Austin’s hometown jazz-funk collective, Hard Proof, released their latest album, Code Noir, in early February. The all-star Afrobeat collective released their third studio record followed by a Continental Club album release party. The recording is a listen that is bound to get you up and dancing in living room. It may be their best effort yet.
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With powerhouses in the realm of Osees, Ty Segall, The Warlocks, and The Brian Jonestown Massacre all still in prolific, touring machine form, Santa Barbara-tested, Austin-approved Killer Kaya has been a worthy entry into the vortex of whirling, reverberated uproar that continues a 60s legacy that is irreversibly alive and well. With the release of new LP Live At Wall Of Fog yesterday, the now-Austin residents have crafted an effort that further proves trippy expertise as well as genre-clashing, tasteful retro emulation.
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Austin post-punk power-pop trio The Stayres will release their new LP, Duplex, on February 14 via Flak Records. The new record builds upon the pop hooks and driving guitars of their 2023 self-titled debut, adding a brighter, janglier sound and more narrative-driven lyrics.
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At some point after Halloween and before Thanksgiving, we begin to detect familiar melodies in the background while we’re at the grocery store or waiting in a doctor’s office. By the time December rolls around, the holiday music is in full effect. Which might not be so bad except that out of the decades of popular Christmas music available, there seems to be only a handful of Christmas songs that get played ad nauseam. By the time Christmas is over, even the most ardent Mariah Carey fan needs a break. Which exactly is why A Savannah Red Friends & Family Christmas should be on tap for all your holiday festivities this year
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Since the release of 2023’s Raze Regal & White Denim Inc. in collaboration with guitarist Regal, who also plays in Austin staple Nolan Potter’s Nightmare Band, fans have been eagerly awaiting the newly California-based musician’s next entry in the long-running indie rock song machine. Fortunately for White Denim loyalists, the time has arrived for the Austin to Los Angeles band to release their 12th full-length album, fittingly titled 12. This newest batch, engineered by the singer and guitarist himself and mixed by former drummer Josh Block and mastered by Dallas-Fort Worth musician Jordan “Jorts” Richardson, is Petralli’s first in his new SoCal studio, and feels like a passionate return to form.
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In July, Pat G released his latest EP, Talk To Me Nice, July 11 on his own, Be Relentless label. It was his first release since his 2019 LP, Whatever it Takes. So much happened in the time between the two album releases, the Temple-born, Austin-based emcee felt it appropriate to convey his personal and artistic growth with this, his fifth record.
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Guitars should be loud, and riffs should be nasty. The drums should sound like they hold the keys to the entryway to hell. Luckily, Buzz Electro got the memo. On their newest record, “Spare Parts,” the band gives it their all as one of the acts in Austin doing their best to be the loudest, horns up, drinks spilled version of rock and roll out there.
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When our friends with Austin band, My Education and Salt Lake City’s Theta Naught told us a new album was coming ten years after the release of their second collaboration, it was a bit of a surprise it took that long to make the follow-up to Sound Mass II: Spiritual Docking. It was particularly perplexing given that the recording sessions for this release, entitled Ampersand were made in 2019 not long before the worldwide pandemic put a stop to pretty much everything including collaborations between awesome post-rock bands.
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While the populace of the politically persuaded argue over two old men in the American Presidential Race in 2024, other old men are focused on something more beautiful other than politics: Creativity. Dick Van Dyke, at 98 years old, just won a Day Time Emmy Award, his first, for his work on “Days of Our Lives” and did a little dance on the red carpet. Clint Eastwood wrapped production of a new thriller he’s directed called “Juror No. 2” at 94 years of age. Harrison Ford is still famously acting in film and two concurrent television shows at a modest 81, and Willie Nelson at 91 years old, has graced us with a wonderful new album, The Border.
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New Zealand hard rock trio, Swallow the Rat, released their latest LP, South Locust, on September 1, 2023, and are set to perform at this year’s SXSW music festival as part of the Aotearoa contingent. The band has a number of performances slated for the festival including an unofficial event, Webberville Block Party presented by The Cosmic Clash and Play to the Plants at The Lost Well, Cavalier and Fading Yellow House on Saturday, March 16.
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Austin uutlaw punk rock outfit Mulch Cult has released their new EP Bulch. The latest release comes after their 2023 LP Gulch, released to amid the underground Austin DIY scene’s acclaim last year. For this new release, Mulch Cult takes a step forward, delivering three new tracks that turn the page for what’s next for the band.
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