enough have seen them live understand the intense energy they bring to the stage. The band is steeped in the local music scene, hosting a series of regularly-scheduled showcases themed The Acid Test. In addition to their live music efforts, Cosmic Chaos has been busy recording their first full-length album, Eye Can See which will see its release February 5 at Cheer Up Charlies.
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Reina Del Cid has released a new album, Morse Code and it is nothing less than an impressive and intellectual exercise of masterful songwriting and musicianship. The record actually dropped back on October 4 with a release show in Minneapolis and I’m finally able to file an album review. Been chomping at the bit to share it with you.
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Bali Yaaah puts on quite the performance spectacle. For almost a decade, the band has commanded Austin stages, formulating their own soundtrack fortified with the unique blend of 80’s synth, 90’s grunge and 60’psych-rock, merging various genres of world music throughout.
“Make Belief,” the band’s new EP released by The Sound Barrier Records, is now available on all streaming platforms, including Bandcamp and was debuted at The Electric Church on November 22.
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