Friday, March 6, 2026

garage punk

Case CockrellLive MusicPreview

Live music preview: Seven must see bands at Levitation Festival 2025

Levitation Festival 2025 kicks off next week (September 25-28), with a new and improved location in tow and an array of artists to make this year’s installment one of the best yet. Festival organizers The Black Angels and famed booker and promoter Rob Fitzpatrick have chosen none other than Palmer Event Center to showcase the main festival programming, complete with two stages for the weekend of all-star cast performances. The festival will also feature late-night shows throughout the Austin area, including all the Red River Cultural District venues that have been part of the festival since transitioning to a multivenue format in 2018. The Cosmic Clash will be attending for the long weekend and has curated a list of must-sees for the weekend’s multi-genre music happenings. Night shows are sold separately, so move fast to avoid getting shut out of the post-Palmer programming. Set times can be found via the Levitation website. Hit the link at the top of the story to grab tickets. VIP passes are sold-out. There are still some GA tickets available.

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Greg AckermanLive MusicPhotos

Live music photos: Hawk Dawg 3 with Tear Dungeon, Queen Serene and Dregs

An ignominious event, Hawk Dawg 3 took place on a rainy July 4 at Red River Cultural District favorite Mohawk with a hot dog eating contest that left no wiener untouched. The Cosmic Clash even had staff photographer and writer Drew Doggett joining the fun with our man trying to stuff as many dogs into his face as possible (evidence below) but the main event of the day party which got going at 4 p.m. was headliners, Tear Dungeon, fronted by Andrew Cashen (A Giant Dog, Andrew Cashen and the Disciples of Creation) with a bevy of well-known local players did their best ATX approximation of shock rock acts like Gwar complete with masks, spewing blood, mosh pits and stage dives. Fellow local acts, Queen Serene and Dregs joined the party.

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AlbumMike CosmicReview

Album Review: Vital punk rock on new Subpar Snatch EP Get In Here

The Austin music scene is undeniably alive and thriving, and Subpar Snatch is a vital artery pumping punk rock through its veins. The group is releasing their latest EP Get In Here on June 20. This combustible trio, led by Jess Scott on vocals, Nate Ribner on bass, and CeeCee Email on drums is renowned for their high energy, raw, and unapologetic take on garage punk. Established in 2022, they quickly built a reputation for their raucous live performances, provocative lyrics, and a powerful sound that proves no guitars are needed. 

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Case CockrellLive MusicReview

Live music review: Barcelona act Prison Affair at Mohawk with Mujeres Podridas and Gus Baldwin

Barcelona’s Prison Affair made their way to Austin to deliver a sparse yet potent dose of their overseas caffeinated “Egg Punk,” a genre gaining steam as a leading force in the crate-digging, vinyl-obsessed underground. For a Monday night at Mohawk in the Red River Cultural District, a homegrown bill took the opening reins for the international touring act, all bringing their highest octane for the blistering fury the Spanish trio brings to the stage.

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Brian HillsmanReview

Album Review: New IDLES record Ultra Mono cements legacy

The town also home to what might be the most socially-conscious, politically-aware rock band on the planet, IDLES. Many have referred to the group as hardcore punks, but they do not see themselves as exclusively punk, but something more versatile and fluid.  On September 26, the quintet released their third studio release, Ultra Mono.

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Greg AckermanPremiere

Song premiere: The Blowies new single There May Never Be Another X-Mas

Austin pop-punks The Blowies have released a timely single, “There May Never Be Another X-Mas (All I Want for X-Mas is Impeachment) as the U.S. House of Representatives have voted to send two articles of impeachment of President Trump to the Senate for trial. The fact that it’s done in classic garage punk style fits the raw, unrefined approach of President Trump. It’s the right genre for a radical political crisis.

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