Sunday, May 25, 2025

Review

Case CockrellLive MusicReview

Live music review: experimental metal act Deafheaven at Emo’s

Now 12 years removed from its release, Deafheaven has morphed back to peak form with 2025’s Lonely People With Power. At Austin venue Emo’s on Wednesday night, an action-packed bill helped pave the way for the screaming spectacle that didn’t let up until the last note. Upon arriving at the Riverside venue, metalheads of all ages were spotted in the audience, showing the generational appeal of fury that still holds on the masses. 

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Case CockrellLive MusicReview

Live music review: London punk legends The Damned sold-out Radio East

Punk rock is an ageless art form. Whether you’re 16 or pushing 70, the act of rebellion is best vented through a massive concussion of rock and roll. For London legends The Damned, a decades-long existence without a disbandment is an utmost rarity in the books. On Saturday night in the southeast industrial area of Austin at Radio/East, a sold-out crowd was treated to a history lesson over 50 years in the making. When entering the new Austin music hotspot for the evening, fans were greeted with the return of the venue’s mainstage. Supposedly, the large stand was sidelined given some permitting issues, but the party was back on for the onslaught about to commence. 

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Greg AckermanLive MusicReview

Live music review: New Order back in Utah after 35 years at Kilby Block Party 2025

By now, most indie rock fans have heard about Kilby Block Party, the mid-tier sized festival that has taken place in Salt Lake City over the past six years. The paean to indie rock produced by S&S Presents has grown in stature in the music festival scene each year since it was founded in 2019 with a single-day event at its namesake Kilby Court’s location in SLC’s Granary district. This year’s expansion to a fourth evening of music was largely driven by the availability of England’s New Order who hadn’t played Utah in 35 years.

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AlbumReviewScott Rollins

Album review: new Willie Nelson record Oh What a Beautiful World covers Rodney Crowell

I first heard “The Banks of the Old Bandera” when Rodney Crowell’s album The Houston Kid debuted in 2001. I love that record and still feel it’s Crowell’s most artistic and intellectually stimulating recording, which is no small observation. I felt “Bandera” sounded like a Willie Nelson song. It only took twenty-four years, but Willie covered this song, and eleven other songs penned by Rodney Crowell on his newest release Oh What A Beautiful World, which dropped April 25, 2025. If you clicked the link, you saw a limited edition white vinyl only available from Willie’s website.

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Case CockrellLive MusicReview

Live music review: Austin Psych Fest brought eclectic talent from across the psych spectrum

The Spring installment of Austin Psych Fest returned last weekend to The Far Out Lounge & Stage for a three-day, two-stage, no-overlap experience that brought over 30 acts to Austin for an eclectic weekend of music from all across the trippy psychedelic spectrum. For 2025, the billed talent stretched its boundaries by bringing a diverse array of artists that catered to fans of Psych Fest past and present. Here’s what stood out to us over the weekend-long stand in South Austin. 

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Drew DoggettLive MusicReview

Live music review: Khruangbin Spins a World of Their Own at Moody Amphitheater

Tuesday, April 22 at Austin’s Moody Amphitheater felt like it would never dry out. A curtain of rain blanketed the city in the early evening, forcing fans to huddle under trees and the few dry patches the venue had to offer. I, running from improv class on the other side of town, took respite under a bridge for 15 minutes before the rain subsided. By the time Khruangbin finally took the stage after a brief delay, the air was so heavy with humidity that it clung to your skin, like you could reach out and grab it. But the moment the band walked out, framed by three glowing window panels inspired by their newest album, A La Sala, the crowd roared like the sun had risen through the parted clouds, 9 p.m. in the evening.

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April DawneLive MusicReview

Live music review: Friday at Austin Psych Fest with Explosions in the Sky, Octopus Project and Godspeed You Black Emperor

Austin has no shortage of music festivals and while most of them are amazing in some way, my favorite is Austin Psych Fest. This year, I caught Texas act, Explosions in the Sky, Austin’s The Octopus Project and Godspeed You! Black Emperor as well as some other worthwhile bands. This gem of a festival melted into Levitation (close second fave) and then split back into two different but equal festivals in 2023. APF is held at The Far Out Lounge, one of my favorite venues in Austin since the apocalypse.

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Case CockrellLive MusicReview

Live music review: Barcelona act Prison Affair at Mohawk with Mujeres Podridas and Gus Baldwin

Barcelona’s Prison Affair made their way to Austin to deliver a sparse yet potent dose of their overseas caffeinated “Egg Punk,” a genre gaining steam as a leading force in the crate-digging, vinyl-obsessed underground. For a Monday night at Mohawk in the Red River Cultural District, a homegrown bill took the opening reins for the international touring act, all bringing their highest octane for the blistering fury the Spanish trio brings to the stage.

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Case CockrellLive MusicReview

Live music review: Swedish metal legends Meshuggah packed ACL Live with Cannibal Corpse and Carcass

Heavy metal music doesn’t get the spotlight as much as it should in Austin. Multiple stacked tours skip Austin and opt for San Antonio and Houston. For a near-sold-out crowd that flocked to downtown Austin to see legendary Swedish players Meshuggah, the metal gods made an exception for the live music capital. For Tuesday night at Austin’s premiere venue, ACL Live, the unbridled barrage of extreme metal didn’t let up across all three performing acts

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Case CockrellLive MusicReview

Live music review: Haunting acoustic sets by Ty Segall and Mikal Cronin at Parish

y Segall and fellow songwriting partner Mikal Cronin shared an intimate acoustic bill on Sunday, April 6 at Austin East Side venue Parish, and the results were a haunting series of tunes to a seated crowd. A masterclass in both recording and touring, the duo pulled from various records that showed them presenting a side of them that we don’t hear that often. There was no electric guitar mania to be found, but something different was brought to the table by the two living indie rock overlords, and the results showed a realm of musical honesty and longtime friendship. 

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Live MusicReview

Live music review: Hardcore godfathers Agnostic Front at 29th Street Ballroom

This isn’t a shaking-fist, “it’s all changed” rant. It’s a look back at a community, a genre that changed my life. What I fell into at 13 is still going. Kids are still discovering punk and hardcore, and this music that once lived in bowling alleys, VFW halls, and anywhere with a slab of concrete is thriving. Seeing legendary acts like Agnostic Front on March 28 in Austin no longer requires the dues it once did through record shops and gatekeeping.

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