Charlie Robison took his place amongst the fabled Texas troubadours even though he flirted with commercial success in Nashville a time or two. But he was a Texas boy. We all knew guys like Charlie, we saw them on Friday nights, around town. His relatable nature was part of his appeal. He passed on September 10, 2023 in San Antonio of complications from cardiac arrest. He was only 59.
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The First Rose of Spring is Willie Nelson’s seventieth album. That is 70, seven-zero. Let that sink in a minute. The sheer volume of Nelson’s creative output is staggering. The record was released or “dropped” as the kids say, July 3, just before Nelson’s annual Fourth of July Picnic which was live-streamed this year due to the COVID-19 pandemic. You would think there isn’t anything new to say about Willie Nelson. You would think there isn’t anything new and good enough that Nelson could sing. You’d be wrong on both counts.
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First things first, I loathe pop-country. Even trying to explain how much I want to be thrown into a cornfield Goodfellas-style whenever Sam Hunt or Jason Aldean comes on feels like it doesn’t do justice to my description. When it comes to real country music? Inject that shit directly into my veins, because you put on some classic George Jones or Hank Williams, I’m there all day for it.
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The Jefferson Theatre was privileged to host Lyle Lovett and His Acoustic Group on February 10. The theatre, located in Beaumont, Texas is designated a Texas Historical Landmark and it’s listed on The National Register of Historic Places. Built in 1927, the storied venue features an 8-Rack Morgan Organ. The Jefferson once hosted the premiere of classic film “It’s a Wonderful Life” with star Jimmy Stewart and director Frank Capra in attendance. It was the perfect place to host an equally storied Texas musician.
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Outlaw country music pioneer Willie Nelson has perhaps been a greater influence on American music than any other singer, songwriter, or musician in history. At 86 he appears just as relevant today as anytime in his career.
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I’ve always felt Guy Clark had it all as far as talent. We are talking about a man whose songwriting eclipsed the brightest songwriters over three generations commercial country music offered. His voice was husky and strong, with a whisper of soft romanticism one can’t just dub in to a mix as an production afterthought.
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The show was four minutes late, house lights still on and I was waiting outside the door marked with the section I’d secured seats. To my right, on the other side of the hall, were five places to buy beer, wine, or something harder if the spirit took you. My bride and I had crossed the Louisiana border with two of our best friends, who share the same interest in music, politics and nearly everything else.
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Austin’s Jesse Dayton is much like his influences Waylon, Willie and even The Clash and X. The music the Texas musician makes perfectly reflects those disparate styles and more. As an artist, Dayton refuses to be pigeon-holed into a particular genre. Listening to the tracks on his latest, “The Outsider” highlights the point that the singer, songwriter and guitarist is talented at presenting music regardless of genre, East Texas Blues, punk, rock, acoustic songwriter ballads in the Texas tradition all make an appearance on this outstanding new record.
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