Rain was sprinkling down on a cold February Friday night as the moshers and crowd-surfers at Austin Red River Cultural District staple Mohawk caused crisis-level pandemonium for a sold-out Valentine’s Day gig. For local rockers Die Spitz, the usual attendees are sure to bring their worst, punk rock behavior.
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Austin power pop outfit Lola Tried has returned with a new single on January 31 that recaptures their mission statement of undeniable anthems, bombastic live appearances, and an inclusive atmosphere that they have cultivated over their near decade tenure as a local scene staple. With multiple releases already out in the music world, the Austin act is continuing to add triumphant tunes into their arsenal and the songs just keep coming.
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Early January saw Mike Cosmic connect with and interview two members of Parker Woodland; lead vocalist and bassist Erin Walter, and drummer Keri Cinquina. These multi-talented musicians previously collaborated in Butch County before joining forces with guitarist Andrew Solin, forming Parker Woodland three years ago.
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Since the release of 2023’s Raze Regal & White Denim Inc. in collaboration with guitarist Regal, who also plays in Austin staple Nolan Potter’s Nightmare Band, fans have been eagerly awaiting the newly California-based musician’s next entry in the long-running indie rock song machine. Fortunately for White Denim loyalists, the time has arrived for the Austin to Los Angeles band to release their 12th full-length album, fittingly titled 12. This newest batch, engineered by the singer and guitarist himself and mixed by former drummer Josh Block and mastered by Dallas-Fort Worth musician Jordan “Jorts” Richardson, is Petralli’s first in his new SoCal studio, and feels like a passionate return to form.
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Almost twenty years ago, I downloaded my first song off iTunes. I put $0.99 down for the Interpol lead single Evil that would keep a steady hold on the automatic “Top 25 Most Played” playlist. After obsessively listening to the song, Antics became the first album I downloaded. From there it was The Strokes, Pixies, Modest Mouse, and Sonic Youth. Antics was my gateway into a wider array of sonic landscapes and I am eternally grateful for that 30-second iTunes preview that hooked me.
On November 21, Austin’s Moody Amphitheater hosted a celebration of the 2004 album, where the band delivered a masterful two-hour set to honor the record’s 20th anniversary and provide some fan favorites to boot.
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The trek out to Austin’s Circuit of the Americas racetrack where Germania Amphitheater is located is a daunting one. From taking in an hour of traffic, ludicrous drink prices, and baffling ticket expenditures, the Formula 1 Racing spot has most Austin music fans disinterested in driving out to the sticks to experience its monstrosity. (17 miles outside of the downtown area to be exact.) In last Friday night’s case, fans of a certain Australian band made an exception.
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Fast forward to last week’s show at Scoot Inn on the East Side of the Live Music Capital when fans gathered to hear the band introduce their latest effort, Sonic Ranch. What may surprise fans who haven’t kept up with group, is this record is quite good. If you were at Scoot Inn on Thursday last week, you saw the pride on the faces of bandleaders, Tony Scalzo and Miles Zuniga as they introduced their new songs. They have every right to be proud.
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On the heels of Rocktober, as the holidays approach and touring shows become more infrequent, the live music focus in Austin turns towards local acts. Local lineups appear at the Armadillo Christmas Bazar, holiday themed events such at The Last Walz and occasionally worthwhile benefit concerts like the Love is Evermore event taking place at Radio East a week from today on November 17 at Radio East with The Bright Light Social Hour headlining their only Austin Fall performance with Parker Woodland and longtime Austin musician, Oliver Steck’s Squirrel Show. Evermore is a bereavement advocacy group that works on policy initiatives and provides resources to the public. The group is dedicated to making the world a more livable place for bereaved people.
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The 2024 edition of Levitation is coming up fast this Halloween weekend. Each year, Austin’s The Black Angels and trusted booking powerhouse and Festival Director Rob Fitzpatrick continue to deliver star-studded lineups and cutting edge acts that never disappoint local and out-of-town music fans traveling to Austin for the annual multi-venue programming. The Cosmic Clash team is here to provide another list of bands you need to see over the four-day festival takeover at venues all over the Austin area. Fans have the option of purchasing access to the entire lineup or purchase individual shows. Set times and tickets can be found on the Levitation website for fans to plan their daily excursions to see all the music they can throughout the weekend.
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Blaise Eldred’s Sexpop was just a one-man band when the Berklee College of Music attendee arrived in Austin as a member of the now-defunct psychedelic collective Acid Carousel. Before arriving in Austin, Eldred had two albums of material with his musical vehicle Sexpop and another record with Boston-based indiegaze act RVRCT. (pronounced Rivercat) On new single “Who To Call,” Eldred takes a break from local funk mega-ensemble Grandmaster, revisiting his passion project with a fresh, refined approach with an accompanying music video to boot.
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I hate the term “guilty pleasure.” Loving music based on the approval of others will drain you. While I’m not saying I’ll grab the aux cord to blare “Sex on Fire” during a road trip, I will die on the hill that Aha Shake Heartbreak was a seminal record for 2000s alternative and indie rock. Maybe it’s the Nashville boy in me, the lover of arena rock, or the nostalgia for how their southern riffs colored my upbringing in Tennessee. Kings of Leon rock. And on August 14 at Austin’s Moody Center, they brought a 28-song, anthemic setlist to prove it.
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