The Austin masked crusaders Grandmaster have released their newest single, “Castle Door.” The new release comes ahead of the band’s upcoming debut record, due out this Spring. The new single is produced by fellow Austin mainstay Nolan Potter of Nolan Potter’s Nightmare Band, who also lent his hand to engineer the Grandmaster Orchestra’s upcoming full-length debut.
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In Austin, nothing ever slows down for the music scene. After New Year’s Eve, we plunge right into Free Week,
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On December 23, at Antone’s Nightclub, SoulHat played before a sold out venue. The Ghost Wolves, the Austin duo that formed roughly a decade ago, opened for the Austin music legends.
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There’s an event featuring a trio of local talent from the folks who run Moondance. The pre-New Years Eve Party
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The past few years, Nolan Potter’s Nightmare Band has thrown a holiday party featuring some of their favorite bands in
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A statement issued by the Riley Gale Memorial Foundation has expressed disdain for the recent live reunion in Austin on Friday, December 1. The 5-song reunion set took place at Austin’s premiere Red River Cultural District venue, Mohawk, as a part of the billed headliner Fugitive’s encore for the evening. The surviving members of Power Trip, guitarist/vocalist Blake Ibanez, guitarist/vocalist Nick Stewart, bassist Chris Whetzel, and drummer/vocalist Chris Ulsh joined each other on stage while Skourge’s/Fugitive frontman Seth Gilmore filled in on vocals. Gale passed away tragically in 2020 at age 34.
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Wizard Rodeo isn’t a rodeo for spell-casting wizards.. There aren’t any wizards, horses, bulls, lassos, or anything like that there
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Oklahoma’s The Flaming Lips are a generational treasure. With frontman Wayne Coyne and his trusted associates going 40 years strong as of 2023, the band has nothing left to prove. That being said, The Oklahoma City act embodies rock and roll longevity. For the band’s latest outings, Coyne and company has been treating fans to a full-length presentation of their 2002 record Yoshimi Battles The Pink Robots last Wednesday at ACL Live.
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The Bright Light Social Hour is currently on tour following the release of their new LP, Emergency Leisure but the band made a pitstop in their hometown last Saturday night, playing The Mohawk before a throng of loyal, exuberant fans.
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Around 7:30 p.m., on September 19, Eddie Vedder’s voice echoed through the halls of the Moody Center. It would be the second of two consecutive nights on which the seasoned rock veterans, Pearl Jam, would rattle the walls of the vaunted and relatively new Austin arena on the University of Texas campus, ending their extended, world-wide tour in the Live Music Capital.
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For Los Angeles act, Frankie and the Witch Fingers, every record has been a step further to indie psych-rock royalty. Formed by frontman Dylan Sizemore as a solo project in Indiana before relocating to Los Angeles recently, Sizemore has assembled his group of rock and roll avengers, sculpting record after record of “psych and roll” material built to blow audiences away. Sizemore and his band did just that for a Thursday night Austin crowd at The Parish in the city’s famed East Side.
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