On Sunday, September 12 Glass Animals played Austin’s shiny, new Moody Amphitheatre at Waterloo Park. While it wasn’t the first performance The Cosmic Clash has covered at the venue (Gary Clark Jr opening weekend), it was the first time at the venue for this writer.
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Dreampop act, Semihelix have announced the release of their third and final single “Will It Take” from their upcoming album Recoil out October 23 on Mariel Records.
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The last time we covered Austin progressive rock band White Denim it was their 2018 Fall tour finale. Saturday’s show at Mohawk in the live music capital announced the band’s return to the stage along with their work on local indie rockers, Go Fever’s new record.
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f you brave enough to get “peppered up” this past Sunday at the 31st annual Austin Chronicle Hot Sauce Festival held at the Far Out Lounge and Stage then you’re one of the lucky ones. Hundreds of adventurous souls came out to hear great, local music from Ley Line, Deezy Brown and Jake Lloyd, Geto Gala, Indoor Creature and Van Mary.
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Simbiatu Abisola Abiola Ajikawo, known in the music world as Little Simz, released her latest LP, Sometimes I Might Be Introvert, on September 3rd. The Islington, London MC has risen to prominence over the past five years via four studio albums and a flurry of tour dates.
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Friday evening three female-powered acts played inside the remodeled Hotel Vegas bar which has been rebuilt. The event was a fundraiser for The Lilith Fund, sponsored by Women That Rock, a music curation & discovery platform with a mission to spotlight & celebrate the best rising women in music. Appropriately, the group booked three female-led acts, Van Mary, Lola Tried and Little Mazarn.
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Today’s review is from Zack Teibloom, a local Austin writer we’ve been friends with for years. After an extended hiatus from live music coverage, Teibloom returns in a big way with a stellar review of Spoon’s underplay at Mohawk last night.
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Merge Records’ recording artists, A Giant Dog made a triumphant return to the Hotel Vegas patio last night with a sold-out, typically raucous garage-punk rock performance that ignited an already hyped audience. Those same fans had just witnessed equally stellar performances by openers, Dregs and Vegas stalwarts, Pleasure Venom.
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Three years almost to the day after Shame released Song of Praise, they delivered on that promise with the release of Drunk Tank Pink in mid-January.
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Collins also makes incredibly good music as you’ll hear on his five-song EP, Headed Home which was released May 31 on his own Side Show Paradise label. The short but powerful EP is the kind of record that leaves you wanting more. That is the hallmark of a gifted songwriter.
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In light of the fantastic new Bob Dylan album, Rough and Rowdy Ways which was released last week, I‘ve wondered if everything if everything that can be said about Bob Dylan, has already been said? Honestly, what else is there to discuss? Dylan just “is” Dylan. I think the hardest part of being an artist is having “experts” and “critics” compare and dissect your work, stretch it out and lay it down against your last.
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