I have a deep love for The Get Up Kids. Their 1999 classic Something to Write Home About is an all-timer for me—one of those records that somehow still hits the same decades later. (I’ve been caught hoarse-singing along to “Action-Action” more than once in my life.) So when word came down that frontman Matt Pryor is dropping back into town, armed with nothing but an acoustic guitar, I was immediately in.
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So on a warm Tuesday night, a two days before Thanksgiving, Neko Case and her touring band returned to the Paramount Theatre in support of her latest album, Neon Grey Midnight Green, her eighth studio album, which also follows her recent bestselling memoir, The Harder I Fight, The More I Love You. I’ve been lucky enough to have seen the New Pornographers on a couple of occasions but have only seen Neko Case solo once at the Paper Tiger in San Antonio. While I haven’t always thought of the Paramount Theatre as my go to place to see live music, I will concede that certain musical artist do benefit from its historic ambience, which can lend a sense of intimacy and warmth that you can’t find at any other venue.
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Emotions are running deep this year. Hints of hope are dwindling, leaving the house costs $50, and making ends meet is becoming increasingly daunting. For Brooklyn’s Big Thief, cautious optimism is the North Star, and being present in the moment and looking inward are the keys to maintaining a gratifying existence. For their graduation from mid-sized theaters to larger headlining appearances, an adoring array of fans made their way to Waterloo Park’s Moody Amphitheater on Wednesday night to celebrate the release of new LP Double Infinity. Their biggest Austin headlining show to date, the confidence and dynamic connection between them brought everything full circle for their career, which has seen personal development that feels unrivaled in 2025.
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Saturday, October 25 marks the third annual Love is for Evermore benefit at Radio East. The event supports Evermore, a national bereavement non-profit that advocates for benefits, education and resources for all Americans coping with the death of a loved one. One example is the group has gotten paid bereavment leave for military members. This year’s concert features Shinyribs, a rare live appearance by songwriter, Sara Hickman and special guests, Carruthers & Roush (members of The Bright Light Social Hour). There may even be some surprise guests onstage stage. Tickets for the event are currently on sale. There are VIP options which include a meet and greet with artists before the show.
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I get that Jeff Buckley is beloved. I know people with tattoos of his lyrics. Listening to it, I was taken to a place of feeling like, it was too dated for me, that I felt like people loved this record for its mythology of Buckley dying young and tragically more than the actual musical weight of the record, that his cover of Leonard Cohen’s “Hallelujah” made him so deep. It got me thinking about hype, legacy, and ultimately, Mark Lanegan.
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El Paso duo, The Division Men haven’t released an album in eight years. Their last album, Ninos Del Sol, was released in 2018 and featured a star-studded lineup of musicians; Rafael Gayol (Leonard Cohen), Steven Hufsteter (The Quick, Tito & Tarantula), Jay Reynolds (Asleep at the Wheel), and Jake Garcia (Black Angels) to name a few. Their new album, Hymns and Fiery Dances is nothing short of genius. The record drops August 22 everywhere you listen to music.
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MJ Lenderman turned heads as a co-frontman and songwriter of Asheville breakout act Wednesday, before striking off on his own out of its touring lineup and taking up as a solo outfit. For Season 51 of Austin City Limits TV (ACL TV), the 26-year-old Lenderman and his backing musicians dubbed “MJ Lenderman and the Wind,” the North Carolina-bred musician delivered a coveted concert taping on July 1 that had the Moody Theater packed to full capacity. Fans were allowed to enter a lottery to win tickets for the performance, with only a select number being guaranteed entry for Tuesday night’s show.
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I first heard “The Banks of the Old Bandera” when Rodney Crowell’s album The Houston Kid debuted in 2001. I love that record and still feel it’s Crowell’s most artistic and intellectually stimulating recording, which is no small observation. I felt “Bandera” sounded like a Willie Nelson song. It only took twenty-four years, but Willie covered this song, and eleven other songs penned by Rodney Crowell on his newest release Oh What A Beautiful World, which dropped April 25, 2025. If you clicked the link, you saw a limited edition white vinyl only available from Willie’s website.
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Charlie Robison took his place amongst the fabled Texas troubadours even though he flirted with commercial success in Nashville a time or two. But he was a Texas boy. We all knew guys like Charlie, we saw them on Friday nights, around town. His relatable nature was part of his appeal. He passed on September 10, 2023 in San Antonio of complications from cardiac arrest. He was only 59.
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For musicians like Lauren Lakis, the guitar-obsessive lifestyle of indie-gaze isn’t just about the noise but the high-stakes lyricism refined on a track-to-track basis. On upcoming new album, A Fiesta and a Hell, the Los Angeles-Austin musician offers potent song structures and celestial soundscapes that pitch her discernment with modern greed and corrupt world leadership.
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As a revered collaborator for local Austin legends like Chris Simpson of Mineral and a member of Simpson’s indie pop outlet Zookeeper, Woods has taken his own path with The Whiskey Priest. The Whiskey Priest is the brainchild of Woods, of which this is his 3rd full-length outing.This time he’s back at it with a cohesive full-length that’s as epic as it is personal. Grief and Praise takes us on a reflective emotional journey that doesn’t rest until the end.
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