One thing I love about metalheads is their undying love for the music and its culture. They wear old band T-shirts from twenty years ago like a talisman against the world, they tattoo band logos on themselves to show devotion, rock patch-covered battle vests, and will stand in the middle of a rainstorm without considering moving because the band is about to go on. That’s serious commitment.
The industrial hardcore underground thundered into Austin on Sunday March 8, bringing a stacked bill to South Austin’s The Far Out Lounge and Stage showcasing some of the genre’s heaviest and strangest acts. Author & Punisher, the project of San Diego’s Tristan Shone, employs custom “drone” and “dub” machines. Formerly a solo act, Shone now collaborates with guitarist Doug Sabolick (A Life Once Lost, Ecstatic Vision). With a table of unique contraptions, Author & Punisher delivered a relentless spectacle to a Sunday night crowd.
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Robert Dean is sober, home by eleven most nights, and still writes about the years he wasn’t. The author, reporter, and jack-of-all-trades commentator arrived in Austin after a lengthy stint in the gnarliest place in the United States – New Orleans. A place like Austin, despite its lingering issues, doesn’t even come close. Born in Chicago, Dean’s interests revolve around social issues, transgressive humorism, and an undying loyalty to the greats of hardcore punk and heavy metal. With roots in the likes of Hunter S. Thompson, Charles Bukowski, and Jack Kerouac, the Midwestern raconteur immersed himself in a hard-living lifestyle to channel the antics of his literary heroes. Now, Dean has surrendered the bottle for the better part of two years. In his latest book, “Red Eye,” a collection of stories recounting world travels, drunken mistakes, and commentary about the best, and worst, parts of Austin, leads to a fulfilling life that leaves the barfly regrets behind – for good. We sat down with Robert Dean on 7th Street in downtown Austin to discuss his writing career, posting up in Austin, and the vices that come with them.
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Maynard James Keenan is 61 years old and still works with three bands, releases music at a steady rate, and still tours the globe like he’s 31. From fronting the progressive metal behemoths Tool, hard rock supergroup A Perfect Circle, and on Tuesday, March 24, at Bass Concert Hall with experimental rock stage spectacle-makers Puscifer, Keenan and his meticulously chosen associates take on his utmost creative oddities with undeniable passion. Like his outsized arena outfit Tool, Puscifer has maintained consistent membership throughout their history that sculpts a well-oiled machine that showcases Keenan, English co-vocalist Carina Round, and multi-instrumentalist Mat Mitchell, feeding the loyalists once again with their latest studio record Normal Isn’t for their 2026 tour that demonstrated no creative burnout – and a statement on the current concert industry itself.
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This SXSW was the year of the Lime scooter for me. I also took a driverless Waymo and saw a robot bartender at Faregrounds on Congress Avenue. Kicking off SXSW this year, I was not optimistic about what the festival had become in its ever-quaking need to feed the techno-masses. I did not enjoy being waved at by a clanker. Nor did I love taking a driverless car. Seeing so many robots delivering food, taking people to and from, it was not for me. Big no.
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The 2026 edition of South By Southwest (SXSW) music festival launched last Thursday with its inaugural all-concurrent format. Conferences ran from kickoff Thursday to the following Wednesday. The festival allows attendees to discover new acts, revisit favorites, and expand their horizons. Miles of walking and a steady food truck diet defined a packed SXSW featuring both legacy acts and emerging stars. The Cosmic Clash team covered highlights throughout the event and wanted to share what stuck out to us over the long week of music. Despite a shortened music schedule and no second weekend, there was plenty to see as we navigated around Austin throughout the seven-day expedition.
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It’s impossible to hate Gilda Radner or John Belushi. Chevy Chase, on the other hand, that’s a different story. The
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What’s South By Southwest (SXSW) without daytime shenanigans? For each year’s SXSW installment, different activations pop up all over the city to bring SX-goers daytime programming before things switch over to an all-official format. These “Day Parties” mostly feature cover-free programming, sometimes featuring official SXSW artists who give non-credentialed music fans opportunities to join in the festivities during the week. All listed events occur between 12 p.m. and 7 p.m., are free for attendees, require no badge, and are subject to capacity. Make sure to RSVP for seamless entry to the events. For a larger list of SXSW day parties, head to our curated list of the best events to hit up.
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The 2026 South By Southwest (SXSW) music festival is days away. The roster of music festival artists can seem overwhelming at first glance. With a lineup that can satisfy every kind of music lover, The Cosmic Clash is bringing you six more buzz bands you should put on your list for the upcoming long week of music in Austin. All set times, along with venues, can be found on the SXSW website and the SXSW GO mobile application.
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I think when a person passes, how those in their wake tell their stories is an important, but telling way to show how much that person impacted their lives. Recently, Adam Morehead, one of the owners of The Cavalier, moved onto the next dimension and that’s one that stings. The Cavalier has served as the unofficial headquarters of The Cosmic Clash and anyone who’s snapped a photo, written a word, or had a quick meeting likely did so sitting out on the Webberville patio.
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The 2026 edition of South By Southwest (SXSW) is fast approaching with the festival running March 12-18. The list of acts making their way to Austin for the seven-day music festival spans multiple genres and geographic origins. With this in mind, The Cosmic Clash team has curated a group of official artists or buzz bands we think you should put on your list for the long week of around-the-clock music. With a smaller setup than previous years, the SXSW music programming will offer a touch-and-go path for locals and travelers alike to see an array of both tenured and up-and-coming talent. All set times, along with venues, can be found on the SXSW website and the SXSW GO mobile app.
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On March 14, SoundMass will gather at The 13th Floor for Cosmic Plants Clash IV, the SXSW day party our publication and Play to the Plants has produced at the venue the past four years. We’ve invited the group, which is really two awesome post-rock bands, Austin’s my education and Salt Lake City’s Theta Naught combined. The merging of the two acts produces a powerful, orchestral style performance with rock instrumentation. With two of every instrument, the stage becomes crammed with talented musicians which is basically our ideal scenario. Today we’re premiering SoundMass’ latest single, “Last Gasp.”
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