Not long after sunset on July 1, members of Richard, Dregs, and Leche hung out on the back patio at Chess Club, chatting with band mates, catching up with friends, and preparing for their respective evening sets. The dimly-lit, intimate room set the perfect stage for a punk showcase.
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Seattle’s Fleet Foxes debut received similar lazy comparisons to Crosby, Stills & Nash and Simon and Garfunkel reincarnate. While it’s great company, the band has routinely broken the mold in each album cycle, challenging themselves to push the outer edges of their competence and confidence. On July 3 at Moody Amphitheater, they demonstrated why harmony-rich folk-rock can be sophisticated and breathtaking.
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Despite the unrelenting heat in Austin back in June, Scottish band Belle and Sebastian performed at Stubb’s BBQ with Los Bitchos. The twee indie artists from Glasgow, Scotland are on tour for their first North American tour in years to promote their newest album A Bit of Previous.
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German electronic music trailblazers Kraftwerk played ACL Live at the Moody Theater on Monday presenting in 3D during a performance that ran through the group’s entire catalog. During a rare (for this Summer) thunderstorm that brought bolts of lighting from the sky, the quartet delivered a sonic and visual experience that exists to present their groundbreaking music in the most ideal setting possible.
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Music fans in Austin know to keep track of what Grammy-winning and multi-Grammy nominated Adrian Quesada (Black Pumas, Spanish Gold, Grupo Fantasma) is doing because d’uh! It also pays to track his bandmates. Musicians Beto Martinez (guitar) and John Spiece (drums) also have Grammys at home as founding members of Grupo. They also have a new project called Caramelo Haze who dropped their debut album last Friday on Nacional Records called NOESTÁSAQUI. We’ll let the band tell you what it is…
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Ty Segall and his Freedom Band, which includes Mikal Cronin on bass, Charlie Moothart on drums, and Emmett Kelly on guitar, took the stage at Mohawk June 18 to a sold out crowd. It was Segall’s second show at Mohawk in just the past three months and his third since last October’s Levitation festival, both times playing drums for the trio Fuzz.
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It also means that, on a hot night like June 17, the Texas humidity was in full force at Empire Garage and Control Room. Although, there’s something about sweaty weather and hard rock that go hand in hand. The heat certainly didn’t deter the surprisingly packed crowd who came to see Broncho.
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Tuscon’s Calexico is a hard to define band. And that’s a good thing as the 26-year old outfit made a stop in Austin Wednesday night at Scoot Inn for an eclectic and thoroughly enjoyable performance from the veteran performers who merge Latin music, indie rock, desert soundscapes along with elements of jazz, Americana and Tex Mex.
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Failure, despite the short run in the ‘90s, managed a level of success that feels more substantial in ways that may not have been defined by album sales, big tours, or chart topping hits. Their successful tour stop at Austin’s Mohawk on Tuesday is evidence of their sustained influence.
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Anyone who has fallen in love knows what it feels like at the very beginning: elation and euphoria punctuated by a sense of vulnerability at not knowing if this mutual attraction is actually something more– something real.
The new song “Let Me In” by indie-pop singer/songwriter Shae Lane captures this bittersweet feeling perfectly.
On the beautiful evening of Wednesday, May 25, London-based, post-punk band, Dry Cleaning played in front of a sold out venue on the Hotel Vegas patio. One year after the band released their debut LP, New Long Leg, the band toured the United States, finishing the current segment of their North American tour right here in East Austin.
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