At the sold-out Austin staple Antone’s Nightclub on a frigid, Friday, January 17 evening, Austin heavy-hitters Rickshaw Billie’s Burger Patrol kicked off their 2025 with an indoor, deafening statement-maker for their year that is sure to be massive as their upswing to fame has shown to have no conceivable ceiling.
For Being Dead’s Bayonet Records debut, the Austin powerhouse act not only goes the distance, but torches any doubt that anyone might have had that Being Dead would miss the mark for their first full-length outing which was celebrated with a release party at Sagebrush last Friday.
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The Oxys, comprised of guitarist Jason “Ginchy” Kottwitz (Dead Boys, Sylvain Sylvain and The Sylvains) and Vocalist “PunkRockPhil” Davis is a rambunctious punk rock band from Austin, recently released their second album titled Generation Irrelevant on the label Dead Beat Records imprint.
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Texas band Daiistar is back in full psychedelic force. On new track “Star Starter,” the Austin act wastes little time in getting down to potent, psychoactive business. The reverb-drenched production makes for a vision quest-type listen, allowing the listener to sit back and bask in the production magic of Alex Maas, frontman of Austin Neo-Psych legends, The Black Angels.
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Every once in a while, you get a stacked night of music from start to finish. Moody Amphitheater’s sold out show on June 25 featured Bully, Franz Ferdinand, and the Pixies, as the three’s last show together for the tour.
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“I did what I wanted to do, which was create a body of work that reflected me,” Yachty explained in a Billboard cover feature. “My idea was for this album to be a journey: Press play and fall into the void.” This was his position before recording his debut Austin City Limits (ACL TV) taping last week.
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Since seeing frontman Nathan Williams’ strong attachment to the venue, he likes to end each Mohawk appearance with a backflip into the crowd from the venue’s 2nd level overlooking the stage left, I was sure never to miss another show, including last week’s tour stop at Mohawk.
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LEVITATION has stayed true to it’s roots, curating a lineup each year that is both reflective of past greats while spotlighting some of the best new bands of the Neo-psych-rock era and beyond. Besides festival founders, The Black Angels, the 2023 edition features cutting edge acts, Unknown Mortal Orchestra, Neo-jazz outfit, BADBADNOTGOOD along with 80s new wave / Neo psych-rockers The Church and festival veterans The Dandy Warhols.
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One of the more pleasant aspects of partnering with music mental health organization, SIMS Foundation is learning about folks who make the decision to support the NPO with their own events because they recognize the value to the local music community. In that vein, Community Partners created Moondance Festival with a killer lineup of bands to perform at Empire Garage and Control Room August 12.
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Have you ever seen a show in a church? What about a show in a church equipped with a psychedelic light display while a classic drone metal band plays their classic album in its entirety? For Seattle’s Earth, the drone legends did just that, which included a performance of their classic 1993 debut album, Earth 2, in its full glory for the record’s 30th anniversary at Central Presbyterian Church.
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Lil Ugly Mane, aka Travis Miller, has always been an elusive figure. The underground hip-hop world that Ugly Mane spawned out of might call the Virginia native an enigma, so much so that Lil Ugly Mane’s many pseudonyms meant to take the prolific music creator outside of the SoundCloud rap box that he was painted into with his breakout 2012 debut album Mista Thug Isolation.
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In the 15 years since the band Love and Rockets toured their live show, and almost 40 years since the band’s inception, much has changed in the world. Born from the ashes of the legendary post-punk, goth, avant-garde outfit Bauhaus, three of those four players arose in the form of Love and Rockets.
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