I received a text from my good friend, musical soul mate, and partner in crime, who told me to listen to new Vince Gill record “Okie”. I was about to embark on a ten-hour car ride, so I downloaded it to the old iPhone like I’d just cracked the technology that morning and listened. What I heard truly from the record that dropped back in late August of this year impressed me.
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Last Saturday (November 16), we were blessed with an opportunity to attend one of the hottest musical performances of this year. If you were lucky enough to see David Byrne at Austin City Limits Festival in 2018, you were got a little taste of what now resonates through the walls of The Hudson Theatre on 44th Street in Manhattan, David Byrne’s Broadway production of American Utopia.
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Stripped down with just an acoustic, a banjo and an aching soul, Spicewood, Texas singer / songwriter, Amigo the Devil bestows the haunting and earnest songs for his latest EP Bridge City Sessions (Live). The record dropped last week. With a re-imagined take on the classic sounds of folk and country, Amigo the Devil pulls emotions in different directions.
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Austin’s Cowboy Diplomacy dropped their second track, “Bad Man” October 25. The song is from the group’s upcoming debut album, Burn Down The Road which was produced by Grammy-nominated producer Chris “Frenchie” Smith.
“Bad Man” explores the self-indulgence of one’s dark side, focusing too much on imperfections while searching for salvation is a recipe for hurt and turmoil. According to lead vocalist, Ian Cochran, “Bad Man” is a sort of self-manifested alter-ego of sorts.
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Thursday music fans celebrated Halloween with Austin’s Ghostland Observatory at Carson Creek Ranch. The celebrated electronic dance duo performed with Fort Never and DJ Chicken George in front of approximately 1000 people. A good portion of those attendees wore outlandish costumes for the occasion. We’ve included images taken by The Cosmic Clash photographer, David Castaneda of the spectacle, fans and fun things to do at the ranch which sits across the highway from Austin Bergstrom Airport.
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The stage was also adorned with top grade musicians, performing with expert skills, while strangely at ease with their own masterful accomplishments. This was Alison Krauss, & Union Station as they appeared at the Golden Nugget in Lake Charles, Louisiana on October 11.
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Last Thursday at BMI’s Howdy Texas extravaganza leading into weekend two of Austin City Limits Music Festival (ACL Fest), venue host, Yeti Flagship store had a lyrical sharpshooter ready to give a playful greeting to Texas locals and visitors in Austin’s music capitol. As the windy October night cooled down, the music-loving crowd warmed to Caroline Rose gradually like the ice melting in the chilled mixed drinks silently swirling together.
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On Friday, September 27, Cage the Elephant made a triumphant return to Austin for a taping for the 45th season of Austin City Limits. This would mark the band’s second performance in Austin since late July, when they amazed in a stellar performance at Circuit of the Americas, co-headlining with Beck with support from Austin’s Spoon on their Summer tour.
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I regarded the beer in my hand as Kentucky-born singer took the stage, then as he plowed through three songs like a runaway train, I decided the loudest show I’ve ever been to is Dwight Yoakam. He played the Golden Nugget in Lake Charles, Louisianna on September 21.
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September 19 was a big day for Lou Rebecca. Unbeknownst to her until the day before, she landed the cover of The Austin Chronicle. The up and coming synth-pop artist would then play her album release show for her first full-length, Restless at The Mohawk the next evening.
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If your ears desire the dark ambient mix of The National and Pink Floyd-influenced electro- alternative sounds, then check out the sounds of Lunar Gold. The band, fronted by singer/guitarist Jason Morris, performed to a packed house at the Stay Gold Bar last Friday, September 20.
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