Friday, April 24, 2026

Robert Dean

Live MusicReviewRobert Dean

Live music review: Acid Bath, Rickshaw Billie’s Burger Patrol led Levitation 2025 metal day

Hats off to the folks behind the scenes at Levitation Festival. They pulled off a diverse event at a little-used location to great effect. The Palmer Events Center sounded great and showed a lot of promise for what the festival can be in the future. Keeping parking at $10 a day was a smart move that kept fans happy. The food and drink options were crazy expensive, but I understand that goes with the territory of putting a festival on – but on the real? $19 for a brisket sandwich is banana town. Just walk down the street to Whataburger next year. 

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OpinionRobert Dean

Opinion: The kids are alright (they’re just getting their metal from TikTok now)

The passage of time is strange. One minute you’re crate digging for a Fugazi tape at the local record store, and years later, you’re the guy with gray in his beard, noticing a kid in a Misfits hoodie who’s never owned a CD but knows his “She Rides” because the TikTok algorithm keeps feeding them Danzig. Have no fear though. The kids are alright, they’re just getting their metal from TikTok now.

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Live MusicPreviewRobert Dean

Live music preview: Levitation Can’t Miss with Acid Bath

One of the biggest draws to this year’s Levitation Festival in Austin this month is New Orleans’ swamp weirdos, Acid Bath. If you’re reading this and underground metal with a Louisiana flair ain’t in your wheelhouse, lemme get you right: this is the band everyone at the festival can’t miss.

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Live MusicReviewRobert Dean

Live music review: King Yosef with Street Sects or How TikTok kids found real Industrial music

The kids are all right. For a while there, it seemed like the industrial scene was dead as disco, but after catching Austin’s Street Sects open for King Yosef and Youth Brigade at the 29th Street Ballroom Wednesday night, it’s a fair take to conclude that something’s bubbling up in the industrial scene like it did with hardcore and punk, with waves of new, young fans finding the music, in part to being chronically online. The underground is finding its way, even if it’s via TikToks and Instagram blowing bands up – whatever, it’s better than Sabrina Carpenter

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OpinionRobert Deansongwriter

Opinion: Mark Lanegan should be in same conversation as our greatest songwriters

I get that Jeff Buckley is beloved. I know people with tattoos of his lyrics. Listening to it, I was taken to a place of feeling like, it was too dated for me, that I felt like people loved this record for its mythology of Buckley dying young and tragically more than the actual musical weight of the record, that his cover of Leonard Cohen’s “Hallelujah” made him so deep. It got me thinking about hype, legacy, and ultimately, Mark Lanegan.

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Music NewsRobert Dean

Music News: The Mighty Lost Well Returns from the Dead

After a tumultuous few months, the cavern in our hearts is about to close: The Lost Well is finally ready to (re)open. After some nefarious Austin money shit went down, the famed heavy metal haven for weirdos and castaways was forced to close, leaving many in the city feeling like a friend had died. Yet, the mighty Lost Well returns from the dead. 

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Live MusicReviewRobert Dean

Live music review: Tear Dungeon tour kick off at Radio East with stage dives

I’ve seen a lot of things in my years of going to rock and roll shows. I have experienced a man in a rubber sex mask spit fake blood into a child’s face. Whenever Tear Dungeon plays, there is always a chance of something insane happening. Between roof climbs, the highest stage dives, a garage being ripped down to the studs (see: their show at the now-defunct Ghost Cat Lounge) the band has established a culture of chaos at their shows, that if you’re here, being an absolute psycho is A-OK. The band’s show at Radio East on Saturday, August, 9 was no exception

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Music NewsRobert Dean

Music news: celebrating Ozzy Osbourne in death is saying goodbye to an old friend

Music is like an emotional sledgehammer to our lives; it’s the soundtrack to moments, to milestones. Everyone has those songs that, upon hearing them, transport them back in time. Black Sabbath’s “Paranoid” is that time machine for many, a raucous small rip of mind fuck that fuels speeding cars, hot sex, or wild montages of cocaine and whiskey medicine. It’s a few moments of perfection, which the band never intended to be anything but album filler. That’s the majesty of the band – they created a genre: Heavy Metal. And the four lads from Birmingham experienced their fruits in real-time. Yesterday, Ozzy Osbourne, the King of Metal, passed on

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Live MusicReviewRobert Dean

Live music review: Ozzy Osbourne and Black Sabbath – The Tired King of Metal Gets His Final Bow

Someone online said something profound about Ozzy’s final performance with Black Sabbath at Villa Park in their hometown of Birmingham, England on July 5: they called him a tired king. And as that tired king looked out over his court, with the whole world watching, he gave one last welcome to those still loyal to his heavy metal kingdom.

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