Saturday, May 16, 2026

Mean Jolene

"Private Plane"

Greg AckermanLive MusicPhotos

Live music photos: Hawk Dawg 3 with Tear Dungeon, Queen Serene and Dregs

An ignominious event, Hawk Dawg 3 took place on a rainy July 4 at Red River Cultural District favorite Mohawk with a hot dog eating contest that left no wiener untouched. The Cosmic Clash even had staff photographer and writer Drew Doggett joining the fun with our man trying to stuff as many dogs into his face as possible (evidence below) but the main event of the day party which got going at 4 p.m. was headliners, Tear Dungeon, fronted by Andrew Cashen (A Giant Dog, Andrew Cashen and the Disciples of Creation) with a bevy of well-known local players did their best ATX approximation of shock rock acts like Gwar complete with masks, spewing blood, mosh pits and stage dives. Fellow local acts, Queen Serene and Dregs joined the party.

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Case CockrellLive MusicReview

Live music review: Asheville songwriter MJ Lenderman taped ACL TV episode

MJ Lenderman turned heads as a co-frontman and songwriter of Asheville breakout act Wednesday, before striking off on his own out of its touring lineup and taking up as a solo outfit. For Season 51 of Austin City Limits TV (ACL TV), the 26-year-old Lenderman and his backing musicians dubbed “MJ Lenderman and the Wind,” the North Carolina-bred musician delivered a coveted concert taping on July 1 that had the Moody Theater packed to full capacity. Fans were allowed to enter a lottery to win tickets for the performance, with only a select number being guaranteed entry for Tuesday night’s show. 

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Live MusicReviewRobert Dean

Live music review: Ozzy Osbourne and Black Sabbath – The Tired King of Metal Gets His Final Bow

Someone online said something profound about Ozzy’s final performance with Black Sabbath at Villa Park in their hometown of Birmingham, England on July 5: they called him a tired king. And as that tired king looked out over his court, with the whole world watching, he gave one last welcome to those still loyal to his heavy metal kingdom.

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Case CockrellLive MusicReview

Live music review: Aussies Tropical Fuck Storm sold-out 29th Street Ballroom

Melbourne’s Tropical Fuck Storm soared into Austin for a sold-out gig at the under-new-management 29th St. Ballroom in the University of Texas Campus area on a week ago Sunday night, a fitting conclusion to an action-packed concert weekend in the live music capital. The release of their latest LP, Fairyland Codex, has garnered an extensive array of praise from critics, some calling it their best to date, and has spawned a planned worldwide tour for the Aussies to promote yet another entry in the ever-growing discography

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April DawneLive MusicReview

Live music review: Phish at Moody Center – Whatever You Do Take Care of Your Shoes

I’m still processing last weekend’s rollicking two night Phish run in Austin at the Moody Center. The last time the nerdy foursome from Vermont played Austin was on a sweltering July day in 2018 outside and I was in the midst of an on-again/off-again thing that was off who also happened to be at the show.

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Becky RodriguezReviewSong

Song review: Upcoming single by Jeremiah Jackson Soul Power drops July 2

What is Glam Daddy Blues? Texas’ own Jeremiah Jackson keeps the spirit of this self-invented genre alive in their upcoming single, “Soul Power” set for release on July 2. Along with members, drummer Mikey Uptmore, and bassist/producer, Dylan “Pickle” Fischer, the trio concocts a dreamy narrative that begs us to fall into the awe-inspiring influence of “Soul Power.” Glam Daddy Blues is Jeremiah Jackson’s answer to nourishing the soul and keeping it alive and thriving.

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Amanda QuraishiLive MusicReview

Live music review: A joyous solstice fest by The Bright Light Social Hour

The summer solstice is upon us, and that can mean only one thing: a hometown performance by Austin’s The Bright Light Social Hour.  This year, the band was joined for their one-night Endless Light Festival at Mohawk by four other outstanding Austin bands; Megafauna, Bruce, LLuvii, and Grandmaster on June 21 at the longtime downtown Red River Cultural District venue. 

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Greg AckermanLive MusicPhotos

Live music photos: Third annual Big Dumb Fest by Rickshaw Billie’s Burger Patrol at Mohawk

Austin hard rock band, Rickshaw Billie’s Burger Patrol hosted their third annual Big Dumb Fest June 14 at legendary Red River Cultural District venue, Mohawk. The self-styled Doom Wop band curates the lineup themselves, hand-picking each local act invited. This year’s roster included Bat Lips, Gus Baldwin and the Sketch, Glime, The Grasshopper Lies Heavy, Subpar Snatch and Gran Moreno for an all night affair. BDF included food pop-ups from Bad Larry’s Burgers, Grandpa’s Glizzy’s and Sucio Boy Burgers to feed the hungry hard rock fans attending.

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LiveMike CosmicReview

Live music review: Death from Above You’re a Woman, I’m a Machine tour stop at Empire

Canadian rockers Death From Above (also known as Death from Above 1979 or DFA) delivered an electrifying performance to an enthusiastic crowd last Friday at Austin’s Empire Garage. The duo, comprised of bassist and synth player Jesse F. Keeler and drummer and vocalist Sebastien Grainger, played their critically acclaimed album, You’re a Woman, I’m a Machine, in its entirety. It has become a sort of tradition for bands to tour and play albums in entirety, to celebrate the albums anniversary. Indeed DFA are celebrating the 20th anniversary of their debut album. The tour began last Summer in UK

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AlbumMike CosmicReview

Album Review: Vital punk rock on new Subpar Snatch EP Get In Here

The Austin music scene is undeniably alive and thriving, and Subpar Snatch is a vital artery pumping punk rock through its veins. The group is releasing their latest EP Get In Here on June 20. This combustible trio, led by Jess Scott on vocals, Nate Ribner on bass, and CeeCee Email on drums is renowned for their high energy, raw, and unapologetic take on garage punk. Established in 2022, they quickly built a reputation for their raucous live performances, provocative lyrics, and a powerful sound that proves no guitars are needed. 

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