Friday, March 6, 2026

Stubb’s BBQ

Case CockrellLive MusicReview

Live music review: Standout rapper Earl Sweatshirt cemented his legacy at Stubb’s

For the release of his fifth studio LP Live Laugh Love, the Earl hive is as healthy as ever, even if it means the 31-year-old’s legacy is a long way from his angst-ridden years. Earl and his worthy entourage made their way to Stubb’s Waller Creek Amphitheater on November 21, an evening filled with beats and bars that affirmed his consistent, independent trajectory, which has mounted to that of one of hip-hop’s most forward-thinking figures.

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Case CockrellLive MusicReview

Live music review: Die Spitz sold-out Stubb’s for debut album release

A sold-out show at Stubb’s Waller Creek Amphitheater in Austin can be one of the most treacherous live music experiences in the downtown area. For the occasion of hometown heroes Die Spitz, exceptions had to be made to celebrate their debut album release Something To Consume via Jack White’s Third Man Records on Friday, October 24. The Austin hard rock quartet has been busy the last couple of years, racking up multiple headlining tours, opening slots for the likes of Amyl & The Sniffers, Viagra Boys, and Sleater-Kinney, and dropping new tracks ahead of their recent full-length studio release. For their homecoming after multiple stints worldwide, Die Spitz brought fellow Austin acts The Opera and Fuck Money to help them celebrate this monumental occasion. 

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Michael MalyReview

Live music review: Car Seat Headrest and Bartees Strange played Stubb’s on May 4

On Cinco de Mayo (May 5), Car Seat Headrest brought their tour to Stubb’s BBQ with opener Bartees Strange for an eagerly awaited performance that brought a sold-out crowd to the venerable Waller Creek Amphitheater on a night that traditionally sees music fans in front of Latin bands

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Greg AckermanReview

Live music review: Parquet Courts showcased new record at Stubb’s Friday

New York City’s Parquet Courts hit Stubb’s BBQ Friday amid a ton of anticipation from fans eager to see the garage rockers’ return to Austin. Perhaps lost in that fervor was the fact their new record, Sympathy for Life featured a cache of songs unlike much of the band’s previous material.

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