Album review: with Iridescence San Marcos’ Brockhampton leaving imprint on modern Hip Hop
Formed in San Marcos, Texas the currently L.A.-based Brockhampton is a Hip Hop deluxe crew consisting of fourteen members, each
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Review
Live music review: Ambient Artistry by Bayonne at Empire
In a crowded Empire Control Room last Thursday the already warming, Texas heat and humidity of the late Spring /
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Live music review: Borzoi “ruin” The Who’s Tommy
I’ve reeled it over and over in my mind in the past few days. What did I see and hear?
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Live music review: A two-night stand for the ages by Beach House in Seattle
It’s been a perfect storm or more accurately a comedy of errors that have allowed me to miss Beach House over the years of touring in Austin. The band would come play ACL’s Moody Theater and I’d be out of town on tour with one of my own bands.
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Live music review: L7 brought remedy for political unease
The 1990’s were a helluva time for music. Grrrl rock, heroin chic and flannel all featured prominently in the music scene. At the heart of it all was Grunge music made by the likes of Nirvana, Pearl Jam, Mudhoney and similar artists. Near the center of that magical era was L7. The Los Angeles, all-female, four-piece began their collective career in the mid-80’s. In the 1990’s, the group toured with the likes of Alice In Chains, Beastie Boys, and Pearl Jam.
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Live music review: Deerhunter slayed at Mohawk Monday with surprise guest
There is something refreshing when a band consists of members playing various roles within its construct. Throughout their set at Austin’s Mohawk on Monday, Deerhunter band leader Bradford Cox managed tambourine, guitar, bass and lead vocals. Javier Morales masterfully operated the keyboard, synthesizers and saxophone. Guitarist Lockett Pundt took over lead vocals in a crowd-moving execution of song, “Desire Lines.”
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Live music preview: Marcus Rezak and Shred is Dead are coming to Austin
A new wave of experimental and improvisational artists are gaining popularity nationwide. Touring progressive music guitarist Marcus Rezak is part of that trend, emerging from the respected music program at Berklee College in Boston to join the ranks of skilled hired guns touring festival stages while working with Digital Tape Machine, Grateful Dead/JGB progressive instrumental act Shred is Dead and Katharsis. Rezak has made his first solo album, “Gateway to the Galaxy” with drummer Kris Myers (Umphrey’s McGee), legendary saxophonist, Bill Evans (Miles Davis), bassist Arthur Barrow (Frank Zappa) and Joel Cummins (Umphrey’s) on keys. Indeed a true super group was assembled for the recording of the record at The Attic in Nashville.
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Live music review: Emily King’s Celebration of Life and Self-Reflection at Antone’s
When dealing with hardship, change your outlook; keep it positive. If there is one message or sensation at which one might arrive after witnessing Emily King live, this may be it. It could very well be her graduate thesis. After seeing her show, one may feel the nostalgic sensations reminiscent of a gratifying, uplifting gospel Sunday church service.
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Austin Punk Scene Takes an Eccentric Turn with Cowpunk Quartet Leche
The self-proclaimed “Lords of Shit City” have graced various Austin stages for nearly a decade. With several regional US tours under their belt, the Austin four-piece, Leche has found themselves smack-dab in the middle of the modern Austin punk scene.
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Album Review: New Steve Earle Record Honors Guy Clark’s Legacy
I’ve always felt Guy Clark had it all as far as talent. We are talking about a man whose songwriting eclipsed the brightest songwriters over three generations commercial country music offered. His voice was husky and strong, with a whisper of soft romanticism one can’t just dub in to a mix as an production afterthought.
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New Music: Darkbird Release New Single “Crimes”
Austin indie rockers “Darkbird” just released their new single “Crimes.” The song has a retro feel to it as if singer Kelly Barnes had been transported back to the mid 1980s to write a song. It also highlights Barnes’ strong vocal performance over a classic sounding new wave rock track. The band plans to drop this an successive singles, ending up with a new EP on the other end of those single releases.
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