Tuesday, June 2, 2026

Author: Case Cockrell

Case CockrellLive MusicReview

Live Music Review: Jeff Tweedy Celebrates New Triple Album at Paramount Theatre

A songwriter like Jeff Tweedy is rare company. With an ever-growing gaunlet of books, records, and musical outlets, the Illinois-born artist has maintained an unrivaled prolific streak that’s shown no signs of letting up as he reaches the not-so-ripe age of 60. After a phenomenal three-day stint with his primary vehicle, Wilco, at ACL Live last December, Tweedy and his family band made their way to the Paramount Theater in downtown Austin on Wednesday night. The Austin stop comes as a part of the tour to celebrate the release of triple LP Twilight Override, a 30-song epic chronicling the Midwest wordsmith’s more hopeful side. For the gig at one of Austin’s most coveted and beautiful venues, the results did not disappoint, given a storied career spanning over four decades.

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Case CockrellLive MusicReview

Live music review: Big Thief played their biggest Austin show at Moody Amphitheater

Emotions are running deep this year. Hints of hope are dwindling, leaving the house costs $50, and making ends meet is becoming increasingly daunting. For Brooklyn’s Big Thief, cautious optimism is the North Star, and being present in the moment and looking inward are the keys to maintaining a gratifying existence. For their graduation from mid-sized theaters to larger headlining appearances, an adoring array of fans made their way to Waterloo Park’s Moody Amphitheater on Wednesday night to celebrate the release of new LP Double Infinity. Their biggest Austin headlining show to date, the confidence and dynamic connection between them brought everything full circle for their career, which has seen personal development that feels unrivaled in 2025. 

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Case CockrellLive MusicReview

Live music review: Japan’s Acid Mothers Temple at 29th Street Ballroom with The Macks and ST-37

Japan’s Acid Mothers Temple returned to Austin for their fourth local appearance in two years at the 29th Street Ballroom in the University of Texas campus area on Sunday, marking another stopover for the band’s constant touring schedule that often has seven shows in seven cities per week. Acid Mothers Temple is a prolific force in the world of psychedelia, bringing their noise-infused brand of the genre through the crossbreeding of progressive rock, drone, and krautrock. For this stop, Acid Mothers Temple enlisted the help of Portland, Oregon garage rock outfit The Macks and local Austin psychedelic institution ST-37. 

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Case CockrellLive MusicReview

Live music review: Levitation Halloween Freakend day two got weird

The second day of Levitation’s Halloween Freakend at the Far Out Lounge & Stage showcased the more experimental side of the current indie music landscape, marking the third installment of Austin festival programming in 2025. With the Rob Fitzpatrick and The Black Angels-run music celebration entering its second decade, the Halloween two-day mini fest served as an optimal finale to a year of buzzing amps, underground artists, and legacy acts. Following a long-awaited headlining performance from Swedish dance punk stars Viagra Boys on Halloween night, the second day tapped into something a little different for the music fans who scour the internet for the weird and nothing but. 

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Case CockrellLive MusicReview

Live music review: Boris brought metal shapeshifting to Mohawk

Heavy metal in 2025 is in a healthy, hell-charged state. Bands are experimenting with the genre like Deafheaven, Full of Hell, Sunn O))), and even Austin acts like Portrayal of Guilt. For Tokyo, Japan’s Boris, a wave of extreme metal shapeshifting has paved the way for an everlasting gauntlet that’s redefining heavy music for 2025. With releases that dabble in drone metal, doom metal, and noise/experimental rock, Boris arrived for a Tuesday night gig in downtown Austin that came as a stop on their US tour to celebrate the 20th anniversary of their landmark tenth studio album Pink. For their third local appearance in two years, the Japanese berserkers stormed the stage at Mohawk in the Red River Cultural District yet again to astronomical results. 

