Live music review: Bonnie Raitt at CMAC – Still in the Pocket and Giving a Damn
Generally, something is lacking in spirit when attending a legacy show. Artists who’ve been in the game forever can feel
Read MoreGenerally, something is lacking in spirit when attending a legacy show. Artists who’ve been in the game forever can feel
Read MoreAfter a tumultuous few months, the cavern in our hearts is about to close: The Lost Well is finally ready to (re)open. After some nefarious Austin money shit went down, the famed heavy metal haven for weirdos and castaways was forced to close, leaving many in the city feeling like a friend had died. Yet, the mighty Lost Well returns from the dead.
Read MoreI’ve seen a lot of things in my years of going to rock and roll shows. I have experienced a man in a rubber sex mask spit fake blood into a child’s face. Whenever Tear Dungeon plays, there is always a chance of something insane happening. Between roof climbs, the highest stage dives, a garage being ripped down to the studs (see: their show at the now-defunct Ghost Cat Lounge) the band has established a culture of chaos at their shows, that if you’re here, being an absolute psycho is A-OK. The band’s show at Radio East on Saturday, August, 9 was no exception
Read MoreOne of the joys of the chaotic internet is that legendary bands never truly die—they just slumber beneath the surface, waiting to drag themselves from the muck like Godzilla and roar back into the stratosphere. Coalesce, the Kansas City hardcore pioneers who helped birth metalcore in the ’90s, has been one of those beasts. During my annual hometown pilgrimage to Chicago this July, I discovered Coalesce was playing with local post-metal heavies Pelican at the gorgeous Thalia Hall in Pilsen. Having not seen them since probably 2000 or 2001, I had to witness whether middle age had dulled their legendary violence.
Read MoreMusic is like an emotional sledgehammer to our lives; it’s the soundtrack to moments, to milestones. Everyone has those songs that, upon hearing them, transport them back in time. Black Sabbath’s “Paranoid” is that time machine for many, a raucous small rip of mind fuck that fuels speeding cars, hot sex, or wild montages of cocaine and whiskey medicine. It’s a few moments of perfection, which the band never intended to be anything but album filler. That’s the majesty of the band – they created a genre: Heavy Metal. And the four lads from Birmingham experienced their fruits in real-time. Yesterday, Ozzy Osbourne, the King of Metal, passed on
Read MoreSomeone online said something profound about Ozzy’s final performance with Black Sabbath at Villa Park in their hometown of Birmingham, England on July 5: they called him a tired king. And as that tired king looked out over his court, with the whole world watching, he gave one last welcome to those still loyal to his heavy metal kingdom.
Read MoreThis isn’t a shaking-fist, “it’s all changed” rant. It’s a look back at a community, a genre that changed my life. What I fell into at 13 is still going. Kids are still discovering punk and hardcore, and this music that once lived in bowling alleys, VFW halls, and anywhere with a slab of concrete is thriving. Seeing legendary acts like Agnostic Front on March 28 in Austin no longer requires the dues it once did through record shops and gatekeeping.
Read MoreI wanted to give you a few new things to listen to if you’re in the market for new ear candy. When the world is a constant depression machine, the power of music is unmatched, a salve that can make us feel human again when there’s just too much punishment on our hearts and souls and by the grace of god, some caveman, somewhere, figured out that if you beat a few rocks together with sticks over a cowhide, the beautiful noise happened.
Read MoreI bitch about Austin a lot—parking, traffic, rent prices. But every once in a while, the city gets it right. Not So Fun WKND at The Far Out Lounge March 8 was one of those moments. The all-day fest with Trapped Under Ice, Parade of Flesh, God’s Hate and many others took place at the popular South Austin venue. An opening party was held Friday, March 7 at Sagebrush with Suburban Scum, Dmize, Creeping Death and more. Hardcore bands from across the country descended on Austin, turning the weekend into a cathartic release of bad vibes and raw energy.
Read MoreOne of Austin’s best and brightest this past week, Luke Trimmer from White Horse, was hit by someone who had too many sodas and turned a wrong turn – down I-35. And now Luke is in a bad way. Just a guy like many of us, after a long shift on his feet, looking forward to a plate of tacos and the warmth of his bed. That’s pretty much everyone reading this; every time we get ready to head home after a late night, no one expects to be pulled from the twisted metal of a car wreck.
Read MoreBecause art moves with the flow of the thoughts of outsiders looking inward, it’s no surprise that Austin-based designer Roi Hernandez’s House of 1912 is getting acclaim around Texas fashion circles. It will also not be a shocker when he gets his due credit in bigger fashion circles. Roi doesn’t come from a fashion background; he came from the music industry. Hernandez is key leadership staff at Red River club, Elysium. He decided to make clothes for more prominent men because he wanted to see them dressed better than boxy nightmares with Hawaiian print or corny t-shirts splashed with faded X-Men comic book covers or a Mountain Dew logo. Instead, he’s reclaiming what goth is, which is something that’s not whatever Hot Topic is peddling – a reflection that even though clothing may be considered “goth,” everything doesn’t have to always be black and spooky.
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