Live music preview: Hot Summer Nights promises Austin music discovery this weekend
The annual Hot Summer Nights in the Red River Cultural District of Austin is a RRCD-sponsored event that features hundreds
Connecticut jam band trailblazers Goose wrapped up their Spring 2026 tour in Texas over the weekend, their first shows in the Lone Star state since New Year’s Eve to cap off 2024 at Austin’s Moody Center. Friday night, April 24, saw the return of Goose to the Austin arena with their solidified four-piece lineup.
Read MoreOne thing I love about metalheads is their undying love for the music and its culture. They wear old band T-shirts from twenty years ago like a talisman against the world, they tattoo band logos on themselves to show devotion, rock patch-covered battle vests, and will stand in the middle of a rainstorm without considering moving because the band is about to go on. That’s serious commitment.
Read MoreThe 2026 edition of Austin Psych Fest returns on May 8 – May 10 to the Far Out Lounge & Stage, their fourth consecutive Spring edition since reviving the original brand to a one-location format. With an all-star lineup from all over the psychedelic and indie rock spectrum, acts from all over the world will make their way to South Austin at Far Out’s massive backyard for a two-stage, no-overlap, three-day, rock and roll shindig designed with the true music fan in mind. Stage visuals will include projections from Mad Alchemy, Slim Reaper, TV Eye, Attic Space, and more. The fest will also feature satellite events to kick off the weekend and late-night shows in downtown Austin after Far Out programming concludes.
Read MoreAnd at the altar of groove, with her candles burning bright, is Frankie G, Austin’s Grand Madame of the Night. She’s a little bit Elysium — our beloved goth institution — but also lurid, international, mysterious, and a girl’s girl who wants to upend the system. Her parties go viral because she curates them for energy, for women to feel like goddesses and the algorithm is noticing. Monday’s upcoming Fairy Fest at Pease Park is a good example. The 420 themed party has this description on their ticketing page:
Read MoreVeteran Austin power-pop and garage-rockers, Mean Jolene release a new single “Private Plane” today. The track is on their up and coming third studio album, Play Nice, recorded and mixed at Estuary Recording with John Michael Landon. The song’s theme “fantasizes about a return to innocence — reflecting on escapism as a form of self-preservation and how this can directly conflict with the desire to grow and overcome adversity.”
Read MoreIf you’re a garage or punk rock music fan then you likely know who Ty Segall is. The prolific musician is known for releasing a wide range of music under various names that all stem from the same punk rock ethos. One of Segal’s longtime collaborators, Charles Moothart (Fuzz) launched a new project in 2024 with Bert Hoover (Hoover III) and Jon Modaff (Frankie and the Witch Fingers) called Primitive Ring. Today the band premieres their latest single and video, “Lies from the Other Side.” in advance of their new self-titled LP, due out May 15. Fans can pre-order vinyl of the forthcoming album via In the Red Records.
Read MoreOne of the greatest joys of live music is when you can tell the band is having a blast. There’s an explosive connection when the music and the people collide. And for Touché Amoré, they came out swinging at the Mohawk, celebrating their masterpiece Stage Four turning ten.
Read MoreThe band, Baroness came into Texas on the circumstances of opening for Louisiana sludge legends Acid Bath in Dallas, but the great folks at Resound Presents couldn’t let them leave Texas without an Austin appearance. With longtime drummer Sebastian Thomson having to opt out days before travel, the band had to find a fill-in drummer to stand in for the run. Despite this, the veteran Georgia born, Philly-based quartet arrived at Southeast Austin’s Radio East and delivered a jam-packed show.
Read MoreAfter a week of SXSW, time starts acting strange. Days blur. Nights stretch. Everything feels loud, urgent, and time is slightly out of reach. Luck Reunion on March 19 at the tail end of Sx (a day after closing night) somehow felt like the opposite of that while still being every bit as packed and overstimulating. It was dusty, crowded, sunbaked, and full of movement, but it moved at a different speed. Less like a comedown and more like an oasis. A long exhale at the end of a marathon
Read MoreOne of the first Salt Lake City acts we saw after dipping into the SLC underground music scene was The Groanies who played Urban Lounge a couple years back. The garage punks impressed with a hard hitting set that had us coming back for more the next time the group played at International Bar. Then we caught ’em again at Urban’s Psych Lake City event. We were hooked. This up and coming band, hit us right in our garage-psych sweet spot. Naturally we were thrilled when The Groanies dropped a new EP this week and announced an album release show with Musor and Skrude on Friday, April 10 at Church and State. Advance tickets are available in the link or click the poster to grab your $10 ticket to what promises to be a fun night. The band let us know they organized a taco truck along with ice cream and coffee vendors.
Read MoreThe 2025 reunion of Louisiana hardcore metal legends Acid Bath has been triumphant, as it heads into its second year of gigs featuring stacked lineups and fans showing up by the thousands to experience it. At White Oak Music Hall near the Houston Heights area, a diehard crowd showed up ready to experience the short-lived yet massively influential out-of-the-swamp sludge kings. Acid Bath’s reunion tour is going on a year strong. Each show features extreme metal legacy acts and rising underground metal hardliners. For the March 28 stop, Acid Bath brought Houston brutal death metal outfit Stabbing, H-Town black metal institutions Necrofier, legendary Oakland power trio High on Fire, and Tampa death metal legends Obituary. A bone-crushing lineup of all proportions, this gig didn’t lose its hell-raising spark until the last note.
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