Friday, May 15, 2026

rock n roll

Case CockrellLive MusicReview

Live music review: Electronic duo Sextile returned to Austin with stacked local bill

Los Angeles by way of Brooklyn electronic duo Sextile returned to Austin for a third time in 2025 to end the year with a loaded bill on Saturday night at Empire Control Room and Garage. The stacked lineup included Nashville egg punk extraordinaries Snooper along with local band appearances from Gus Baldwin & The Sketch, Alma Muneca, Mugger, and The Opera who are Cosmic Clash SXSW Webberville Block Party vets.

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Case CockrellLive MusicReview

Live music review: Weedeater played Austin metal stronghold The Lost Well

If you haven’t taken a trip to the new location for Austin’s legendary metal stronghold, The Lost Well, put a pilgrimage to the East Austin music venue high on your to-do list. The Lost Well returned in August this year with a vengeance, and the gig calendar has been stacking back up to a blistering, business-as-usual. According to owner Marcello Murphy, Tuesday night (December 16) for Wilmington, North Carolina doom metal act, Weedeater was the new Austin space’s biggest ticketed show yet.

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Case CockrellLive MusicReview

Live music review: Holiday Hootenanny at Radio East featured Tune-Yards, Shannon and the Clams

The second annual Resound and Pooneh Presents Holiday Hootenanny on December 13 at southeast Austin venue Radio/East marked another musical holiday celebration, bringing national talent and local acts alike to mark the end of another pivotal year for the Austin music scene. For the occasion, promoters filled the backyard venue with holiday decor, themed mechanical bull rides, a holiday gift vendor market and booked a national lineup that brought the holiday cheer for another successful installment.

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Case CockrellLive MusicReview

Live music review: Portland act Portugal. The Man showed no creative bounds at ACL Live with La Luz

Alaska natives and Portland-based musical collective Portugal. The Man is an outfit that knows no creative bounds. Built by visionary John Gourley and rounded out by a laundry list of collaborators who have come and gone over the years, the Oregon vehicle has retained a creative streak that’s produced 10 full-length studio projects since forming in 2004. For the last stop on their run supporting new LP Shish, the Portugal company made their way to Austin’s premier venue ACL Live on Friday, December 12 for a headlining extravaganza that brought the new and old material, with a lot of new in rotation to celebrate the latest release.

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Case CockrellLive MusicReview

Live music review: 90s alt-rockers Belly resurfaced at Mohawk to celebrate King album 30th anniversary

The 1990s saw many monumental alternative rock and indie releases that many music fans, new and old, hold dear. For some, it’s The Lonesome Crowded West by Modest Mouse, Slanted & Enchanted by Pavement, or Dolittle by Pixies. There are too many hidden gems that fly under the radar, however, proving that we as music lovers, need to go crate-digging at our favorite record stores a lot more often. For Rhode Island’s Belly’s second album, King, a body of work with the underrated alt-rock icons exists, featuring crossover membership with the likes of Throwing Muses, L7, and The Breeders. With this seminal rock and roll legacy in mind, Belly released the now 30-year-old record in 1995 and disbanded shortly after. In 2016, the New England-hailing quartet reunited for another record and has since embarked on an anniversary tour to commemorate the now landmark release. On Wednesday, December 11 in the Red River Cultural District at scene staple Mohawk, fans both old-school and new were treated to a two-set experience by Belly that included that penultimate sophomore effort and other offerings from their scant but worthwhile catalogue.

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Live MusicReviewRobert Dean

Live music review: Old school punks The Bouncing Souls and H2O played Empire last Sunday

As an official Old Head, it’s an experiment in time for me: I got into punk in the early ’90s, and now that it’s 2025, I’m somehow in my fourth decade of this thing. The people we looked up to — and the kids I was crammed shoulder-to-shoulder with at basement shows — are now comparing cholesterol scores and scheduling their first colonoscopy. So when The Bouncing Souls and H2O rolled into town on Sunday, I got off my Rascal scooter and made my way down to enjoy the cool sounds of bands who’ve been around for thirty years, joining the rest of the AARPunks at Empire Control Room.

