In July, Pat G released his latest EP, Talk To Me Nice, July 11 on his own, Be Relentless label. It was his first release since his 2019 LP, Whatever it Takes. So much happened in the time between the two album releases, the Temple-born, Austin-based emcee felt it appropriate to convey his personal and artistic growth with this, his fifth record.
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Guitars should be loud, and riffs should be nasty. The drums should sound like they hold the keys to the entryway to hell. Luckily, Buzz Electro got the memo. On their newest record, “Spare Parts,” the band gives it their all as one of the acts in Austin doing their best to be the loudest, horns up, drinks spilled version of rock and roll out there.
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When our friends with Austin band, My Education and Salt Lake City’s Theta Naught told us a new album was coming ten years after the release of their second collaboration, it was a bit of a surprise it took that long to make the follow-up to Sound Mass II: Spiritual Docking. It was particularly perplexing given that the recording sessions for this release, entitled Ampersand were made in 2019 not long before the worldwide pandemic put a stop to pretty much everything including collaborations between awesome post-rock bands.
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While the populace of the politically persuaded argue over two old men in the American Presidential Race in 2024, other old men are focused on something more beautiful other than politics: Creativity. Dick Van Dyke, at 98 years old, just won a Day Time Emmy Award, his first, for his work on “Days of Our Lives” and did a little dance on the red carpet. Clint Eastwood wrapped production of a new thriller he’s directed called “Juror No. 2” at 94 years of age. Harrison Ford is still famously acting in film and two concurrent television shows at a modest 81, and Willie Nelson at 91 years old, has graced us with a wonderful new album, The Border.
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New Zealand hard rock trio, Swallow the Rat, released their latest LP, South Locust, on September 1, 2023, and are set to perform at this year’s SXSW music festival as part of the Aotearoa contingent. The band has a number of performances slated for the festival including an unofficial event, Webberville Block Party presented by The Cosmic Clash and Play to the Plants at The Lost Well, Cavalier and Fading Yellow House on Saturday, March 16.
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Austin uutlaw punk rock outfit Mulch Cult has released their new EP Bulch. The latest release comes after their 2023 LP Gulch, released to amid the underground Austin DIY scene’s acclaim last year. For this new release, Mulch Cult takes a step forward, delivering three new tracks that turn the page for what’s next for the band.
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Rock music is doing just fine thanks to artists like Semihelix. Based in Austin, Semihelix play a mix of American indie underground of the 80s with a smidge of C86 jangle-pop with their chiming guitars, driving bass lines and dreamy vocals. Semihelix has been in the scene over 12 years comprising of mastermind and founding member Geannie Friedman on guitar and vocals, along with long standing comrades Mike Cota on bass and Valdermar Barrera on drums. This solid EP release comes with three bangers; “Slower Pace,” “Renovate” and “Downstream” released on Strawberry Pancake Records.
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After a series of EP and single releases, Dublin-based SPRINTS released their debut LP, Letter to Self, via City Slang Records on January 5.
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Austin act, Sun June’s third album, “Bad Dream Jaguar,” released on October 20 marks a captivating addition to their discography.
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Austin psychedelic pop and art-rock band, Fading Yellow are set to drop their first EP, Stereo Assessment Friday, December 1 on all streaming services. The talented foursome are set to host a release party at Chess Club with an expanded lineup presented as Fading Yellow Arkestra with support from Large Brush Collection. The evening promises to be an entertaining one for local music fans at the intimate Red River Cultural District venue.
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With a blockbuster collaboration and tour with experimental Hip Hop powerhouse JPEGMAFIA under the Detroit-turned-Austin artist’s belt, the modern rap icon has ceremoniously unveiled his most personal album to date, Quaranta. For those who aren’t fluent in Italian, the record’s title means 40, showing Brown’s vulnerability as he ages into a seasoned rhyme sculptor who still feels like he has lots to prove despite his glowing resume. On Quaranta, he treats like Hip Hop has been a double-edged sword, and he is finally seeing destiny as he has painted it over his long, fabled career.
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