Thursday, April 23, 2026
The Cosmic Clash

live music

PPPP band portrait Jordan August
Case CockrellInterviewsLive Music

Interview: Pigeons Playing Ping Pong talk Austin, Domefest and touring in 2025

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Baltimore funk institution Pigeons Playing Ping Pong are a staying force in the world of jam bands. Rounded out by singer and guitarist Greg “Scrambled Greg” Ormont, bassist Ben Carrey, guitarist Jeremy Schon, and drummer Alex “Gator” Petropulos, the road warriors from Maryland aren’t accustomed to taking any time off since their inception 17 years ago. Ahead of their show at Mohawk on Friday, November 14 in the famed Red River Cultural District in downtown Austin, The Cosmic Clash caught up with Ormont and Carrey to discuss their storied career and thoughts about  Austin’s vibe

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Jeff Tweedy 4 Paramount Theater Troy Gonzales
Case CockrellLive MusicReview

Live Music Review: Jeff Tweedy Celebrates New Triple Album at Paramount Theatre

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A songwriter like Jeff Tweedy is rare company. With an ever-growing gaunlet of books, records, and musical outlets, the Illinois-born artist has maintained an unrivaled prolific streak that’s shown no signs of letting up as he reaches the not-so-ripe age of 60. After a phenomenal three-day stint with his primary vehicle, Wilco, at ACL Live last December, Tweedy and his family band made their way to the Paramount Theater in downtown Austin on Wednesday night. The Austin stop comes as a part of the tour to celebrate the release of triple LP Twilight Override, a 30-song epic chronicling the Midwest wordsmith’s more hopeful side. For the gig at one of Austin’s most coveted and beautiful venues, the results did not disappoint, given a storied career spanning over four decades.

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Brian HillsmanLive MusicReview

Live music review: Been There 4 benefit at Radio East featured Mix Master Mike and Austin artists

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The two-stage setup in the Radio/East backyard was the perfect setting for the Been There 4 benefit live music event – “the party to end homelessness.”  The event took place on Saturday, November 8 with Beastie Boys’ wax authority, Mix Master Mike atop an impressive bill that included a raft of high quality Austin artists amid a decidedly upbeat vibe. The annual fundraiser began humbly at Camp Esperanza, the state-ordered Northeast Austin homeless encampment that The Other Ones Foundation (TOOF) set about to support with a wealth of services for folks struggling to make ends meet. The TOOF staff included many members of the music community and their friends, including filmmaker Aaron Brown (Onion Creek Productions) and his partner at Been There Lenny Barszap. 

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Patrick Sweany PR photo Joshua Black Wilkins
Live MusicReviewRobert Dean

Live music review: Patrick Sweany deserves a bigger stage

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Every time Patrick Sweany rolls through town, I ask myself the same question: how is this guy not bigger? It’s the eternal curse of music nerds — finding an artist you love and wondering what the hell is wrong with everyone else. But Sweany’s different. He belongs in the same conversation as Chris Stapleton, Jack White, Marcus King, and the Black Keys. He’s that good.

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Big Thief Moody Amp Troy Gonzales
Case CockrellLive MusicReview

Live music review: Big Thief played their biggest Austin show at Moody Amphitheater

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Emotions are running deep this year. Hints of hope are dwindling, leaving the house costs $50, and making ends meet is becoming increasingly daunting. For Brooklyn’s Big Thief, cautious optimism is the North Star, and being present in the moment and looking inward are the keys to maintaining a gratifying existence. For their graduation from mid-sized theaters to larger headlining appearances, an adoring array of fans made their way to Waterloo Park’s Moody Amphitheater on Wednesday night to celebrate the release of new LP Double Infinity. Their biggest Austin headlining show to date, the confidence and dynamic connection between them brought everything full circle for their career, which has seen personal development that feels unrivaled in 2025. 

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Acid Mothers Temple 2 29th St Ballroom Troy Gonzales
Case CockrellLive MusicReview

Live music review: Japan’s Acid Mothers Temple at 29th Street Ballroom with The Macks and ST-37

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Japan’s Acid Mothers Temple returned to Austin for their fourth local appearance in two years at the 29th Street Ballroom in the University of Texas campus area on Sunday, marking another stopover for the band’s constant touring schedule that often has seven shows in seven cities per week. Acid Mothers Temple is a prolific force in the world of psychedelia, bringing their noise-infused brand of the genre through the crossbreeding of progressive rock, drone, and krautrock. For this stop, Acid Mothers Temple enlisted the help of Portland, Oregon garage rock outfit The Macks and local Austin psychedelic institution ST-37. 

