Live music review: Screamo legends Orchid led stacked bill at Mohawk
Amherst, Massachusetts screamo legends Orchid came through Austin and led a stacked bill on January 20, a show that felt
Read MoreAmherst, Massachusetts screamo legends Orchid came through Austin and led a stacked bill on January 20, a show that felt
Read MoreFree Week returned to the Red River Cultural District last weekend, marking another successful year of cover free showcases that benefit local businesses throughout downtown Austin. The RRCD non-profit presents Free Week to keep venues and other establishments running during the slow period in both the service and music industries for employees and musicians until the Spring. With 80+ artists across 10+ venues, Free Week 2026 proved a massive success, as thousands attended to welcome yet another year in the vibrant Austin scene. The Cosmic Clash team participated in both days of the festival and wanted to highlight what stood out to us about the extravaganza.
Read MoreI have a deep love for The Get Up Kids. Their 1999 classic Something to Write Home About is an all-timer for me—one of those records that somehow still hits the same decades later. (I’ve been caught hoarse-singing along to “Action-Action” more than once in my life.) So when word came down that frontman Matt Pryor is dropping back into town, armed with nothing but an acoustic guitar, I was immediately in.
Read MoreFree Week in Austin’s Red River Cultural District returns this coming weekend on January 9 and 10, bringing yet another array of cover-free showcases to the downtown area to kick off 2026 with live music from the city’s fruitful scene. The event will feature a baker’s dozen venues and over 80 performing artists to showcase Austin’s nightlife. The RRCD is managed by the Red River Merchants’ Association, a coalition of over forty local small businesses found within the District, which include not only live music venues, restaurants, hotels, retail shops, and other small businesses, but also the Austin Symphony Orchestra, First Baptist Church, German-Texan Heritage Society, and Waterloo Greenway.
Read MoreLos Angeles by way of Brooklyn electronic duo Sextile returned to Austin for a third time in 2025 to end the year with a loaded bill on Saturday night at Empire Control Room and Garage. The stacked lineup included Nashville egg punk extraordinaries Snooper along with local band appearances from Gus Baldwin & The Sketch, Alma Muneca, Mugger, and The Opera who are Cosmic Clash SXSW Webberville Block Party vets.
Read MoreIf you haven’t taken a trip to the new location for Austin’s legendary metal stronghold, The Lost Well, put a pilgrimage to the East Austin music venue high on your to-do list. The Lost Well returned in August this year with a vengeance, and the gig calendar has been stacking back up to a blistering, business-as-usual. According to owner Marcello Murphy, Tuesday night (December 16) for Wilmington, North Carolina doom metal act, Weedeater was the new Austin space’s biggest ticketed show yet.
Read MoreIt can be hard to gauge what attendance at late-year gigs in Austin will be like. There are tons of shows, festivals, and other events going on in town 365 days a year. People’s wallets can run dry around the holidays, and people are spending less discretionary income. For Denver deathdoom outfit Primitive Man’s December appearance at Empire Control Room in the Red River Cultural District on December 9, a thin, but dedicated gauntlet of fans showed up to experience the slow and low, deafening spectacle of the Colorado extreme metal band. Bringing a bill that proved eclectic and all over the place sonically, the evening on Red River didn’t disappoint for performances filled with harsh experimentation and maximum cranium-shaking riffs from the headlining event.
Read MoreAs an official Old Head, it’s an experiment in time for me: I got into punk in the early ’90s, and now that it’s 2025, I’m somehow in my fourth decade of this thing. The people we looked up to — and the kids I was crammed shoulder-to-shoulder with at basement shows — are now comparing cholesterol scores and scheduling their first colonoscopy. So when The Bouncing Souls and H2O rolled into town on Sunday, I got off my Rascal scooter and made my way down to enjoy the cool sounds of bands who’ve been around for thirty years, joining the rest of the AARPunks at Empire Control Room.
Read MoreThe eighth annual Big Bill Ball at Radio East in the Southeast part of town, marked another celebration of the Austin scene, offering a snapshot of local music in 2025 with a six-band bill featuring some of the best active acts in the Austindie sphere. For this year’s installment, the philosophical art punk mainstays celebrated the release of their new studio LP, Sick Myth. Continuing the Big Bill way of inclusive activism through comedic lyrical punchlines and a variety of punk rock angles, the one-day event gave attendees one of the most coveted evenings of live music in 2025 during Saturday night’s (November 22) gig at the southeast Austin backyard venue. The mini-fest was co-sponsored by famed photographer and show promoter, Pooneh Ghana for the annual showcase.
Read MoreI love a show where the band is not there to fuck around. No small talk, no rare material, no rambling monologues about the world. Just pure rock and roll fury. At the Mohawk on Sunday, November 23, The Murder City Devils crashed into Planet Austin and left no survivors. The band barely tours anymore—just fly-in one-offs where they show up, sell the same three merch designs they’ve had for twenty years, and play the hits.
Read MoreYou may be too young to remember the first wave of Rock en Espagnol that spread across North America in the 90s. Bands like Caifanes, Mana, Maldita Vecindad and countless others were heard across airwaves in the U.S. and across Latin America. For this writer, it was the first time we’d heard Spanish language music that rocked like the bands we loved to discover on college radio and cool stations like L.A.’s KROQ. We even attended a concert where Spanish and English-speaking rock bands shared a bill at Universal Amphitheater the oddly indoor venue at Universal Studios in Los Angeles. The possibilities seemed endless. Fast forward to 2025 and Rock en Espagnol seems to have returned en force. Latin music is one of the fastest growing sectors in American music sales. Bad Bunny is slated to play the Super Bowl and killer garage-psych band, Los Blenders are coming to the 13th Floor in downtown Austin on Saturday. Tickets are still available for this underplay at the intimate Red River District venue.
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