In July, Pat G released his latest EP, Talk To Me Nice, July 11 on his own, Be Relentless label. It was his first release since his 2019 LP, Whatever it Takes. So much happened in the time between the two album releases, the Temple-born, Austin-based emcee felt it appropriate to convey his personal and artistic growth with this, his fifth record.
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Guitars should be loud, and riffs should be nasty. The drums should sound like they hold the keys to the entryway to hell. Luckily, Buzz Electro got the memo. On their newest record, “Spare Parts,” the band gives it their all as one of the acts in Austin doing their best to be the loudest, horns up, drinks spilled version of rock and roll out there.
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Taking the hip-hop approach by dropping singles one at a time, Tied Up recently gave us their newest, “Anyway You Like,” on the heels of their prior single, “Gun.” Both are wicked glimpses into what the band will give us moving forward, which says a metric fuck ton, considering they only have two tracks out for public consumption. And those two tracks do not play. This is the rock and roll you want;
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Another Hot Summer Nights in Austin has come and gone. Twice a year, the Red River Cultural District holds a cover-charge-free, street-wide event that features mountains of Austin talent and beyond in both a January and July edition at venues such as Mohawk, Chess Club, Empire Garage & Control Room, Swan Dive, The 13th Floor, Elysium, and more. For each festival edition, an eclectic lineup that spans all genres invades Red River for thousands of attendees to get a helping of great, local talent, new and old. During the festival weekend, programming lasts from the early evening to closing time to give local music fans a taste of what makes the Austin music scene one of the best destinations in the country.
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Empire Garage is one of the many participating venues, and their opening-night Hip Hop, R&B, and Soul showcase Austin Chronicle party on Thursday evening did not disappoint with performances by Moody Banks, Daniel Fears and hip-hop artist, David Shabani.
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When our friends with Austin band, My Education and Salt Lake City’s Theta Naught told us a new album was coming ten years after the release of their second collaboration, it was a bit of a surprise it took that long to make the follow-up to Sound Mass II: Spiritual Docking. It was particularly perplexing given that the recording sessions for this release, entitled Ampersand were made in 2019 not long before the worldwide pandemic put a stop to pretty much everything including collaborations between awesome post-rock bands.
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When a band like Cage The Elephant moves out of their place of formation for England, you know they intended to live up to their titular mission statement. Kentucky-born Cage The Elephant is many records removed from super-hit “Ain’t No Rest For The Wicked,” becoming one of the mainstream’s most hard-hitting arena rock and roll acts while churning out a discography with inarguable depth that carries the torch for contemporaries such as The White Stripes, Beck, Modest Mouse, and The Black Keys. On Thursday night at Austin’s downtown basketball arena, as Melvins’ Buzz Osborne would call a “Non-venue,” the Kentucky-England band pumped out 80 minutes of virtually banterless cuts that saw the six-piece outfit tearing through their accomplished career of steady but worthwhile material. An eclectic audience made their way to the Moody Center for the Friday eve show.
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The Black Angels headed to San Antonio to give their Central Texas fans a blueprint of what will come in their 20th year. The Black Angels have stayed plugged into the depths and hardliners of the indie scene, and their relevance and expertise in the underground music sphere have been an inspiring force due to their many years in the business. The Black Angels delivered a smoking set at Stabile Hall on Friday, June 28 in San Antonio for their Central Texas fans, which saw Austin and local SATX supporters alike flocking to the new(ish) Stable Hall venue to witness a masterclass in Texas Psychedelia.
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Nowhere could this phenomenon be better illustrated than at FLAKEFEST Vol. 1 on Friday, June 28, 2024 at Mohawk. Two bands – Como Las Movies and Starflake – took to the stage along with a handful of other local music luminaries and brought us an evening of homegrown, Latin-infused, experimental music that defies expectations and crushes definitions.
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For Of Montreal’s sold-out Austin performance at Red River Cultural District stronghold Mohawk on Tuesday, the summer Texas crowd was ready to sweat it out for yet another triumphant performance showing a masterclass in art and both moody and jovial rock and roll. Of Montreal is classified as a member of the multi-regional Elephant 6 musical collective, which hosts the likes of Neutral Milk Hotel, Olivia Tremor Control, and Elf Power. With all the bands in this sector sharing a love for the trippiness of the 1960s, Of Montreal packs countless mannerisms of stage show glory.
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Through an uninteresting and unimportant turn of events I found myself invited to the George H.W. Bush Presidential Library for a series of events called “41 @ 100”. The George and Barbara Bush Foundation presented this celebration to celebrate the 100th birthday of President George H.W. Bush. Though a graduate of Yale, President Bush was approached by Texas business and the college as a location for his presidential library. The only event I turned out for was a concert. The combination of A&M grads Lyle Lovett (class of 79), and Robert Earl Keen (class of 78) on June 14 was impossible to pass up.
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