Thursday, April 23, 2026
The Cosmic Clash

live music

Bob Weir Memorial courtesy of Bob Weir
OpinionRobert Dean

Opinion: Bob Weir is irreplaceable so why not ask Sturgill Simpson to step in?

Robert Dean 25700 Views ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  , 

Just for clarification, as I write this, my girlfriend, who is a massive Deadhead, is appalled.
With the announcement of the passing of Bob Weir on January 10, the future of The Grateful Dead Empire is now in question. Whereas most bands stop when one of the OG’s pass on, the Dead are a different animal. It’s part of their credo to celebrate the music, to cherish the culture created not only by the band and the fans but also with people in general. The Dead became an integral part of our musical culture a long time ago. There’s nothing like it, an ongoing celebration in different forms that’s been going since Jerry Garcia passed back in 1995.

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Brian HillsmanLive MusicReview

Live music review: legendary Austin act Soulhat played holiday show at Continental Club

Brian Hillsman 1207 Views ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  , 

On December 26, legendary Austin rock outfit, Soulhat, performed in front of a packed audience for their annual holiday concert at the Live Music Capital’s oldest rock venue, Continental Club. After 36 years since forming, the Austin mainstays returned to the venue that most reflects Austin’s past with multiple residencies by longtime city players while simultaneously looking into it’s future with select newer acts.

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Parker Woodland Free Week 26 Troy Gonzales
Case CockrellLive MusicReview

Live music review: Free Week returned in 2026 with cover free showcases

Case Cockrell 1914 Views ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  , 

Free Week returned to the Red River Cultural District last weekend, marking another successful year of cover free showcases that benefit local businesses throughout downtown Austin. The RRCD non-profit presents Free Week to keep venues and other establishments running during the slow period in both the service and music industries for employees and musicians until the Spring. With 80+ artists across 10+ venues, Free Week 2026 proved a massive success, as thousands attended to welcome yet another year in the vibrant Austin scene. The Cosmic Clash team participated in both days of the festival and wanted to highlight what stood out to us about the extravaganza.

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Hispter prognosticator
CultureOpinionRobert Dean

Opinion: Eight predictions for Austin music and culture in 2026

Robert Dean 2312 Views ,  ,  ,  ,  ,  ,  , 

Because it’s the beginning of the year, I wanted to try something new. I’m going to make some predictions about things I think will happen over the next twelve months. I’m not a swami. This is just my best shot as someone who’s stood next to enough sweaty, drunk guys with bad opinions at countless shows for over thirty years. I can’t do worse than them. Jesus. I feel old just typing that

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Matt Pryor courtesy of Matt Pryor
Live MusicPreviewRobert Dean

Live music preview: Matt Pryor of The Get Up Kids is coming to 13th Floor

Greg Ackerman 1417 Views ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  , 

I have a deep love for The Get Up Kids. Their 1999 classic Something to Write Home About is an all-timer for me—one of those records that somehow still hits the same decades later. (I’ve been caught hoarse-singing along to “Action-Action” more than once in my life.) So when word came down that frontman Matt Pryor is dropping back into town, armed with nothing but an acoustic guitar, I was immediately in.

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Case CockrellLive MusicPreview

Live music preview: Free Week starts January 9 with over 80 bands

Case Cockrell 1259 Views ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  , 

Free Week in Austin’s Red River Cultural District returns this coming weekend on January 9 and 10, bringing yet another array of cover-free showcases to the downtown area to kick off 2026 with live music from the city’s fruitful scene. The event will feature a baker’s dozen venues and over 80 performing artists to showcase Austin’s nightlife. The RRCD is managed by the Red River Merchants’ Association, a coalition of over forty local small businesses found within the District, which include not only live music venues, restaurants, hotels, retail shops, and other small businesses, but also the Austin Symphony Orchestra, First Baptist Church, German-Texan Heritage Society, and Waterloo Greenway.​

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Mugger 2 mini fest Empire Garage Troy Gonzales
Case CockrellLive MusicReview

Live music review: Electronic duo Sextile returned to Austin with stacked local bill

Case Cockrell 671 Views ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  , 

Los Angeles by way of Brooklyn electronic duo Sextile returned to Austin for a third time in 2025 to end the year with a loaded bill on Saturday night at Empire Control Room and Garage. The stacked lineup included Nashville egg punk extraordinaries Snooper along with local band appearances from Gus Baldwin & The Sketch, Alma Muneca, Mugger, and The Opera who are Cosmic Clash SXSW Webberville Block Party vets.

