Catch The Cosmic Clash’s end of Summer party, Drummer Babes at Cheer Up Charlie’s on August 29 (Thursday). This annual event features some of Austin’s best drummers. On this bill each happens to be a badass woman too.
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Part Time rolled back into Austin to play Barracuda last Friday, this time joining forces with the legendary experimental music prodigy Gary Wilson. The ambitious tour started in Tucson, Arizona, passed through central Texas before heading out to the east coast and circling back to Denver to complete the tour.
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While the outdoor stage was booked with the likes of Black Joe Lewis and Emily Wolfe, The smaller, more intimate indoor venue was blessed with the psychedelic, ultra-creative musical stylings of the Los Angeles-based five-piece, Wand.
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On a recent Friday night in Austin, late June in the dimly-lit, Dozen Street Bar in East Austin’s burgeoning 12th street scene, the enticingly thick smell of gumbo and fried oysters flooded the air like a lure from the Cajun restaurant next door. Automatic Weekend…
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Meanwhile, the indoor stage at Barracuda offered a relentlessly stacked show featuring Tacocat with support from L.A.’s Paranoyds and Cosmic Chaos. Three bands that know how to attack a crowd like an angry swarm of Texas mosquitoes.
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I’ve reeled it over and over in my mind in the past few days. What did I see and hear?
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The Cosmic Clash has successfully produced Free Week events in the past, but this year we wanted to try something
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The show was four minutes late, house lights still on and I was waiting outside the door marked with the section I’d secured seats. To my right, on the other side of the hall, were five places to buy beer, wine, or something harder if the spirit took you. My bride and I had crossed the Louisiana border with two of our best friends, who share the same interest in music, politics and nearly everything else.
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Vancouver-via-Brooklyn-based electronic group Bob Moses brought their Battle Lines tour through Austin at Emo’s last Friday, October 19 supported by Mansionair. Bob Moses is actually a duo comprised of Jimmy Vallance and Tom Howie, their pop-electronic work was filled out with a lineup of live drums, bass, keys, guitar and vocals for a set list that drew heavily from their latest album, “Battle Lines.”
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It’s been eight years since Austin electronic duo, Ghostland Observatory put out an album. Let that sink in… EIGHT YEARS. That’s a lifetime in today’s music environment of countless streaming services, instant singles and surprise albums. The pair comprised of Thomas Ross Turner (keys, drums and weird sounds) and Aaron Behrens (guitar/vocals) hit the proverbial creative wall after non-stop touring and hype wore them out following the success of their aptly named second album Paparazzi Lightning and two more records on the heels of that impressive sophomore effort.
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All photos: Brandon Sandler
Following a week-long taping of his Song Confessional series, Walker Lukens spearheaded with a variety of local acts including Hard Proof and Croy and the Boys at Native Hostel, the upstart indie musician played to a nearly full house at the legendary blues emporium, Antone’s Nightclub in downtown Austin.
Lukens dropped his sophomore record, “Tell It To the Judge” to wide acclaim, getting name-checked at NPR and ABC News among other places. The singer collaborated with Spoon drummer and acclaimed producer Jim Eno at his Public Hi-Fi Studios. The album was also listed by our own editor as one of the best local albums of the year. Walker Lukens has got some serious momentum going.
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