I am still not sure what a “YouTuber” is, though my teenager has explained the concept twice. I am halfway lost between rotary phones and storage clouds; long playing records and streaming services. So I do not know if Reina del Cid was a “YouTuber” originally or if it just happens to be where I found her singing “The Tennessee Waltz”.
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The show was four minutes late, house lights still on and I was waiting outside the door marked with the section I’d secured seats. To my right, on the other side of the hall, were five places to buy beer, wine, or something harder if the spirit took you. My bride and I had crossed the Louisiana border with two of our best friends, who share the same interest in music, politics and nearly everything else.
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Last weekend’s 10th Annual Utopiafest held for the first time at Reveille Peak Ranch just outside of Burnet saw ideal weather conditions perhaps for the first time in the festival’s history as the event dates moved to their latest time of the year thus far. The limited-attendance festival featured performances by Sound Tribe Sector Nine (STS9), Patty Griffin, Lukas Nelson and John Medeski’s Mad Skillet among other acts that followed in the Americana / Jam band slant the festival bookers lean toward.
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Today we’re premiering another video from San Antonio songstress, Ila Minori. The haunting clip from the song “Mend” details the fallout of a breakup, featuring Erica Monzon aka Ila Minori as she contemplates her breakup. The video is beautifully shot on location in Austin and San Antonio by John-Marc Lucid (Lucid House Productions). Lucid expertly depicted the emotional lows of dealing with a sudden breakup. The clip is moving to watch and highlights Ila Minori’s incredible vocal style.
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Hosting an ice cream-centered event during the unbearable hot months of summer here in Austin is a great idea. Complimenting the family-friendly daytime event with an After Dark program featuring soul singer Lee Fields & the Expressions with Austin’s reigning Queen of Soul Tameca Jones brought the popular fest to a whole, new level as the Austin Ice Cream Festival did on Saturday at Fiesta Gardens in East Austin.
Read More[ngg_images source=”galleries” container_ids=”13″ display_type=”photocrati-nextgen_basic_slideshow” gallery_width=”600″ gallery_height=”400″ cycle_effect=”fade” cycle_interval=”10″ show_thumbnail_link=”1″ thumbnail_link_text=”[Show thumbnails]” order_by=”sortorder” order_direction=”ASC” returns=”included” maximum_entity_count=”500″] All photos: Brandon Sandler San
Read More[ngg_images source=”galleries” container_ids=”10″ display_type=”photocrati-nextgen_basic_slideshow” gallery_width=”600″ gallery_height=”400″ cycle_effect=”fade” cycle_interval=”7″ show_thumbnail_link=”1″ thumbnail_link_text=”[Show thumbnails]” order_by=”sortorder” order_direction=”ASC” returns=”included” maximum_entity_count=”500″] All photos: Brandon Sandler
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Austin singer-songwriter Robynn Shayne uses a hashtag to promote her work. It’s called #HustleWithGrace. When asked about the meaning behind this tag she explained that it’s about positive flow, not being a jerk or trying to step on anyone while making your dreams happen. It’s about artists helping other artists rise to the top. To the top is where Robynn is headed. The Cosmic Clash recently sat down with Robynn at Detroit style pizza-pie joint VIA 313 in Austin to discuss her latest album, Coffee Days and Whiskey Nights. This is Robynn’s third release, after her self-titled debut and a sophomore album Rebel Child.
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In the unforgiving desert that is commercial country music, there is an occasional oasis of originality coupled with traditional roots. A shining example is Margo Price. She’s released her third studio album, That’s How Rumors Get Started on July 10.
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Outlaw country music pioneer Willie Nelson has perhaps been a greater influence on American music than any other singer, songwriter, or musician in history. At 86 he appears just as relevant today as anytime in his career.
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I’ve always felt Guy Clark had it all as far as talent. We are talking about a man whose songwriting eclipsed the brightest songwriters over three generations commercial country music offered. His voice was husky and strong, with a whisper of soft romanticism one can’t just dub in to a mix as an production afterthought.
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