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Weedeater 9 Lost Well Justin Clark
Case CockrellLive MusicReview

Live music review: Weedeater played Austin metal stronghold The Lost Well

Case Cockrell 1505 Views ,  ,  ,  ,  ,  ,  ,  ,  , 

If you haven’t taken a trip to the new location for Austin’s legendary metal stronghold, The Lost Well, put a pilgrimage to the East Austin music venue high on your to-do list. The Lost Well returned in August this year with a vengeance, and the gig calendar has been stacking back up to a blistering, business-as-usual. According to owner Marcello Murphy, Tuesday night (December 16) for Wilmington, North Carolina doom metal act, Weedeater was the new Austin space’s biggest ticketed show yet.

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Portugal the man 5 ACL Live Troy Gonzales
Case CockrellLive MusicReview

Live music review: Portland act Portugal. The Man showed no creative bounds at ACL Live with La Luz

Case Cockrell 1225 Views ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  , 

Alaska natives and Portland-based musical collective Portugal. The Man is an outfit that knows no creative bounds. Built by visionary John Gourley and rounded out by a laundry list of collaborators who have come and gone over the years, the Oregon vehicle has retained a creative streak that’s produced 10 full-length studio projects since forming in 2004. For the last stop on their run supporting new LP Shish, the Portugal company made their way to Austin’s premier venue ACL Live on Friday, December 12 for a headlining extravaganza that brought the new and old material, with a lot of new in rotation to celebrate the latest release.

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Belly 4 mohawk Troy Gonzales
Case CockrellLive MusicReview

Live music review: 90s alt-rockers Belly resurfaced at Mohawk to celebrate King album 30th anniversary

Case Cockrell 1257 Views ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  , 

The 1990s saw many monumental alternative rock and indie releases that many music fans, new and old, hold dear. For some, it’s The Lonesome Crowded West by Modest Mouse, Slanted & Enchanted by Pavement, or Dolittle by Pixies. There are too many hidden gems that fly under the radar, however, proving that we as music lovers, need to go crate-digging at our favorite record stores a lot more often. For Rhode Island’s Belly’s second album, King, a body of work with the underrated alt-rock icons exists, featuring crossover membership with the likes of Throwing Muses, L7, and The Breeders. With this seminal rock and roll legacy in mind, Belly released the now 30-year-old record in 1995 and disbanded shortly after. In 2016, the New England-hailing quartet reunited for another record and has since embarked on an anniversary tour to commemorate the now landmark release. On Wednesday, December 11 in the Red River Cultural District at scene staple Mohawk, fans both old-school and new were treated to a two-set experience by Belly that included that penultimate sophomore effort and other offerings from their scant but worthwhile catalogue.

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Primative Man Empire Control Room Justin Clark
Case CockrellLive MusicReview

Live music review: Primitive Man played Empire in Austin for rare late-year gig

Case Cockrell 1167 Views ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  ,  , 

It can be hard to gauge what attendance at late-year gigs in Austin will be like. There are tons of shows, festivals, and other events going on in town 365 days a year. People’s wallets can run dry around the holidays, and people are spending less discretionary income. For Denver deathdoom outfit Primitive Man’s December appearance at Empire Control Room in the Red River Cultural District on December 9, a thin, but dedicated gauntlet of fans showed up to experience the slow and low, deafening spectacle of the Colorado extreme metal band. Bringing a bill that proved eclectic and all over the place sonically, the evening on Red River didn’t disappoint for performances filled with harsh experimentation and maximum cranium-shaking riffs from the headlining event.

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