Live music preview: White Denim’s Radio Milk Recording hosting Grateful Dead Kids Show April 7
Fresh off a successful South By Southwest (SXSW) the members of White Denim are preparing to host the first Grateful
Read MoreFresh off a successful South By Southwest (SXSW) the members of White Denim are preparing to host the first Grateful
Read MoreThe most EVIL rap crew in Travis County, “MEXMODE”, will perform at the 2019 edition of Cosmic Clash Daze (World Music) during South by Southwest (SXSW).
Read MoreAustin indie rockers “Darkbird” just released their new single “Crimes.” The song has a retro feel to it as if singer Kelly Barnes had been transported back to the mid 1980s to write a song. It also highlights Barnes’ strong vocal performance over a classic sounding new wave rock track. The band plans to drop this an successive singles, ending up with a new EP on the other end of those single releases.
Read MoreThe Cosmic Clash has successfully produced Free Week events in the past, but this year we wanted to try something
Read MoreThere are probably more small, independent, local record labels in Austin than you’d expect. That fact isn’t stopping The Nothing Song owner, Trish Connelly from launching her own label on 7″ featuring talented newcomers, Blushing. The Cheer-Up Charlie’s booker is announcing the newly formed label at her Luscious Heaven: A Night of Shoegaze and Dreampop on Saturday, November 3 (this weekend) at the aforementioned Red River club.
Read MoreVancouver-via-Brooklyn-based electronic group Bob Moses brought their Battle Lines tour through Austin at Emo’s last Friday, October 19 supported by Mansionair. Bob Moses is actually a duo comprised of Jimmy Vallance and Tom Howie, their pop-electronic work was filled out with a lineup of live drums, bass, keys, guitar and vocals for a set list that drew heavily from their latest album, “Battle Lines.”
Read MoreAfter covering The Bright Light Social Hour for nearly a decade, since their debut album The Bright Light Social Hour dropped, I can honestly say I couldn’t be more excited for the group. If you clicked the link, you saw tens of thousands of plays their debut has on Soundcloud which isn’t even the most popular streaming platform they’re found on. The band was hot. You couldn’t turn on KUT (KUTX didn’t exist yet) without hearing one of the band’s singles.
Read MoreIt’s been eight years since Austin electronic duo, Ghostland Observatory put out an album. Let that sink in… EIGHT YEARS. That’s a lifetime in today’s music environment of countless streaming services, instant singles and surprise albums. The pair comprised of Thomas Ross Turner (keys, drums and weird sounds) and Aaron Behrens (guitar/vocals) hit the proverbial creative wall after non-stop touring and hype wore them out following the success of their aptly named second album Paparazzi Lightning and two more records on the heels of that impressive sophomore effort.
Read MoreTribute bands are a strange phenomena. Of course we love Pink Floyd. Their pioneering psych-rock musical style pairs well with our own home-bred original Cosmic Cowboy, Roxy Erickson. But a group of talented musicians recreating Floyd’s Division Bell tour like Brit Floyd? Despite the success of the group which tours worldwide, we had our doubts about how the show would play out. In retrospect, our hesitation was unwarranted. The show was a smashing success. The music, lights and visuals were spectacular. As were the musicians who performed. If you have the chance to catch this production when it rolls through your town, you should. It’s worth the ticket price.
Read MoreHosting an ice cream-centered event during the unbearable hot months of summer here in Austin is a great idea. Complimenting the family-friendly daytime event with an After Dark program featuring soul singer Lee Fields & the Expressions with Austin’s reigning Queen of Soul Tameca Jones brought the popular fest to a whole, new level as the Austin Ice Cream Festival did on Saturday at Fiesta Gardens in East Austin.
Read MoreAustin rock trio, Motion Planet dropped their sophomore effort, In Between The Moons today. The record reflects the disparate influences that
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