Today’s review is from Zack Teibloom, a local Austin writer we’ve been friends with for years. After an extended hiatus from live music coverage, Teibloom returns in a big way with a stellar review of Spoon’s underplay at Mohawk last night.
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Merge Records’ recording artists, A Giant Dog made a triumphant return to the Hotel Vegas patio last night with a sold-out, typically raucous garage-punk rock performance that ignited an already hyped audience. Those same fans had just witnessed equally stellar performances by openers, Dregs and Vegas stalwarts, Pleasure Venom.
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Three years almost to the day after Shame released Song of Praise, they delivered on that promise with the release of Drunk Tank Pink in mid-January.
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Collins also makes incredibly good music as you’ll hear on his five-song EP, Headed Home which was released May 31 on his own Side Show Paradise label. The short but powerful EP is the kind of record that leaves you wanting more. That is the hallmark of a gifted songwriter.
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In light of the fantastic new Bob Dylan album, Rough and Rowdy Ways which was released last week, I‘ve wondered if everything if everything that can be said about Bob Dylan, has already been said? Honestly, what else is there to discuss? Dylan just “is” Dylan. I think the hardest part of being an artist is having “experts” and “critics” compare and dissect your work, stretch it out and lay it down against your last.
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While I am not one to fall into regret, I do enjoy exploring the road less traveled. That turn you didn’t take, the zig when you should have zagged, the song no one else recorded, or the B-side the DJ never flipped. I love discovering “new old music” as exemplified on Neil Young’s record Homegrown which was released last week; 45 years after it was recorded.
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Hip Hop duo Run the Jewels is essentially the story of two lyricists who followed differing paths in a journey which lead to the formation of one of the most significant musical groups of our time, Run The Jewels (RTJ). In 2013, they released their self-titled first record to wide critical acclaim. On June 3rd, their fourth album, RTJ4 was released. The record is timely in that it speaks directly to the systemic violence and oppression that is currently dominating the national conversation amid police violence protests.
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In 2001, The Strokes released their debut album, Is This It, injecting a new energy throughout the rock music scene. By 2002, their profound influence was evident as a plethora of similar bands emerged. The Strokes’ signature sound has since been one of the most recognizable. Since then, the New York quintet has released multiple records, not often venturing far from the recognizable accompaniment that has defined them since. Their new album, however, displays growth and new territory for The Strokes.
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Get ready for a flood of new music with Color Candy’s new album “Something, Somebody” along with March and Beauty’s single “World Made Sense.” Both bands celebrated their new releases at Cheer Up Charlie’s on Wedenesday, March 4.
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On Friday, February 22, hip-hop icon Brad Jordan, famously known as Scarface, performed memorable, classic songs from his extensive catalog at Antone’s Nightclub. The fabled South Houston native has been a highly-respected force of depth and integrity in the rap game since the late 80’s. At Antone’s, fans witnessed Jordan not only rhyming in front of a live band, but participating with the instrumentation via lead guitar for several numbers.
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On Valentine’s Day, Canadian singer-songwriter and musical auteur Andy Shauf played Austin’s Mohawk, delivering his unique brand of folk to the Red River District. The soft-spoken lyricist wowed a sold-out venue in an ease-inducing performance that infatuated a sold-out venue of folk fans.
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