One thing I love about metalheads is their undying love for the music and its culture. They wear old band T-shirts from twenty years ago like a talisman against the world, they tattoo band logos on themselves to show devotion, rock patch-covered battle vests, and will stand in the middle of a rainstorm without considering moving because the band is about to go on. That’s serious commitment.
Levitation Festival 2025 kicks off next week (September 25-28), with a new and improved location in tow and an array of artists to make this year’s installment one of the best yet. Festival organizers The Black Angels and famed booker and promoter Rob Fitzpatrick have chosen none other than Palmer Event Center to showcase the main festival programming, complete with two stages for the weekend of all-star cast performances. The festival will also feature late-night shows throughout the Austin area, including all the Red River Cultural District venues that have been part of the festival since transitioning to a multivenue format in 2018. The Cosmic Clash will be attending for the long weekend and has curated a list of must-sees for the weekend’s multi-genre music happenings. Night shows are sold separately, so move fast to avoid getting shut out of the post-Palmer programming. Set times can be found via the Levitation website. Hit the link at the top of the story to grab tickets. VIP passes are sold-out. There are still some GA tickets available.
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Austin act Starflake featuring Jackie O’Brien of The Bright Light Social Hour has collaborated with Mexican turned Austin artist AILA on a futuristic update to Jeanette’s classic Spanish song, “Porque Te Vas” (1974). O’Brien who is founding bassist and vocalist of TBLSH also operates their Escondido Sound studio where he tracked this impressive update to an iconic Spanish pop song. Today, the premiere of the new version of the track is being presented here. The song can be found wherever you stream music.
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Upstart reggae music event, Remo Fest ‘25 will take place at Hill Country Caribbean Vybez on Saturday, September 20, in Blanco, Texas. Doors at the second-year reggae festival open at noon, with music kicking off at 2 p.m. The Caribbean music vibes continue until 11 p.m.
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One of the biggest draws to this year’s Levitation Festival in Austin this month is New Orleans’ swamp weirdos, Acid Bath. If you’re reading this and underground metal with a Louisiana flair ain’t in your wheelhouse, lemme get you right: this is the band everyone at the festival can’t miss.
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There is some big news for Austin music fans this weekend. This Friday, September 12, Atlanta-based MC, Killer Mike (Run the Jewels), will headline Radio/East as part of the first DAWA fest. DAWA (Diversity Awareness and Wellness in Action) is celebrating their sixth anniversary is an Austin-based non-profit dedicated to providing opportunity to historically marginalized, underserved creative communities. Riders Against the Storm bandleader and former city Music Commission Chair Jonathan “Chaka” Mahone conceived the organization to directly fund BIPOC community frontliners via direct giving and thoughtful projects like DAWA Studios which provides a place for creatives to film and record with equipment provided by the upstart NPO which was founded in 2019.
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Indie rock legends come in many forms. Whether you’re discussing the likes of Modest Mouse, Built To Spill, or Guided By Voices, someone in the room is going to eventually bring up The Pixies. Hailing from Boston and now entering their 40th year, the prolific songwriting of singer and guitarist Black Francis remains influential. For their 2025 North American tour, the Northeastern outfit enlisted the help of hometown heroes Spoon, making a sensible pairing of two leading musical entities in their respective birthplaces. For the Austin stop on the run, the double-headline bill made its way to Moody Amphitheater on Saturday, September 6, a sweaty occasion that made it all about the music.
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The kids are all right. For a while there, it seemed like the industrial scene was dead as disco, but after catching Austin’s Street Sects open for King Yosef and Youth Brigade at the 29th Street Ballroom Wednesday night, it’s a fair take to conclude that something’s bubbling up in the industrial scene like it did with hardcore and punk, with waves of new, young fans finding the music, in part to being chronically online. The underground is finding its way, even if it’s via TikToks and Instagram blowing bands up – whatever, it’s better than Sabrina Carpenter
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I get that Jeff Buckley is beloved. I know people with tattoos of his lyrics. Listening to it, I was taken to a place of feeling like, it was too dated for me, that I felt like people loved this record for its mythology of Buckley dying young and tragically more than the actual musical weight of the record, that his cover of Leonard Cohen’s “Hallelujah” made him so deep. It got me thinking about hype, legacy, and ultimately, Mark Lanegan.
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Newcastle’s Pigs Pigs Pigs Pigs Pigs Pigs Pigs (or Pigs x7 to make things easier) has been on a steady barrage of bone-crushing riffs, a consistent stream of records, and travels throughout the world to deliver their flammable methodology of sludge metal to the masses. Fresh off the release of their 2025 full-length Death Hilarious, the Pigs quintet covers all their bases with down-tuned guitar strikes and relentless, raw vocal aggression. With Nashville alternative metal act Waxed in tow on this run of shows, the double bill wrapped their tour in Austin at the under-new-management 29th St. Ballroom, sending things off with a deafening display of power on Wednesday, August 27.
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Generally, something is lacking in spirit when attending a legacy show. Artists who’ve been in the game forever can feel
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One of the aspects of the Salt Lake City music scene that can be appreciated is the strong foundation provided for cutting edge local acts provided by venue operators like annual Urban Lounge event Psych Lake City which took place August 15-16 at the popular downtown spot. Eleven years in, this mini-fest has consistently showcased up and coming psych-rock acts along with psych-adjacent artists. This year’s edition was a perfect example. The Cosmic Clash was on hand for the second evening of performances, as The Groanies, Seeking the Sun and headliners, Musor rocked Urban. The showcase put a spotlight on the quality of young acts SLC has to offer.
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