jam band

Case CockrellLive MusicReview

Live music review: King Gizzard played marathon three hour set at Germania Amphitheater

The trek out to Austin’s Circuit of the Americas racetrack where Germania Amphitheater is located is a daunting one. From taking in an hour of traffic, ludicrous drink prices, and baffling ticket expenditures, the Formula 1 Racing spot has most Austin music fans disinterested in driving out to the sticks to experience its monstrosity. (17 miles outside of the downtown area to be exact.) In last Friday night’s case, fans of a certain Australian band made an exception.

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Case CockrellReview

Live music review: Billy Strings Moody Center debut kicked off Austin run with 3-hour spectacle

With two nights of music prepared for Austin at Billy Strings Moody Center debut Friday and Saturday, Strings unveiled three and a half hours of music, with the first night of the residency being Strings’ longest live show to date.

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Greg AckermanLiveReview

Live music review: Melvin Seals and JGB return to Austin 37 years later

When it was announced that Melvin Seals and JGB (Jerry Garcia Band) booked two nights at The Mohawk last weekend, we scratched our heads. Not because the booking was strange, many a jam band has graced the outdoor stage at

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Greg AckermanLiveReview

Live music preview: Marcus Rezak and Shred is Dead are coming to Austin

A new wave of experimental and improvisational artists are gaining popularity nationwide. Touring progressive music guitarist Marcus Rezak is part of that trend, emerging from the respected music program at Berklee College in Boston to join the ranks of skilled hired guns touring festival stages while working with Digital Tape Machine, Grateful Dead/JGB progressive instrumental act Shred is Dead and Katharsis. Rezak has made his first solo album, “Gateway to the Galaxy” with drummer Kris Myers (Umphrey’s McGee), legendary saxophonist, Bill Evans (Miles Davis), bassist Arthur Barrow (Frank Zappa) and Joel Cummins (Umphrey’s) on keys. Indeed a true super group was assembled for the recording of the record at The Attic in Nashville.

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Greg AckermanLiveReviewUncategorized

The Cover Letter continued to rock at Sahara Lounge Thursday at SXSW – The Cosmic Clash

[ngg_images source=”galleries” container_ids=”7″ display_type=”photocrati-nextgen_basic_slideshow” gallery_width=”600″ gallery_height=”400″ cycle_effect=”fade” cycle_interval=”10″ show_thumbnail_link=”1″ thumbnail_link_text=”[Show thumbnails]” order_by=”sortorder” order_direction=”ASC” returns=”included” maximum_entity_count=”500″] All photos: Brandon Sandler Guest

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