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Case CockrellLive MusicReview

Live music review: Die Spitz sold-out Stubb’s for debut album release

A sold-out show at Stubb’s Waller Creek Amphitheater in Austin can be one of the most treacherous live music experiences in the downtown area. For the occasion of hometown heroes Die Spitz, exceptions had to be made to celebrate their debut album release Something To Consume via Jack White’s Third Man Records on Friday, October 24. The Austin hard rock quartet has been busy the last couple of years, racking up multiple headlining tours, opening slots for the likes of Amyl & The Sniffers, Viagra Boys, and Sleater-Kinney, and dropping new tracks ahead of their recent full-length studio release. For their homecoming after multiple stints worldwide, Die Spitz brought fellow Austin acts The Opera and Fuck Money to help them celebrate this monumental occasion. 

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Case CockrellLive MusicReview

Live music review: Water From Your Eyes returned to Austin with new record

Noise pop duo Water From Your Eyes formed when Amos relocated to Brooklyn, spurring a songwriting partnership that’s several records deep and becoming a tenured indie act. Since the release of their critically acclaimed Matador Records full-length Everyone’s Crushed in 2023, songwriting team Brown and Amos have been working to build their sonic relationship that shows the crowds getting bigger and the chatter in the online music spheres louder. For the unveiling of their seventh studio album and second Matador entry It’s a Beautiful Place doubling down on their hard-to-pinpoint approach, the duo hasn’t stopped creating or halted their relentless stints of touring. For their third stop in Austin in two calendar years at the recently rebranded Brushy Street Commons (formerly known as Parish), the Amos and Brown-led group showcases that they’re here to stay awhile and continue their surreal, self-aware brand of Gen-Z social commentary.

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Case CockrellLive MusicReview

Live music review: garage rock behemoths Osees played Hotel Vegas residency

Los Angeles garage rock behemoths Osees returned to Austin for their annual, (sometimes bi-annual) residency at Eastside live music stronghold Hotel Vegas over the last weekend. Continuing their regular Austin tour stop tradition with a discography that gets bigger with every calendar rotation. With a solidified lineup defining the current iteration of esteemed bandleader John Dwyer’s everlasting rein, the Osees delivered another weekend of the eclectic paradigm that set the standard for the dozens of psych punk groups that make the Dwyer-led company a source of everlasting influence. Despite being on the road to promote their latest release Abomination Revealed At Last, the West Coast berserkers only performed one song from the new release and ventured into a rare, deep cuts, setlist territory. 

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Case CockrellLive MusicPreview

Live music preview: Halloween Freakend by Levitation is coming to Far Out Lounge

Levitation and Resound Presents have teamed up again for a Halloween weekend two-day festival in South Austin. The mini-fest will take place at The Far Out Lounge & Stage on October 31 and November 1, the current site of the Spring edition of Austin Psych Fest. The Freakend lineup kicks off on Halloween night with Bitchin Bajas, J’Cuuzi, Stereolab, Black Lips, and Viagra Boys arriving for their first Austin headlining excursion.

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Case CockrellLive MusicReview

Live music review: Eight artists that stood out at ACL Festival 2025

Austin City Limits Music Festival (ACL Fest) 2025 weekend one on October 3 – October 5 marked another successful installment at Zilker Park, with an eclectic array of acts making their way to Austin for yet another October in the heart of the city. The talent performing featured acts from all over the world, bringing all genres to generations of music lovers who make their way to Central Texas by the tens of thousands for the musical extravaganza. Between legacy acts and rising artists, there was no shortage of spectacle to behold during the first weekend at the big park with a beautiful view of the city skyline. The Cosmic Clash team made their way to Zilker to capture the action and highlight eight artists that stood out to us throughout the first weekend of programming. 

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Case CockrellLive MusicReview

Live music review: Levitation 2025 ramble with Pavement, Mastodon, The Black Angels and more

Levitation Festival 2025 took place September 26 – 28  and marked another successful installment in a new location, with more than 30 acts making their way to Austin for yet another Black Angels-sponsored party featuring talent from all over the world. With a new HQ at Palmer Events Center on Barton Springs Road, the convention center turned into Levitation’s psychedelic playground for three days over the last weekend. Each day of the event brought unique vibes that spanned the festival’s usual suspects, first-timers, and legacy acts, all of which helped bring the star-studded booked talent to life for the three-day, two-stage rager. The Cosmic Clash team made their way to the convention center for the weekend to capture the action and highlight every moment that stood out to us at Palmer.

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