Friday, March 6, 2026

rock n roll

Case CockrellLive MusicReview

Live music review: Portland act Portugal. The Man showed no creative bounds at ACL Live with La Luz

Alaska natives and Portland-based musical collective Portugal. The Man is an outfit that knows no creative bounds. Built by visionary John Gourley and rounded out by a laundry list of collaborators who have come and gone over the years, the Oregon vehicle has retained a creative streak that’s produced 10 full-length studio projects since forming in 2004. For the last stop on their run supporting new LP Shish, the Portugal company made their way to Austin’s premier venue ACL Live on Friday, December 12 for a headlining extravaganza that brought the new and old material, with a lot of new in rotation to celebrate the latest release.

Read More
Case CockrellLive MusicReview

Live music review: 90s alt-rockers Belly resurfaced at Mohawk to celebrate King album 30th anniversary

The 1990s saw many monumental alternative rock and indie releases that many music fans, new and old, hold dear. For some, it’s The Lonesome Crowded West by Modest Mouse, Slanted & Enchanted by Pavement, or Dolittle by Pixies. There are too many hidden gems that fly under the radar, however, proving that we as music lovers, need to go crate-digging at our favorite record stores a lot more often. For Rhode Island’s Belly’s second album, King, a body of work with the underrated alt-rock icons exists, featuring crossover membership with the likes of Throwing Muses, L7, and The Breeders. With this seminal rock and roll legacy in mind, Belly released the now 30-year-old record in 1995 and disbanded shortly after. In 2016, the New England-hailing quartet reunited for another record and has since embarked on an anniversary tour to commemorate the now landmark release. On Wednesday, December 11 in the Red River Cultural District at scene staple Mohawk, fans both old-school and new were treated to a two-set experience by Belly that included that penultimate sophomore effort and other offerings from their scant but worthwhile catalogue.

Read More
Live MusicReviewRobert Dean

Live music review: Old school punks The Bouncing Souls and H2O played Empire last Sunday

As an official Old Head, it’s an experiment in time for me: I got into punk in the early ’90s, and now that it’s 2025, I’m somehow in my fourth decade of this thing. The people we looked up to — and the kids I was crammed shoulder-to-shoulder with at basement shows — are now comparing cholesterol scores and scheduling their first colonoscopy. So when The Bouncing Souls and H2O rolled into town on Sunday, I got off my Rascal scooter and made my way down to enjoy the cool sounds of bands who’ve been around for thirty years, joining the rest of the AARPunks at Empire Control Room.

Read More
Case CockrellLive MusicReview

Live music review: Big Bill Ball 8 at Radio East offered accurate snapshot of Austin music scene

The eighth annual Big Bill Ball at Radio East in the Southeast part of town, marked another celebration of the Austin scene, offering a snapshot of local music in 2025 with a six-band bill featuring some of the best active acts in the Austindie sphere. For this year’s installment, the philosophical art punk mainstays celebrated the release of their new studio LP, Sick Myth. Continuing the Big Bill way of inclusive activism through comedic lyrical punchlines and a variety of punk rock angles, the one-day event gave attendees one of the most coveted evenings of live music in 2025 during Saturday night’s (November 22) gig at the southeast Austin backyard venue. The mini-fest was co-sponsored by famed photographer and show promoter, Pooneh Ghana for the annual showcase.

Read More
Live MusicReviewRobert Dean

Live music review: The seance will be televised – Queens of the Stone Age ACL TV taping

Marcel Proust was a dark-minded poet-philosopher, once musing: “Our vanity, our passions, our spirit of imitation, our abstract intelligence, our habits have long been at work, and it is the task of art to undo this work of theirs, making us travel back in the direction from which we have come to the depths where what has really existed lies unknown within us.” Imagine him at a Parisian café with Queens of the Stone Age mastermind Josh Homme, trading cigarettes and wine. Would they challenge death or toast to it? These thought and more came as QOTSA’s Austin City Limits TV taping took place on November 18 at ACL Live. 

