On the 50th Anniversary of Utah Arts Festival, Salt Lake City’s premier annual arts event chose to host Austin folk-Americana artist, Shakey Graves on Saturday, June 21 on the street adjacent to Library Square in the downtown civic center area. As huge fans of Graves’ since his return to Austin from Los Angeles where he was pursuing an acting career we’ve seen his steady ascent in music.
It’s been five years since Austin musician Geoff Earle released his debut album, The Big Fist as Stiletto Feels to critical acclaim. The Austin act makes a triumphant return, premiering hot new single “I Wanna Break It,” the second single from their upcoming Push Back, today at The Cosmic Clash.
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The First Rose of Spring is Willie Nelson’s seventieth album. That is 70, seven-zero. Let that sink in a minute. The sheer volume of Nelson’s creative output is staggering. The record was released or “dropped” as the kids say, July 3, just before Nelson’s annual Fourth of July Picnic which was live-streamed this year due to the COVID-19 pandemic. You would think there isn’t anything new to say about Willie Nelson. You would think there isn’t anything new and good enough that Nelson could sing. You’d be wrong on both counts.
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In what now feels like ancient history, this past January, The Cuckoos put on a show at one of Austin’s most intimate venues, Cheer Up Charlie’s. On June 29, the band dropped a new single and video. The new clip depicts a man (Frost), sitting alone in a chair, in black and white with a vintage color TV playing footage from the aforementioned show. This is the premise for the Austin-based The Cuckoos’ latest music video and single release “I’ll Be Ur Tramp.”
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Collins also makes incredibly good music as you’ll hear on his five-song EP, Headed Home which was released May 31 on his own Side Show Paradise label. The short but powerful EP is the kind of record that leaves you wanting more. That is the hallmark of a gifted songwriter.
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While some of you may have binge-watched your new favorite shows on NetFlix, laid off your diet or shared protest posts on social media, Joshua Lee Turner wrote, recorded, produced, engineered, and accompanied himself on a new recording. Public Life is an intellectual exercise in eclectic beauty, refusing to classify itself into any single genre.
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In light of the fantastic new Bob Dylan album, Rough and Rowdy Ways which was released last week, I‘ve wondered if everything if everything that can be said about Bob Dylan, has already been said? Honestly, what else is there to discuss? Dylan just “is” Dylan. I think the hardest part of being an artist is having “experts” and “critics” compare and dissect your work, stretch it out and lay it down against your last.
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While I am not one to fall into regret, I do enjoy exploring the road less traveled. That turn you didn’t take, the zig when you should have zagged, the song no one else recorded, or the B-side the DJ never flipped. I love discovering “new old music” as exemplified on Neil Young’s record Homegrown which was released last week; 45 years after it was recorded.
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Although plans for an ambitious summer tour have been canceled due to the COVID-19 pandemic, it has not stopped Primo The Alien from her galactic journey. The synth-pop artist continues to record from the confines of her guest bedroom expanding on her synth-wave legacy. The single “Sexual Affair” was a product of being quarantined for the last couple of months. Today announces the release of the single here at The Cosmic Clash.
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Hip Hop duo Run the Jewels is essentially the story of two lyricists who followed differing paths in a journey which lead to the formation of one of the most significant musical groups of our time, Run The Jewels (RTJ). In 2013, they released their self-titled first record to wide critical acclaim. On June 3rd, their fourth album, RTJ4 was released. The record is timely in that it speaks directly to the systemic violence and oppression that is currently dominating the national conversation amid police violence protests.
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Like many bands, Austin’s Sweet Spirit has seen a number of iterations. The band has swelled and contracted in size over the years. The current (smaller) formation lends itself to a different direction with Trinidad that is still glam rock we know and love, but a more spare sound emerges. It’s darker in tone than the previous two full-length albums the band has released.
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For more than a decade, the Austin-based quartet Sour Bridges has seeded the Capital City music scene with echoes of what they refer to as “browngrass.” The band has repeatedly stated, ”…it’s like bluegrass, but a little dirtier.” Consisting of Bill Pucci (vocals, rhythm guitar), Matt Pucci (vocals,mandolin, lead guitar), Garrett Ross (drums), Wil Vaughan (vocals, bass guitar), Sour Bridges has recently released their fourth studio album, Neon Headed Fool. The record was released May 24 of last year.
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