Friday, April 24, 2026
The Cosmic Clash

Robert Dean

Bouncing Souls 6 Empire Garage Justin Clark
Live MusicReviewRobert Dean

Live music review: Old school punks The Bouncing Souls and H2O played Empire last Sunday

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As an official Old Head, it’s an experiment in time for me: I got into punk in the early ’90s, and now that it’s 2025, I’m somehow in my fourth decade of this thing. The people we looked up to — and the kids I was crammed shoulder-to-shoulder with at basement shows — are now comparing cholesterol scores and scheduling their first colonoscopy. So when The Bouncing Souls and H2O rolled into town on Sunday, I got off my Rascal scooter and made my way down to enjoy the cool sounds of bands who’ve been around for thirty years, joining the rest of the AARPunks at Empire Control Room.

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Charlie Brown Christmas 2 Parker Jazz Club Robert Dean
Live MusicReviewRobert Dean

Live music review: A Charlie Brown Christmas at Parker Jazz Club evokes deep nostalgia

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Recently, I had the pleasure of attending The Parker Jazz Club’s tribute to A Charlie Brown Christmas, and it’s now on my must-do tradition list. Hosted every Monday in December, The Ryan Davis Trio puts on an hour-and-a-half show with a little history of the special, a few jokes, and plenty of timeless music. The experience was cozy and pleasant, full of smiles and wistful audience members diving deep into their pasts as the music played. Even Snoopy had his place on top of the doghouse—Charlie’s little tree was there, too.

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Murder City Devils 4 Mohawk Troy Gonzales
Live MusicReviewRobert Dean

Live music review: Murder City Devils brought rock and roll fury to Mohawk

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I love a show where the band is not there to fuck around. No small talk, no rare material, no rambling monologues about the world. Just pure rock and roll fury. At the Mohawk on Sunday, November 23, The Murder City Devils crashed into Planet Austin and left no survivors. The band barely tours anymore—just fly-in one-offs where they show up, sell the same three merch designs they’ve had for twenty years, and play the hits.

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Dave Attell by Jim McCambridbge
ComedyReviewRobert Dean

Live comedy review: Dave Attell at the Mothership – A masterclass in controlled chaos

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Few times in life do we get to see a true master at work. Watching someone carve stone for a temple or fling paint across a canvas gives a glimpse into creation itself — that raw place art comes from before it’s polished and displayed. Recently, I caught Dave Attell’s final show of his six-night run at Joe Rogan’s Comedy Mothership, and it was one of those rare moments when a comic takes you to a different universe

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QOTSA 3 ACL TV Nov 20
Live MusicReviewRobert Dean

Live music review: The seance will be televised – Queens of the Stone Age ACL TV taping

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Marcel Proust was a dark-minded poet-philosopher, once musing: “Our vanity, our passions, our spirit of imitation, our abstract intelligence, our habits have long been at work, and it is the task of art to undo this work of theirs, making us travel back in the direction from which we have come to the depths where what has really existed lies unknown within us.” Imagine him at a Parisian café with Queens of the Stone Age mastermind Josh Homme, trading cigarettes and wine. Would they challenge death or toast to it? These thought and more came as QOTSA’s Austin City Limits TV taping took place on November 18 at ACL Live. 

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Live MusicReviewRobert Dean

Essay: Is Hip Hop dead or just resetting?

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For the first time in a crazy long time, there were no hip-hop tracks in the Billboard Hot 100 for the week of October 25, 2025. The last time that happened was in February 1990 — Nirvana was still an indie band, and Run-DMC were already a nostalgia act. So what’s going on? Is hip hop dead or just resetting?

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Patrick Sweany PR photo Joshua Black Wilkins
Live MusicReviewRobert Dean

Live music review: Patrick Sweany deserves a bigger stage

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Every time Patrick Sweany rolls through town, I ask myself the same question: how is this guy not bigger? It’s the eternal curse of music nerds — finding an artist you love and wondering what the hell is wrong with everyone else. But Sweany’s different. He belongs in the same conversation as Chris Stapleton, Jack White, Marcus King, and the Black Keys. He’s that good.

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Live MusicReviewRobert Dean

Live music review: Nuclear Daisies make a splash at Hotel Vegas

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Every once in a while, you’ll be at a show and wag your finger because you just know. That familiar light pops on that a music nerd can recognize when the band onstage isn’t just another local band; they’ve got the sound that moves beyond “this is good” to “this is international.” I’ve been to easily over a thousand shows in my life. I have seen many a band. Sometimes, you catch a Spiritual Cramp and can see from a million miles away, “these guys are gonna blow up,” and slowly but surely, those tours keep getting bigger. I said the same thing about Fontaines D.C., and after catching Austin’s Nuclear Daisies onOctober 28 at Hotel Vegas, I think it’s pretty obvious they have all the correct DNA to make a splash. Some of us can remember when Die Spitz was playing Chess Club. Now, they’re headlining Stubbs.

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ReviewRobert Dean

Gallery review: Hunter S Thompson would have loved Meow Wolf

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I take every chance I can get to escape the wheels of the capitalist death machine. My phone is constantly telling me someone’s been shot in a mall, or the asshole with the long red tie has done something to make me clutch my humanity pearls, so when an opportunity to melt away into dimensions unknown presents itself, I’m taking it. This past weekend, to celebrate my boys’ birthdays, we took them to Meow Wolf’s Radio Taves experience in Houston, and I’m still thinking about it. I got lunch next to a fucking rat in a blonde wig while a three-titted bar was above my head. This place was madness of the Hunter S. Thompson variety—save the ether binge.

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Calavera CATIL Justin Clark
Live MusicReviewRobert Dean

Live music review: Cavalera Conspiracy played Chaos A.D. in full at Come & Take It Live

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I’ve seen a lot of bands do the whole “playing the seminal album” thing over the years. For a long time, the gold standard was Roger Waters doing Dark Side of the Moon—an experience that was incredible both visually and sonically. Despite being a much smaller affair, the Cavalera brothers gave that experience a run for its money, performing their masterpiece Chaos A.D. at Come and Take It Live on Friday, October 17. If you’re a Sepultura fan, this was probably the closest, tightest, and most raw celebration of that album you’re ever going to get.

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Aerials by Rylan McCoy for ACL Fest 2025-12
Live MusicOpinionRobert Dean

Opinion: Hear me out, Austin City Limits Music Festival at COTA

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I know you are going to hate this. But since ACL I’ve been thinking about something: the fest itself and how Austin handles it. First, I gotta get through the fine print: I’ve been to the Austin City Limits Music Festival exactly one time – for an hour. I went to see Duran Duran and left. I also got into a car accident trying to get there on time. I am someone who’s still holding hope that we’re going to get a Fugazi reunion one of these days, so me waiting in the throngs of people to hear Chappell Roan sing “Pink Pony Club” I am not. But after seeing the photos of Sabrina Carpenter’s crowd last week, you have to wonder if the scale of the artists who play at the festival—is the park even big enough to hold the people anymore? I can’t say where I’ve heard the rumor from, but someone told me ACL should be moved to Circuit of the Americas (COTA), and I think the conversation’s at least worth having.

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