Read More
Case CockrellLive MusicReview

Live music review: Pigeons Playing Ping Pong packed Mohawk last Friday

Baltimore funk jam outfit Pigeons Playing Ping Pong soared into Austin for another musical extravaganza, their third visit since 2022, in celebration of their eighth studio LP Feed The Fire. This time, the venue of choice came in the form of Mohawk in the Red River Cultural District on Friday night. Over the three-hour excursion, fans from all kinds of music spheres made their way to pack out the downtown Austin venue for two sets of pure joy. With loyalists being dubbed,”The Flock,” the level of fan inclusiveness was palpable throughout the packed venue for an episode of victorious energy. 

Read More
Greg AckermanLive MusicPreview

Live music preview: Mexico City rockers Los Blenders set to play 13th Floor on Saturday with Hidden Ritual

You may be too young to remember the first wave of Rock en Espagnol that spread across North America in the 90s. Bands like Caifanes, Mana, Maldita Vecindad and countless others were heard across airwaves in the U.S. and across Latin America. For this writer, it was the first time we’d heard Spanish language music that rocked like the bands we loved to discover on college radio and cool stations like L.A.’s KROQ. We even attended a concert where Spanish and English-speaking rock bands shared a bill at Universal Amphitheater the oddly indoor venue at Universal Studios in Los Angeles. The possibilities seemed endless. Fast forward to 2025 and Rock en Espagnol seems to have returned en force. Latin music is one of the fastest growing sectors in American music sales. Bad Bunny is slated to play the Super Bowl and killer garage-psych band, Los Blenders are coming to the 13th Floor in downtown Austin on Saturday. Tickets are still available for this underplay at the intimate Red River District venue.

Read More
Brian HillsmanLive MusicReview

Live music review: Been There 4 benefit at Radio East featured Mix Master Mike and Austin artists

The two-stage setup in the Radio/East backyard was the perfect setting for the Been There 4 benefit live music event – “the party to end homelessness.”  The event took place on Saturday, November 8 with Beastie Boys’ wax authority, Mix Master Mike atop an impressive bill that included a raft of high quality Austin artists amid a decidedly upbeat vibe. The annual fundraiser began humbly at Camp Esperanza, the state-ordered Northeast Austin homeless encampment that The Other Ones Foundation (TOOF) set about to support with a wealth of services for folks struggling to make ends meet. The TOOF staff included many members of the music community and their friends, including filmmaker Aaron Brown (Onion Creek Productions) and his partner at Been There Lenny Barszap. 

Read More
Live MusicReviewRobert Dean

Live music review: Patrick Sweany deserves a bigger stage

Every time Patrick Sweany rolls through town, I ask myself the same question: how is this guy not bigger? It’s the eternal curse of music nerds — finding an artist you love and wondering what the hell is wrong with everyone else. But Sweany’s different. He belongs in the same conversation as Chris Stapleton, Jack White, Marcus King, and the Black Keys. He’s that good.

Read More
Case CockrellLive MusicReview

Live music review: Big Thief played their biggest Austin show at Moody Amphitheater

Emotions are running deep this year. Hints of hope are dwindling, leaving the house costs $50, and making ends meet is becoming increasingly daunting. For Brooklyn’s Big Thief, cautious optimism is the North Star, and being present in the moment and looking inward are the keys to maintaining a gratifying existence. For their graduation from mid-sized theaters to larger headlining appearances, an adoring array of fans made their way to Waterloo Park’s Moody Amphitheater on Wednesday night to celebrate the release of new LP Double Infinity. Their biggest Austin headlining show to date, the confidence and dynamic connection between them brought everything full circle for their career, which has seen personal development that feels unrivaled in 2025. 

Read More
April DawneLive MusicReview

Live music review: Everyday Isn’t Halloween, But it Was Levitation’s Freakend

I love The Far Out Lounge (FOL), I love the people who book the shows, bartend, run the door, and clean up after all of us. This spot opened up safely, from a distance, during the lockdown to give live-music hungry people a safe place to see a show. We were like Footloose and unable to dance, and we had to remain socially distant, but we could feel a sense of normalcy that was sorely missed. All this to say, I love that The Far Out Lounge gets to host Levitation events like Halloween Freakend. Two, easy-to-get-to stages, with zero band overlap, in a large gravel yard in far South Austin with food trucks, bars, merch area, poster museum, and more to keep you entertained between sets.

Read More