Minneapolis legends, Atmosphere, brought a crew of hip hop elites to ACL Live at the Moody Theater on their Winter Carnival tour on February 6. The performance showcased prominent contemporaries of hip hop before the duo commanded the attention of each concertgoer in the room during their performance.
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Theater is my hell. Musical theater? I would rather swim through raw sewage, hitting sawed-off corpse dicks to the face. Honorable mentions include karaoke and improv. Back to the theater… it’s not fun for me. I enjoy reading plays by the greats; August Wilson, Tennessee Williams, and Arthur Miller. But when it comes to sitting in an audience, it just ain’t for me. There was the time I was taken to see Monty Python’s “Spam-a-Lot,” and while I wanted to see it, once I saw it, I hated it.
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This Friday, January 6 Andrew Cashen and Disciples of Creation are set to headline Mohawk. We love Cashen’s solo act as well as his other projects, A Giant Dog and Tear Dungeon but we’re here to tell you about a couple of impressive singles dropping this week from veteran Austin acts, Megafauna and Slomo Drags who are on the bill with the singer. Both bands have new songs to share with fans while they prepare to release more material in 2026 and perform for fans Friday evening at the crown jewel of Red River Cultural District rock clubs. The entire bill is worthy of any real Austin music fan’s attention with the three aforementioned artists, along with Transit Method and DJ Dead Flowers. The whole shebang is presented by 101X Homegrown and show host John Laird who knows a thing or two about Austin music.
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On December 26, legendary Austin rock outfit, Soulhat, performed in front of a packed audience for their annual holiday concert at the Live Music Capital’s oldest rock venue, Continental Club. After 36 years since forming, the Austin mainstays returned to the venue that most reflects Austin’s past with multiple residencies by longtime city players while simultaneously looking into it’s future with select newer acts.
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Because it’s the beginning of the year, I wanted to try something new. I’m going to make some predictions about things I think will happen over the next twelve months. I’m not a swami. This is just my best shot as someone who’s stood next to enough sweaty, drunk guys with bad opinions at countless shows for over thirty years. I can’t do worse than them. Jesus. I feel old just typing that
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The Red River Cultural District’s cover-free Hot Summer Nights event took place last weekend in venues all over the downtown neighborhood July 24-26. Nearly 150 primarily Austin-area artists took to the stage at Mohawk, 13th Floor, Elysium, Chess Club and a dozen other RRCD venues. This is the eighth year the neighborhood organization has organized the event which spawned from its original sister event, Free Week which takes place the first week of January each year. Resound Presents founder, Graham Williams is credited with originating that event while he was working as a talent booker at the original Emo’s on Red River and Sixth Street. featured in this photo story is Andrew Cashen and Disciples of Creation, shoegaze/psych rockers, Queen Serene, Pearl Z, Sexpop, Mujeres Podridas, Stop Motion Orchestra, Portrayal of Guilt, Semihelix and lots more.
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On a warm and muggy Saturday night in Austin, San Diego-based, surf-punks, Wavves, headlined a showcase for a packed, raucous Mohawk crowd on July 19 in the Red River Cultural District. Three bands were on the bill for the night, all hailing from California, and each delivered their respective takes on Golden State indie post-punk. Beach Goons and Chokecherry opened the show.
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The Austin music scene is undeniably alive and thriving, and Subpar Snatch is a vital artery pumping punk rock through its veins. The group is releasing their latest EP Get In Here on June 20. This combustible trio, led by Jess Scott on vocals, Nate Ribner on bass, and CeeCee Email on drums is renowned for their high energy, raw, and unapologetic take on garage punk. Established in 2022, they quickly built a reputation for their raucous live performances, provocative lyrics, and a powerful sound that proves no guitars are needed.
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The 18th annual Bat Fest took place, once more, on the South Congress Bridge, from 3 p.m. to the late hours of the evening on Saturday, September 7. On a warm, late summer afternoon, the sun beamed down on patrons and vendors, as preparations for the showcase ensued. The all-day party which takes place on the bridge where the largest urban colony of bats reside with performances by an eclectic list of artists; hard-rockers, CORE, hip-hop duo Luniz, Screw legend, Paul Wall and headliners, Ghostland Observatory. The fest is known for its unusual lineups and the 2024 edition was no exception.
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Blaise Eldred’s Sexpop was just a one-man band when the Berklee College of Music attendee arrived in Austin as a member of the now-defunct psychedelic collective Acid Carousel. Before arriving in Austin, Eldred had two albums of material with his musical vehicle Sexpop and another record with Boston-based indiegaze act RVRCT. (pronounced Rivercat) On new single “Who To Call,” Eldred takes a break from local funk mega-ensemble Grandmaster, revisiting his passion project with a fresh, refined approach with an accompanying music video to boot.
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In July, Pat G released his latest EP, Talk To Me Nice, July 11 on his own, Be Relentless label. It was his first release since his 2019 LP, Whatever it Takes. So much happened in the time between the two album releases, the Temple-born, Austin-based emcee felt it appropriate to convey his personal and artistic growth with this, his fifth record.
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