Get ready for a flood of new music with Color Candy’s new album “Something, Somebody” along with March and Beauty’s single “World Made Sense.” Both bands celebrated their new releases at Cheer Up Charlie’s on Wedenesday, March 4.
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On Friday, February 22, hip-hop icon Brad Jordan, famously known as Scarface, performed memorable, classic songs from his extensive catalog at Antone’s Nightclub. The fabled South Houston native has been a highly-respected force of depth and integrity in the rap game since the late 80’s. At Antone’s, fans witnessed Jordan not only rhyming in front of a live band, but participating with the instrumentation via lead guitar for several numbers.
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On Valentine’s Day, Canadian singer-songwriter and musical auteur Andy Shauf played Austin’s Mohawk, delivering his unique brand of folk to the Red River District. The soft-spoken lyricist wowed a sold-out venue in an ease-inducing performance that infatuated a sold-out venue of folk fans.
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The Jefferson Theatre was privileged to host Lyle Lovett and His Acoustic Group on February 10. The theatre, located in Beaumont, Texas is designated a Texas Historical Landmark and it’s listed on The National Register of Historic Places. Built in 1927, the storied venue features an 8-Rack Morgan Organ. The Jefferson once hosted the premiere of classic film “It’s a Wonderful Life” with star Jimmy Stewart and director Frank Capra in attendance. It was the perfect place to host an equally storied Texas musician.
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Reina Del Cid has released a new album, Morse Code and it is nothing less than an impressive and intellectual exercise of masterful songwriting and musicianship. The record actually dropped back on October 4 with a release show in Minneapolis and I’m finally able to file an album review. Been chomping at the bit to share it with you.
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The Austin hip-hop scene is loaded with untapped talent. For some reason, the industry machine overlooks the many adept artists who need only to be heard. However, if Austin artist, Pat G’s new (it dropped in April) sophomore album Whatever It Takes is an indicator of what’s to come for the Capitol City, the hip-hop world may soon take serious notice.
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Bali Yaaah puts on quite the performance spectacle. For almost a decade, the band has commanded Austin stages, formulating their own soundtrack fortified with the unique blend of 80’s synth, 90’s grunge and 60’psych-rock, merging various genres of world music throughout.
“Make Belief,” the band’s new EP released by The Sound Barrier Records, is now available on all streaming platforms, including Bandcamp and was debuted at The Electric Church on November 22.
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Austin-based, indie-pop artist Christine Renner teamed up with established music production legend Chris “Frenchie” Smith, delivering an EP that transmits a modern-yet-familiar twist on Austin music. The record dropped Friday, November 22 after an EP release show at Mohawk on November 21.
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Last Saturday (November 16), we were blessed with an opportunity to attend one of the hottest musical performances of this year. If you were lucky enough to see David Byrne at Austin City Limits Festival in 2018, you were got a little taste of what now resonates through the walls of The Hudson Theatre on 44th Street in Manhattan, David Byrne’s Broadway production of American Utopia.
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Stripped down with just an acoustic, a banjo and an aching soul, Spicewood, Texas singer / songwriter, Amigo the Devil bestows the haunting and earnest songs for his latest EP Bridge City Sessions (Live). The record dropped last week. With a re-imagined take on the classic sounds of folk and country, Amigo the Devil pulls emotions in different directions.
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Austin’s Cowboy Diplomacy dropped their second track, “Bad Man” October 25. The song is from the group’s upcoming debut album, Burn Down The Road which was produced by Grammy-nominated producer Chris “Frenchie” Smith.
“Bad Man” explores the self-indulgence of one’s dark side, focusing too much on imperfections while searching for salvation is a recipe for hurt and turmoil. According to lead vocalist, Ian Cochran, “Bad Man” is a sort of self-manifested alter-ego of sorts.
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