On Saturday, April 26, a spry Kim Gordon (age 71) stepped on stage at South Austin’s Far Out Lounge and Stage in boy-shorts bikini bottoms and a white, long-sleeved t-shirt by brand Old Baby with “Gulf Of Mexico” in red, bold font on the front, and the still quiet crowd erupted. We would be negligent not to proclaim Kim Gordon nailed it at Austin Psych Fest 2025.
Read More
I first heard “The Banks of the Old Bandera” when Rodney Crowell’s album The Houston Kid debuted in 2001. I love that record and still feel it’s Crowell’s most artistic and intellectually stimulating recording, which is no small observation. I felt “Bandera” sounded like a Willie Nelson song. It only took twenty-four years, but Willie covered this song, and eleven other songs penned by Rodney Crowell on his newest release Oh What A Beautiful World, which dropped April 25, 2025. If you clicked the link, you saw a limited edition white vinyl only available from Willie’s website.
Read More
The Spring installment of Austin Psych Fest returned last weekend to The Far Out Lounge & Stage for a three-day, two-stage, no-overlap experience that brought over 30 acts to Austin for an eclectic weekend of music from all across the trippy psychedelic spectrum. For 2025, the billed talent stretched its boundaries by bringing a diverse array of artists that catered to fans of Psych Fest past and present. Here’s what stood out to us over the weekend-long stand in South Austin.
Read More
Tuesday, April 22 at Austin’s Moody Amphitheater felt like it would never dry out. A curtain of rain blanketed the city in the early evening, forcing fans to huddle under trees and the few dry patches the venue had to offer. I, running from improv class on the other side of town, took respite under a bridge for 15 minutes before the rain subsided. By the time Khruangbin finally took the stage after a brief delay, the air was so heavy with humidity that it clung to your skin, like you could reach out and grab it. But the moment the band walked out, framed by three glowing window panels inspired by their newest album, A La Sala, the crowd roared like the sun had risen through the parted clouds, 9 p.m. in the evening.
Read More
Austin has no shortage of music festivals and while most of them are amazing in some way, my favorite is Austin Psych Fest. This year, I caught Texas act, Explosions in the Sky, Austin’s The Octopus Project and Godspeed You! Black Emperor as well as some other worthwhile bands. This gem of a festival melted into Levitation (close second fave) and then split back into two different but equal festivals in 2023. APF is held at The Far Out Lounge, one of my favorite venues in Austin since the apocalypse.
Read More
Accompanied with an ensemble band of instrumentalists, London’s Geordie Greep delivered a memorable set orbiting his solo LP debut The New Sound —released in October 2024— at South Austin’s Far Out Lounge on April 26 as part of Levitation and Resound’s Austin Psych Fest 2025.
Read More
Barcelona’s Prison Affair made their way to Austin to deliver a sparse yet potent dose of their overseas caffeinated “Egg Punk,” a genre gaining steam as a leading force in the crate-digging, vinyl-obsessed underground. For a Monday night at Mohawk in the Red River Cultural District, a homegrown bill took the opening reins for the international touring act, all bringing their highest octane for the blistering fury the Spanish trio brings to the stage.
Read More
Heavy metal music doesn’t get the spotlight as much as it should in Austin. Multiple stacked tours skip Austin and opt for San Antonio and Houston. For a near-sold-out crowd that flocked to downtown Austin to see legendary Swedish players Meshuggah, the metal gods made an exception for the live music capital. For Tuesday night at Austin’s premiere venue, ACL Live, the unbridled barrage of extreme metal didn’t let up across all three performing acts
Read More
y Segall and fellow songwriting partner Mikal Cronin shared an intimate acoustic bill on Sunday, April 6 at Austin East Side venue Parish, and the results were a haunting series of tunes to a seated crowd. A masterclass in both recording and touring, the duo pulled from various records that showed them presenting a side of them that we don’t hear that often. There was no electric guitar mania to be found, but something different was brought to the table by the two living indie rock overlords, and the results showed a realm of musical honesty and longtime friendship.
Read More
This isn’t a shaking-fist, “it’s all changed” rant. It’s a look back at a community, a genre that changed my life. What I fell into at 13 is still going. Kids are still discovering punk and hardcore, and this music that once lived in bowling alleys, VFW halls, and anywhere with a slab of concrete is thriving. Seeing legendary acts like Agnostic Front on March 28 in Austin no longer requires the dues it once did through record shops and gatekeeping.
Read More
Lauren Mayberry has spent over a decade commanding festival stages as the charismatic front woman of CHVRCHES. I remember seeing her at Pitchfork Fest 2015, right after Mac Demarco, playfully pointing out the scattered cigarette butts left on the floor. The sound of CHVRCHES is filled with shoegaze-y synths, shimmering reverb and pulsating beats. But on February 26 at the Historic Scoot Inn in Austin, she stepped out in a new role as a solo artist.
Read More