Saturday, August 22, 2026
The Cosmic Clash

Review

Live MusicReviewRobert Dean

SXSW review: Robots, driverless cars and rad bands (Lime Scooter not included)

Robert Dean 1834 Views ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  , 

This SXSW was the year of the Lime scooter for me. I also took a driverless Waymo and saw a robot bartender at Faregrounds on Congress Avenue. Kicking off SXSW this year, I was not optimistic about what the festival had become in its ever-quaking need to feed the techno-masses. I did not enjoy being waved at by a clanker. Nor did I love taking a driverless car. Seeing so many robots delivering food, taking people to and from, it was not for me. Big no. 

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Osees by Drew Doggett
Case CockrellLive MusicReview

Live music review: The best music we saw at SXSW 2026

Case Cockrell 2595 Views ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  , 

The 2026 edition of South By Southwest (SXSW) music festival launched last Thursday with its inaugural all-concurrent format. Conferences ran from kickoff Thursday to the following Wednesday. The festival allows attendees to discover new acts, revisit favorites, and expand their horizons. Miles of walking and a steady food truck diet defined a packed SXSW featuring both legacy acts and emerging stars. The Cosmic Clash team covered highlights throughout the event and wanted to share what stuck out to us over the long week of music. Despite a shortened music schedule and no second weekend, there was plenty to see as we navigated around Austin throughout the seven-day expedition. 

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Blackwater Holylight Radio East Troy Gonzales
Case CockrellLive MusicReview

Live music review: Blackwater Holylight drew diehards in droves to Radio East Tuesday

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The industrial area of southeast Austin carries a unique vibe. With no gentrification within yelling distance (or amplified music distance) in our case, there’s not much worry about noise complaints and the fuzz coming with the decibel reader to dock the venue for “Rock and roll mischief.” For Los Angeles-based via Portland shoegaze outfit Blackwater Holylight, an early-week bill on Tuesday evening at Radio East drew Austin diehards in droves to experience the Austin Psych Fest alums alongside local favorites, Glassing and The Well. With new LP Not Here Not Gone showcasing their multi-layered brand of luscious psych-infused soundscapes, the Blackwater quintet accounts for all the sounds that make up their dreamy biome.

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atmosphere 3 acl live drew doggett
Brian HillsmanLive MusicReview

Live music review: Atmosphere Winter Carnival at Moody Theater ACL Live was a hip hop showcase

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Minneapolis legends, Atmosphere, brought a crew of hip hop elites to ACL Live at the Moody Theater on their Winter Carnival tour on February 6. The performance showcased prominent contemporaries of hip hop before the duo commanded the attention of each concertgoer in the room during their performance.

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Brian HillsmanLive MusicReview

Live music review: legendary Austin act Soulhat played holiday show at Continental Club

Brian Hillsman 1848 Views ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  , 

On December 26, legendary Austin rock outfit, Soulhat, performed in front of a packed audience for their annual holiday concert at the Live Music Capital’s oldest rock venue, Continental Club. After 36 years since forming, the Austin mainstays returned to the venue that most reflects Austin’s past with multiple residencies by longtime city players while simultaneously looking into it’s future with select newer acts.

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Parker Woodland Free Week 26 Troy Gonzales
Case CockrellLive MusicReview

Live music review: Free Week returned in 2026 with cover free showcases

Case Cockrell 2993 Views ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  , 

Free Week returned to the Red River Cultural District last weekend, marking another successful year of cover free showcases that benefit local businesses throughout downtown Austin. The RRCD non-profit presents Free Week to keep venues and other establishments running during the slow period in both the service and music industries for employees and musicians until the Spring. With 80+ artists across 10+ venues, Free Week 2026 proved a massive success, as thousands attended to welcome yet another year in the vibrant Austin scene. The Cosmic Clash team participated in both days of the festival and wanted to highlight what stood out to us about the extravaganza.

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Mugger 2 mini fest Empire Garage Troy Gonzales
Case CockrellLive MusicReview

Live music review: Electronic duo Sextile returned to Austin with stacked local bill

Case Cockrell 1705 Views ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  , 

Los Angeles by way of Brooklyn electronic duo Sextile returned to Austin for a third time in 2025 to end the year with a loaded bill on Saturday night at Empire Control Room and Garage. The stacked lineup included Nashville egg punk extraordinaries Snooper along with local band appearances from Gus Baldwin & The Sketch, Alma Muneca, Mugger, and The Opera who are Cosmic Clash SXSW Webberville Block Party vets.

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Weedeater 9 Lost Well Justin Clark
Case CockrellLive MusicReview

Live music review: Weedeater played Austin metal stronghold The Lost Well

Case Cockrell 2004 Views ,  ,  ,  ,  ,  ,  ,  ,  , 

If you haven’t taken a trip to the new location for Austin’s legendary metal stronghold, The Lost Well, put a pilgrimage to the East Austin music venue high on your to-do list. The Lost Well returned in August this year with a vengeance, and the gig calendar has been stacking back up to a blistering, business-as-usual. According to owner Marcello Murphy, Tuesday night (December 16) for Wilmington, North Carolina doom metal act, Weedeater was the new Austin space’s biggest ticketed show yet.

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Portugal the man 5 ACL Live Troy Gonzales
Case CockrellLive MusicReview

Live music review: Portland act Portugal. The Man showed no creative bounds at ACL Live with La Luz

Case Cockrell 1756 Views ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  , 

Alaska natives and Portland-based musical collective Portugal. The Man is an outfit that knows no creative bounds. Built by visionary John Gourley and rounded out by a laundry list of collaborators who have come and gone over the years, the Oregon vehicle has retained a creative streak that’s produced 10 full-length studio projects since forming in 2004. For the last stop on their run supporting new LP Shish, the Portugal company made their way to Austin’s premier venue ACL Live on Friday, December 12 for a headlining extravaganza that brought the new and old material, with a lot of new in rotation to celebrate the latest release.

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