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Porcelain 3 Halloween Freakend Troy Gonzales
Case CockrellLive MusicReview

Live music review: Levitation Halloween Freakend day two got weird

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The second day of Levitation’s Halloween Freakend at the Far Out Lounge & Stage showcased the more experimental side of the current indie music landscape, marking the third installment of Austin festival programming in 2025. With the Rob Fitzpatrick and The Black Angels-run music celebration entering its second decade, the Halloween two-day mini fest served as an optimal finale to a year of buzzing amps, underground artists, and legacy acts. Following a long-awaited headlining performance from Swedish dance punk stars Viagra Boys on Halloween night, the second day tapped into something a little different for the music fans who scour the internet for the weird and nothing but. 

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Clown Core Halloween Freakend Troy Gonzales
April DawneLive MusicReview

Live music review: Everyday Isn’t Halloween, But it Was Levitation’s Freakend

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I love The Far Out Lounge (FOL), I love the people who book the shows, bartend, run the door, and clean up after all of us. This spot opened up safely, from a distance, during the lockdown to give live-music hungry people a safe place to see a show. We were like Footloose and unable to dance, and we had to remain socially distant, but we could feel a sense of normalcy that was sorely missed. All this to say, I love that The Far Out Lounge gets to host Levitation events like Halloween Freakend. Two, easy-to-get-to stages, with zero band overlap, in a large gravel yard in far South Austin with food trucks, bars, merch area, poster museum, and more to keep you entertained between sets.

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Viagra Boys Halloween Freakend Troy Gonzales
Brian HillsmanLive MusicReview

Live music review: Viagra Boys sold-out night one of Levitation’s Halloween Freakend

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Viagra Boys performed at South Austin’s Far Out Lounge in front of a sold out audience, in what might have been the most crowded the venue has ever been. 3500 fans showed up for the opening night of the two-day Halloween Freakend mini fest, put on by Levitation and Resound Presents on Friday and Saturday.  The Black Lips, Bitchin’ Bajas, J’Cuzzi, and Stereo Lab all turned in fantastic sets on night one. The headliner, however, was Swedish post-punk rockers, Viagra Boys.  After previous plans to perform in Austin were cancelled, the jubilant crown was beyond excited to finally catch the vaunted post punks.

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Boris Mohawk Drew Doggett
Case CockrellLive MusicReview

Live music review: Boris brought metal shapeshifting to Mohawk

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Heavy metal in 2025 is in a healthy, hell-charged state. Bands are experimenting with the genre like Deafheaven, Full of Hell, Sunn O))), and even Austin acts like Portrayal of Guilt. For Tokyo, Japan’s Boris, a wave of extreme metal shapeshifting has paved the way for an everlasting gauntlet that’s redefining heavy music for 2025. With releases that dabble in drone metal, doom metal, and noise/experimental rock, Boris arrived for a Tuesday night gig in downtown Austin that came as a stop on their US tour to celebrate the 20th anniversary of their landmark tenth studio album Pink. For their third local appearance in two years, the Japanese berserkers stormed the stage at Mohawk in the Red River Cultural District yet again to astronomical results. 

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Live MusicReviewRobert Dean

Live music review: Nuclear Daisies make a splash at Hotel Vegas

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Every once in a while, you’ll be at a show and wag your finger because you just know. That familiar light pops on that a music nerd can recognize when the band onstage isn’t just another local band; they’ve got the sound that moves beyond “this is good” to “this is international.” I’ve been to easily over a thousand shows in my life. I have seen many a band. Sometimes, you catch a Spiritual Cramp and can see from a million miles away, “these guys are gonna blow up,” and slowly but surely, those tours keep getting bigger. I said the same thing about Fontaines D.C., and after catching Austin’s Nuclear Daisies onOctober 28 at Hotel Vegas, I think it’s pretty obvious they have all the correct DNA to make a splash. Some of us can remember when Die Spitz was playing Chess Club. Now, they’re headlining Stubbs.

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