Merge Records’ recording artists, A Giant Dog made a triumphant return to the Hotel Vegas patio last night with a sold-out, typically raucous garage-punk rock performance that ignited an already hyped audience. Those same fans had just witnessed equally stellar performances by openers, Dregs and Vegas stalwarts, Pleasure Venom.
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Three years almost to the day after Shame released Song of Praise, they delivered on that promise with the release of Drunk Tank Pink in mid-January.
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Austin band Zachman has been busy in the studio during the local music industry slow-down due to the world-wide pandemic. Accordingly, the group is introducing their first single, “All Wired Up” today exclusively at The Cosmic Clash.
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Austin rockers, The Dead Coats made a rocking full-length album slated to drop Saturday on all platforms. The band tracked the 10-song album, BIG WISH (Dissent Records) in two days utilizing analog equipment and forgoing click tracks in favor of a more natural sound.
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Upstart hardcore punks User Unauthorized are set to drop their second EP, Watch Them Fall December 18 on Rabbit Rabbit Records (Chicago).
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David Castro went from booking 50-100 shows a year for his fledgling, Bird Barn Booking Company to wondering if work as a line cook was something he’d have to return to. But then, like a bolt of lightning, the Vancerts concept came to him in the form of an informal, mobile live performance at House Skatepark on December 4.
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The Blowies had all but completed their debut album by that point. During the lockdown, Tucker Jameson and Sam Thompson remained productive, remotely collaborating from their makeshift home studios to put the finishing touches on their now delayed debut LP.
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Last month we reviewed Toronto noise-rockers, Metz’ fantastic new album, Atlas Vending. Today we’re sharing an in-depth interview with band leader, Alex Edkins. We discussed the impact the COVID-19 pandemic is having on touring musicians, the new album and how the Toronto scene compares to Austin’s.
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We’re thrilled to premiere the band’s exceptional third release, Knock Out (Pecan Crazy Records) today at The Cosmic Clash. The album is a follow-up to one of our top Austin albums of 2019, What’s A Woman To Do.
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To the excitement of many fans, Fontaines D.C. announced early this year that they had completed recording their sophomore effort, A Hero’s Death which was heavily inspired by the music of the Beach Boys. An ambitious undertaking to both avoid the sophomore slump and put out a record that rose to lofty level of Brian Wilson and company.
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In what now feels like ancient history, this past January, The Cuckoos put on a show at one of Austin’s most intimate venues, Cheer Up Charlie’s. On June 29, the band dropped a new single and video. The new clip depicts a man (Frost), sitting alone in a chair, in black and white with a vintage color TV playing footage from the aforementioned show. This is the premise for the Austin-based The Cuckoos’ latest music video and single release “I’ll Be Ur Tramp.”
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