Jody Porter released his latest album, Waterways, on December 21, 2020. The LP was recorded over the past couple of years, mostly by Porter, in England, with the finishing touches wrapped up at Porter’s home in Asheville, North Carolina.
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Austin’s The Selfless Lovers return to Antone’s stage Friday (tomorrow) for a sold out performance with local family band, The Watters. While Selfless Lovers’ bandleader, Nik Parr has been performing a smattering of solo gigs during the pandemic slow-down, his band has been busy making their new full-length, When The Bars Close.
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Upstart hardcore punks User Unauthorized are set to drop their second EP, Watch Them Fall December 18 on Rabbit Rabbit Records (Chicago).
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With the November 20 release of their latest album, K.G., the ever-innovative King Gizzard & The Lizard Wizard return to their experimental, alternative, psych rock form.
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David Castro went from booking 50-100 shows a year for his fledgling, Bird Barn Booking Company to wondering if work as a line cook was something he’d have to return to. But then, like a bolt of lightning, the Vancerts concept came to him in the form of an informal, mobile live performance at House Skatepark on December 4.
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Rich in texture and hard to define, Satalights debut full-length album, Little Star which drops this Saturday, November 7 on Timewheel Records is such an album. There is no doubt bandleader, guitarist and vocalist Alex Scott is both a talented performer and songwriter. We ‘re excited to share this eclectic and musically rich record record today.
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Austin indie rock / shoegaze four-piece Good Field released a new song and accompanying video, “Coyote” today. The song is part of a larger collection of tracks the Austin band has recorded over the years that will be compiled into a full-length record entitled Coyote. Jim Eno (Spoon) provided engineering and production on the record. Dan Duszynski (Loma, Cross Record) mastered the tracks which include this ode to living free that B Movie filmmaker, Zachary Scott transformed into a werewolf themed story just in time for Halloween.
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Last month we reviewed Toronto noise-rockers, Metz’ fantastic new album, Atlas Vending. Today we’re sharing an in-depth interview with band leader, Alex Edkins. We discussed the impact the COVID-19 pandemic is having on touring musicians, the new album and how the Toronto scene compares to Austin’s.
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The town also home to what might be the most socially-conscious, politically-aware rock band on the planet, IDLES. Many have referred to the group as hardcore punks, but they do not see themselves as exclusively punk, but something more versatile and fluid. On September 26, the quintet released their third studio release, Ultra Mono.
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Metz’s new record, the follow-up to the Steve Albini-produced Strange Peace is Atlas Vending. The album continues in a similar trajectory as an angst-layered commentary on post-nuclear life. The record is due for an October 9 release on Sub Pop Records. The new LP indeed picks up where their previous work left off, further establishing the Ottawa natives as a hardcore punk sub genre all their own.
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Austin born and bred songwriter Scott Collins dropped a new EP Headed North July 2. That five-song EP premiered right here at The Cosmic Clash. Nearly three months to the day of that release date, we are sharing Collins’ new lyric video for his track from the new record, “After the Show.”
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