Friday, April 24, 2026

psych-rock

Greg AckermanLive MusicPreview

Live music preview: Mexico City rockers Los Blenders set to play 13th Floor on Saturday with Hidden Ritual

You may be too young to remember the first wave of Rock en Espagnol that spread across North America in the 90s. Bands like Caifanes, Mana, Maldita Vecindad and countless others were heard across airwaves in the U.S. and across Latin America. For this writer, it was the first time we’d heard Spanish language music that rocked like the bands we loved to discover on college radio and cool stations like L.A.’s KROQ. We even attended a concert where Spanish and English-speaking rock bands shared a bill at Universal Amphitheater the oddly indoor venue at Universal Studios in Los Angeles. The possibilities seemed endless. Fast forward to 2025 and Rock en Espagnol seems to have returned en force. Latin music is one of the fastest growing sectors in American music sales. Bad Bunny is slated to play the Super Bowl and killer garage-psych band, Los Blenders are coming to the 13th Floor in downtown Austin on Saturday. Tickets are still available for this underplay at the intimate Red River District venue.

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Case CockrellLive MusicReview

Live music review: Japan’s Acid Mothers Temple at 29th Street Ballroom with The Macks and ST-37

Japan’s Acid Mothers Temple returned to Austin for their fourth local appearance in two years at the 29th Street Ballroom in the University of Texas campus area on Sunday, marking another stopover for the band’s constant touring schedule that often has seven shows in seven cities per week. Acid Mothers Temple is a prolific force in the world of psychedelia, bringing their noise-infused brand of the genre through the crossbreeding of progressive rock, drone, and krautrock. For this stop, Acid Mothers Temple enlisted the help of Portland, Oregon garage rock outfit The Macks and local Austin psychedelic institution ST-37. 

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Case CockrellLive MusicReview

Live music review: Levitation Halloween Freakend day two got weird

The second day of Levitation’s Halloween Freakend at the Far Out Lounge & Stage showcased the more experimental side of the current indie music landscape, marking the third installment of Austin festival programming in 2025. With the Rob Fitzpatrick and The Black Angels-run music celebration entering its second decade, the Halloween two-day mini fest served as an optimal finale to a year of buzzing amps, underground artists, and legacy acts. Following a long-awaited headlining performance from Swedish dance punk stars Viagra Boys on Halloween night, the second day tapped into something a little different for the music fans who scour the internet for the weird and nothing but. 

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April DawneLive MusicReview

Live music review: Everyday Isn’t Halloween, But it Was Levitation’s Freakend

I love The Far Out Lounge (FOL), I love the people who book the shows, bartend, run the door, and clean up after all of us. This spot opened up safely, from a distance, during the lockdown to give live-music hungry people a safe place to see a show. We were like Footloose and unable to dance, and we had to remain socially distant, but we could feel a sense of normalcy that was sorely missed. All this to say, I love that The Far Out Lounge gets to host Levitation events like Halloween Freakend. Two, easy-to-get-to stages, with zero band overlap, in a large gravel yard in far South Austin with food trucks, bars, merch area, poster museum, and more to keep you entertained between sets.

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Case CockrellLive MusicReview

Live music review: Boris brought metal shapeshifting to Mohawk

Heavy metal in 2025 is in a healthy, hell-charged state. Bands are experimenting with the genre like Deafheaven, Full of Hell, Sunn O))), and even Austin acts like Portrayal of Guilt. For Tokyo, Japan’s Boris, a wave of extreme metal shapeshifting has paved the way for an everlasting gauntlet that’s redefining heavy music for 2025. With releases that dabble in drone metal, doom metal, and noise/experimental rock, Boris arrived for a Tuesday night gig in downtown Austin that came as a stop on their US tour to celebrate the 20th anniversary of their landmark tenth studio album Pink. For their third local appearance in two years, the Japanese berserkers stormed the stage at Mohawk in the Red River Cultural District yet again to astronomical results. 

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Case CockrellLive MusicReview

Live music review: garage rock behemoths Osees played Hotel Vegas residency

Los Angeles garage rock behemoths Osees returned to Austin for their annual, (sometimes bi-annual) residency at Eastside live music stronghold Hotel Vegas over the last weekend. Continuing their regular Austin tour stop tradition with a discography that gets bigger with every calendar rotation. With a solidified lineup defining the current iteration of esteemed bandleader John Dwyer’s everlasting rein, the Osees delivered another weekend of the eclectic paradigm that set the standard for the dozens of psych punk groups that make the Dwyer-led company a source of everlasting influence. Despite being on the road to promote their latest release Abomination Revealed At Last, the West Coast berserkers only performed one song from the new release and ventured into a rare, deep cuts, setlist territory. 

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Case CockrellLive MusicPreview

Live music preview: Halloween Freakend by Levitation is coming to Far Out Lounge

Levitation and Resound Presents have teamed up again for a Halloween weekend two-day festival in South Austin. The mini-fest will take place at The Far Out Lounge & Stage on October 31 and November 1, the current site of the Spring edition of Austin Psych Fest. The Freakend lineup kicks off on Halloween night with Bitchin Bajas, J’Cuuzi, Stereolab, Black Lips, and Viagra Boys arriving for their first Austin headlining excursion.

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April DawneLive MusicReview

Live music review:  A Funky Levitation Full of Surprises or How April Spent the Fest

Adulting is mostly a bummer, and Levitation weekend (September 26-28) coincided with a very important work event happening all day Saturday. Thankfully, the big boss sent an email to the team instructing us to do what we needed to do for self-care, leading up to Saturday. Perfect! I consider live music to be something that can soothe the beast, and from Tuesday through Sunday, I got my fill. It was a funky Levitation that was full of surprises.

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Case CockrellLive MusicPreview

Live music preview: Six must see bands at Austin City Limits Music Festival 2025

Austin City Limits Music Festival is an annual music extravaganza that takes place in the heart of Austin every Fall, and the curated talent ranges from worthy up-and-coming artists and legacy acts to round out its eclectic, genre-spanning array of music. For this year’s installment, The Cosmic Clash has put together a list of six must-sees you need to put on your list for the first weekend at Zilker Park which begins October 3. Tickets and set times can be found via the ACL website or through recommended resellers.

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Live MusicReviewRobert Dean

Live music review: Acid Bath, Rickshaw Billie’s Burger Patrol led Levitation 2025 metal day

Hats off to the folks behind the scenes at Levitation Festival. They pulled off a diverse event at a little-used location to great effect. The Palmer Events Center sounded great and showed a lot of promise for what the festival can be in the future. Keeping parking at $10 a day was a smart move that kept fans happy. The food and drink options were crazy expensive, but I understand that goes with the territory of putting a festival on – but on the real? $19 for a brisket sandwich is banana town. Just walk down the street to Whataburger next year. 

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Case CockrellLive MusicReview

Live music review: The Dandy Warhols assert legacy at Levitation Night Show

Portland, Oregon indie rock socialites The Dandy Warhols aren’t just surviving the volatile world of music, but thriving for the generations of vinyl collectors that hold them dear as a formative force that sparked a love of music and acting as a harbinger of an industry revolution. With countless tours under their belt, a relentless and boundary-breaking creative output, The Dandy Warhols have gone independent, away from the clutches of major label business and built their own studio for all Dandy endeavors since the turn of the millennium. For Austin’s 2025 Levitation Festival, the Pacific Northwest hardliners went to work to further assert their legacy with a Friday (September 26) late-night performance at Mohawk in the downtown, Red River Cultural District. For fans new and old, what the Dandys made for a career-spanning set of favorites and deep cuts alike. 

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