Attending Social Distortion’s show at the Moody Amphitheater, on August 28, it was probably my tenth time seeing the band. I know what to expect at one of those shows: lots of gray hair, lots of parents trying to pass on their music to their kids, and those on the come up looking back to the classics as something of their own. Catching Australia’s The Chats was a plus;
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King Gizzard & the Lizard Wizard don’t rest. The Melbourne sextet closed out the second Field of Vision Festival with two more three-hour sets on August 15 and 16, pushing deeper into the Meadow Creek grounds in Buena Vista, Colorado they’d already claimed as their own. They’d fired the first shot on day one: a surprise drop of their 28th LP, Alien Metal, with zero warning. Then came the dare. “No song repeats,” the band promised Friday night, and fans spent the rest of the weekend hunting for new-album cuts and deep tracks to see if that promise would hold. Field of Vision was three of only seven U.S. tour dates. There was no room to coast.
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It’s almost 1 a.m. and our ride is coming at 4:30 a.m. My chest is tight from not knowing if I have everything done at home and at work, but it is what it is. When I wake up from my short nap, it’ll be go time to head from Austin to Colorado for King Gizzard’s second Field of Vision Festival in Buena Vista August 14-16. The psych rock, metal, electronic and rock n roll band from Australia has become a touring phenomenon.
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On August 24, Michael “Mike D” Diamond will release his first official solo album, and the first new music—aside from
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It’s been an uncomfortable year between perimenopause and aging and three different car wrecks, so forgive me for not keeping up with the setlist for Friday’s bad-ass Black Moth Super Rainbow (BMSR) show at Radio East. I’m thankful that it’s near my house and a delightful place to see an outdoor show, so even if I’m feeling oddly antisocial, I can typically make myself get out to see a show there. Even at my most awkward, I wasn’t missing this BMSR show, and I’m glad I didn’t. Black Moth Super Rainbow set my weekend vibe to a T.
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Friday (August 7) evening marked night two of four of Somerville’s annual Somergloom Festival, and the first night at Davis Square’s iconic Crystal Ballroom. Fresh off a 15-date tour spanning the U.S. and Canada, Boston noise-punk power trio Miracle Blood brought a scorching, powerful set to the chandelier-clad ballroom and an eagerly awaiting hometown crowd as the band engulfed Davis Square at Somergloom Festival.
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Whenever someone goes to see Descendents or ALL, there’s one universal truth: we’re all there, at least in part, to pay homage to Bill Stevenson, a legendary punk rock pioneer. The band played Chicago’s Thalia Hall on Wednesday, August 5.
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Austin metal venue, The Crow Bar hosted Raven Mayhem Fest 2026 ended on a blistering note on Saturday, July 25 featuring bands from all across the Austin heavy spectrum and beyond for the inaugural three-day long extreme metal music festival at the newly reopened Crow Bar in far East Austin off Highway 183 at 523 Thompson Lane. Since reopening for SXSW 2025, co-owner Aryn Jonathan Black and booker Jay McDowell have been curating some of the heaviest-hitting bills in the Austin area. After the first Crow Bar location was lost to arson, owners Black and Steve Gee are back with a vengeance, and there’s been hell to pay since getting the underground-leaning establishment back up and running.
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Liverpool’s musical legacy usually starts and stops at four guys with mop-tops and a red-brick basement studio. Doom metal trio
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Austin’s favorite justice and joy rock trio, Parker Woodland, is back with their new EP, Police On My Back: Singles
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Mike Patton has spent three decades collecting bands like other people collect vinyl, and every one of them draws the same crowd, showing up less for the setlist than for whatever version of Patton decides to appear. This time it was Nashville’s Tomahawk, and the Monday, July 20 stop at Emo’s Austin sold out fast. After a canceled Sick New World Festival in 2025 for the band’s 25th anniversary, Tomahawk’s reunion after 12 years off took a backseat until now.
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