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Case CockrellLive MusicReview

Live music review: Big Bill Ball 8 at Radio East offered accurate snapshot of Austin music scene

The eighth annual Big Bill Ball at Radio East in the Southeast part of town, marked another celebration of the Austin scene, offering a snapshot of local music in 2025 with a six-band bill featuring some of the best active acts in the Austindie sphere. For this year’s installment, the philosophical art punk mainstays celebrated the release of their new studio LP, Sick Myth. Continuing the Big Bill way of inclusive activism through comedic lyrical punchlines and a variety of punk rock angles, the one-day event gave attendees one of the most coveted evenings of live music in 2025 during Saturday night’s (November 22) gig at the southeast Austin backyard venue. The mini-fest was co-sponsored by famed photographer and show promoter, Pooneh Ghana for the annual showcase.

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Live MusicReviewRobert Dean

Live music review: The seance will be televised – Queens of the Stone Age ACL TV taping

Marcel Proust was a dark-minded poet-philosopher, once musing: “Our vanity, our passions, our spirit of imitation, our abstract intelligence, our habits have long been at work, and it is the task of art to undo this work of theirs, making us travel back in the direction from which we have come to the depths where what has really existed lies unknown within us.” Imagine him at a Parisian café with Queens of the Stone Age mastermind Josh Homme, trading cigarettes and wine. Would they challenge death or toast to it? These thought and more came as QOTSA’s Austin City Limits TV taping took place on November 18 at ACL Live. 

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Case CockrellLive MusicReview

Live music review: Pigeons Playing Ping Pong packed Mohawk last Friday

Baltimore funk jam outfit Pigeons Playing Ping Pong soared into Austin for another musical extravaganza, their third visit since 2022, in celebration of their eighth studio LP Feed The Fire. This time, the venue of choice came in the form of Mohawk in the Red River Cultural District on Friday night. Over the three-hour excursion, fans from all kinds of music spheres made their way to pack out the downtown Austin venue for two sets of pure joy. With loyalists being dubbed,”The Flock,” the level of fan inclusiveness was palpable throughout the packed venue for an episode of victorious energy. 

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Greg AckermanLive MusicPreview

Live music preview: Mexico City rockers Los Blenders set to play 13th Floor on Saturday with Hidden Ritual

You may be too young to remember the first wave of Rock en Espagnol that spread across North America in the 90s. Bands like Caifanes, Mana, Maldita Vecindad and countless others were heard across airwaves in the U.S. and across Latin America. For this writer, it was the first time we’d heard Spanish language music that rocked like the bands we loved to discover on college radio and cool stations like L.A.’s KROQ. We even attended a concert where Spanish and English-speaking rock bands shared a bill at Universal Amphitheater the oddly indoor venue at Universal Studios in Los Angeles. The possibilities seemed endless. Fast forward to 2025 and Rock en Espagnol seems to have returned en force. Latin music is one of the fastest growing sectors in American music sales. Bad Bunny is slated to play the Super Bowl and killer garage-psych band, Los Blenders are coming to the 13th Floor in downtown Austin on Saturday. Tickets are still available for this underplay at the intimate Red River District venue.

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Brian HillsmanLive MusicReview

Live music review: Been There 4 benefit at Radio East featured Mix Master Mike and Austin artists

The two-stage setup in the Radio/East backyard was the perfect setting for the Been There 4 benefit live music event – “the party to end homelessness.”  The event took place on Saturday, November 8 with Beastie Boys’ wax authority, Mix Master Mike atop an impressive bill that included a raft of high quality Austin artists amid a decidedly upbeat vibe. The annual fundraiser began humbly at Camp Esperanza, the state-ordered Northeast Austin homeless encampment that The Other Ones Foundation (TOOF) set about to support with a wealth of services for folks struggling to make ends meet. The TOOF staff included many members of the music community and their friends, including filmmaker Aaron Brown (Onion Creek Productions) and his partner at Been There Lenny Barszap. 

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